THE TOMB OF LAFAYETTE IN THE PICPUS CEMETERY, PARIS
From a photograph

But our George has jangled the porter's bell and the gate is shortly opened by a sad-faced Sister, who, with down-cast eyes conducts us through the long convent gardens, past the buildings which one may not enter, and into an oblong enclosure crowded with flat tombstones, upon which as we pass down the walks we read the most historical names in France, until upon reaching the last in the line, the name of La Fayette is before us. Two little American flags adorn it and hang motionless in the quiet air. But even La Fayette's tomb cannot hold our thoughts long here. The eye is irresistibly drawn to a small door in a wall just beyond it, guarded by an iron grill and surmounted by a tablet bearing a simple inscription.

Gazing inward you see a space some seventy-five feet square and guarded by high walls. Its grass is shaded by some cypress trees, a simple iron cross rises in the centre. There are no stones or monuments of any sort to mark this last resting place of the flower of the French aristocracy. Thirteen hundred and six were brought here from the Place du Trône and were cast pell mell into the fosse.

THE CEMETERY OF THE PICPUS. LAFAYETTE'S TOMB ON THE RIGHT, TABLET TO ANDRÉ CHÉNIER ON THE LEFT
From a photograph by the author

Amongst them, the figure of the poet André Chénier will probably be remembered the longest. His only crime lay in his beautiful verses, in his life and character, all of which were a reproach to the wolves of the Revolution. The night following his execution a cart loaded with twenty-five headless corpses left the Place du Trône and wended its way to this deserted quarry, into which for six weeks had been tumbled pell mell, stripped of their clothing by the men in charge of the work, the victims of these last days of the Terror. This fosse remained open from day to day awaiting further executions and no day passed without its additions to the mournful assemblage. Here André Chénier was buried unknown to his family who sought for his grave, for the work was done in secret and these grave diggers never spoke of their task as to do so would have insured their joining the silent throng. The secret was discovered by a poor workwoman, Mlle. Paris, who followed the cart containing the body of her father, and each week she would repair thither to pray on the brink of his grave. The days of Robespierre accomplished and the Terror ended, the plot was bought by an inhabitant of the Faubourg de Picpus and enclosed in walls, after which it was blessed by a rebellious priest, rebellious against the Commune, in hiding in Paris.

In 1802, when Mme. de Montagu Noailles returned to France, her first care was to discover the grave of her mother guillotined in 1794. Her search was fruitless until she heard by accident of this workwoman, and so in the end succeeded in buying this sacred plot of ground.

The ancestor of Prince Salm Krybourg, who now owns the spot, was the last victim of the guillotine and sleeps here with all the others. None have the privilege of sepulchre in the outer enclosure unless they be of blood kin to those who suffered in the Terror and were buried in this fosse. If there be any aristocracy in death it is here in this cemetery of the Picpus. As I turn for a last glimpse, the spring sunshine is filtering down through the thickness of the trees caressing the grass within, and the tombs without, in a tender sort of way, as though to make up to the dead, in some small degree, for all the horrors which had been hurled upon them when alive. So we leave them under the benediction of spring and follow our sad faced guide who utters no word or sound, but stands with bowed head and crossed hands at the great gateway until we pass outward and away.

After such a spot it is well to come down to the cheerful commonplace streets of this farthest corner of Paris on our way to the South, and yet as we roll onward through the sunshine, it is some time before we recover our usual spirits and the world seems gay once more, and here is one of the charms of automobiling. If all goes well with your machine, and such has been the case with mine, you cannot long remain sad or gloomy, ill or desponding. The rushing air and the glory of living wraps you round about and you cannot but be joyous. Care may be back there somewhere, but with good luck he cannot catch you. To-day the air is moist and warm and with the smell of the asphalt comes the odour of wood violets. The market women, as they rattle past us with their loads of bright yellow carrots and well washed turnips appear jolly and good-natured. Doubtless they could enjoy a good day at the guillotine, but they are not bent upon that now. So we roll onward through mile after mile of streets and a quarter of Paris heretofore unknown to me; rather uninteresting on the whole and yet to me no section of this city is without great interest, and the panorama of her people is an inexhaustible study, and one of which I never tire.