Winged Wheels in France

by Michael Myers Shoemaker

From my window I look down upon the Cours Mirabeau, though it bore no such name in his day. In this city King René lived and reigned in peace, the centre of all the music and romance of this section and apparently unaware of that werewolf Louis XI, awaiting just outside for his death in order to seize the kingdom. The "Cours" is long and narrow, with a promenade in its centre, the whole being sheltered by double rows of plane trees cut square over the tops, and forming beneath a long tunnel where the sunlight filters through the green gloom of the leaves, as thick here as in Vallambrosa. At the head of the Cours the statue of the king gazes downward upon the two old moss-grown fountains, where all form and shape has long since been lost in the passing years and plashing waters. To the music of one just outside my window in the quaint little hotel, I sink to sleep and dreams of King René and Margaret of Anjou intermingle with those of wild rushes over long highways.

The morning sunlight shines brightly, and Jean would like to move on, but Jean has not that sort of a man to deal with. The twentieth century and the automobile must wait while I spend some hours in exploring this quaint town, a decision of which Madame, mine hostess, approves, as she smiles from a seat near the door where she sits knitting and watching her hotel. Madame is old and knows many things, amongst them, that "Monsieur would visit the Cathedral, it is ancient and very curious, and is to be found far up by the first turn to the left."

Modern Aix holds some thirty thousand people, and to the great outer world is but little known. One hears much of Aix-la-Chapelle and of Aix-les-Bains, but little of Aix in Provence, yet to my thinking it is more interesting than either of the others, certainly than Aix-les-Bains, though the German city with its memories of Charlemagne holds its own for interest intense and abiding.

CLOISTERS OF THE CATHEDRAL AT AIX
From a photograph

The Cours Mirabeau divides the modern city from its ancient fellow, and as I leave the hotel, I plunge at once into the dark and narrow streets of the latter where in René's day the poets, troubadours, and gallants held high revels. Aix was the home of politeness, the theatre of the courts of love, which in the valley of the Rhone can never be platonic—and there were held fêtes and tournaments, and life was all a song. It is not always the well-known objects which attract one most in these old mediæval towns but the quaint bits and corners, fountains and monuments unnoted in any guide-book. Yonder stately façade was surely the dwelling of some one of importance in the old days. To-day it is occupied by many of a far different order. An arched portal gives entrance to a courtyard with an old fountain. A stately façade beautifully carved rises beyond; and through a distant archway one catches a glimpse of a deserted garden where the trees form a wild tangle around broken statues, and there is the murmur of water, but the soul of the house has long since passed away. Perhaps in the days of the terror those doors resounded to thunderous knocking while the silence of the night and the peace of the house vanished forever at the dread summons, "Open in the name of the nation," a sure bidding, in those times, to the guillotine; and I doubt not that, with the courage of their class, Monsieur le Marquis and Madame la Marquise went forth to their doom calmly and with great dignity.

One could stand and dream forever in this town of old Provence, but the boys are gathering in curiosity as to why I gaze at a spot that has never attracted a passing interest in their minds. "No one save Jacques the huckster lives there, why should he excite any attention?"

The faded gilding in the ceilings of the great salon visible through the dusty window tells no tale of bygone splendour to the boys, no picture of Watteau figures in high heels dancing around that broken god Pan in the garden pass before their mental visions. To-day one shaft of that old cart rests upon his flute and a blossoming plum tree casts its white shower over his head, but his music is silent for ever.