This so desperate and unphilosophical advice expresses only this,—that human knowledge cannot support itself but by reason unreasonable, foolish, and mad; but that it is yet better that man, to set a greater value upon himself, make use of any other remedy, how fantastic soever, than to confess his necessary ignorance—a truth so disadvantageous to him. He cannot avoid owning that the senses are the sovereign lords of his knowledge; but they are uncertain, and falsifiable in all circumstances; ‘tis there that he is to fight it out to the last; and if his just forces fail him, as they do, to supply that defect with obstinacy, temerity, and impudence. In case what the Epicureans say be true, viz: “that we have no knowledge if the senses’ appearances be false;” and if that also be true which the Stoics say, “that the appearances of the senses are so false that they can furnish us with no manner of knowledge,” we shall conclude, to the disadvantage of these two great dogmatical sects, that there is no science at all.
As to the error and uncertainty of the operation of the senses, every one may furnish himself with as many examples as he pleases; so ordinary are the faults and tricks they put upon us. In the echo of a valley the sound of a trumpet seems to meet us, which comes from a place behind:—
Exstantesque procul medio de gurgite montes,
Classibus inter qnos liber patet exitus, idem
Apparent, et longe divolsi licet, ingens
Insula conjunctis tamen ex his ana videtur...
Et fugere ad puppim colies campique videntur,
Qnos agimns proter navim, velisque volamus....
Ubi in medio nobis equus acer obhsit
Flamine, equi corpus transversum ferre videtur
Vis, et in adversum flumen contrudere raptim.
“And rocks i’ th’ seas that proudly raise their head,
Though far disjoined, though royal navies spread,
Their sails between; yet if from distance shown,
They seem an island all combin’d in one.
Thus ships, though driven by a prosperous gale,
Seem fix’d to sailors; those seem under sail
That ride at anchor safe; and all admire,
As they row by, to see the rocks retire.
Thus, when in rapid streams my horse hath stood,
And I look’d downward on the rolling flood;
Though he stood still, I thought he did divide
The headlong streams, and strive against the tide,
And all things seem’d to move on every side.”
Take a musket-ball under the forefinger, the middle finger being lapped over it, it feels so like two that a man will have much ado to persuade himself there is but one; the end of the two fingers feeling each of them one at the same time; for that the senses are very often masters of our reason, and constrain it to receive impressions which it judges and knows to be false, is frequently seen. I set aside the sense of feeling, that has its functions nearer, more lively, and substantial, that so often, by the effects of the pains it helps the body to, subverts and overthrows all those fine Stoical resolutions, and compels him to cry out of his belly, who has resolutely established this doctrine in his soul—“That the colic, and all other pains and diseases, are indifferent things, not having the power to abate any thing of the sovereign felicity wherein the wise man is seated by his virtue.” There is no heart so effeminate that the rattle and sound of our drums and trumpets will not inflame with courage; nor so sullen that the harmony of our music will not rouse and cheer; nor so stubborn a soul that will not feel itself struck with some reverence in considering the gloomy vastness of our churches, the variety of ornaments, and order of our ceremonies; and in hearing the solemn music of our organs, and the grace and devout harmony of our voices. Even those that come in with contempt feel a certain shivering in their hearts, and something of dread that makes them begin to doubt their opinions. For my part I do not think myself strong enough to hear an ode of Horace or Catullus sung by a beautiful young mouth without emotion; and Zeno had reason to say “that the voice was the flower of beauty.” One would once make me believe that a certain person, whom all we Frenchmen know, had imposed upon me in repeating some verses that he had made; that they were not the same upon paper that they were in the air; and that my eyes would make a contrary judgment to my ears; so great a power has pronunciation to give fashion and value to works that are left to the efficacy and modulation of the voice. And therefore Philoxenus was not so much to blame, hearing one giving an ill accent to some composition of his, in spurning and breaking certain earthen vessels of his, saying, “I break what is thine, because thou corruptest what is mine.” To what end did those men who have, with a firm resolution, destroyed themselves, turn away their faces that they might not see the blow that was by themselves appointed? And that those who, for their health, desire and command incisions to be made, and cauteries to be applied to them, cannot endure the sight of the preparations, instruments, and operations of the surgeon, being that the sight is not in any way to participate in the pain? Are not these proper examples to verify the authority the senses have over the imagination? ‘Tis to much purpose that we know these tresses were borrowed from a page or a lackey; that this rouge came from Spain, and this pearl-powder from the Ocean Sea. Our sight will, nevertheless, compel us to confess their subject more agreeable and more lovely against all reason; for in this there is nothing of its own:—
Auferinrar cultu; gemmis, auroque teguntur
Crimina; pars minima est ipsa puella sni.
Spe, ubi sit quod ames, inter tarn multa requiras:
Decipit hac oculos gide dives Amor.
“By dress we’re won; gold, gems, and rich brocades
Make up the pageant that your heart invades;
In all that glittering figure which you see,
The far least part of her own self is she;
In vain for her you love amidst such cost
You search, the mistress in such dress is lost.”
What a strange power do the poets attribute to the senses, that make Narcissus so desperately in love with his own shadow,
Cunctaque miratur, quibus est mirabilis ipse;
Se cupit imprudens, et, qui probat, ipse probatur;
Dumque petit, petitur; pariterque accendit, et ardet:
“Admireth all; for which to be admired;
And inconsiderately himself desir’d.
The praises which he gives his beauty claim’d,
Who seeks is sought, th’ inflamer is inflam’d:”
and Pygmalion’s judgment so troubled by the impression of the sight of his ivory statue that he loves and adores it as if it were a living woman!
Oscnla dat, reddique putat: sequi turque, tenetque,
Et credit tactis digitos insidere membris;
Et metuit, pressos veniat ne livor in artus.
“He kisses, and believes he’s kissed again;
Seizes, and ‘twixt his arms his love doth strain,
And thinks the polish’d ivory thus held
Doth to his fingers amorous pressure yield,
And has a timorous fear, lest black and blue
Should in the parts with ardour press’d ensue.”
Put a philosopher into a cage of small thin set bars of iron, hang him on the top of the high tower of Notre Dame at Paris; he will see, by manifest reason, that he cannot possibly fall, and yet he will find (unless he has been used to the plumber’s trade) that he cannot help but the sight of the excessive height will fright and astound him; for we have enough to do to assure ourselves in the galleries of our steeples, if they are made with open work, although they are of stone; and some there are that cannot endure so much as to think of it. Let there be a beam thrown over betwixt these two towers, of breadth sufficient to walk upon, there is no philosophical wisdom so firm that can give us the courage to walk over it as we should do upon the ground. I have often tried this upon our mountains in these parts; and though I am one who am not the most subject to be afraid, I was not able to endure to look into that infinite depth without horror and trembling, though I stood above my length from the edge of the precipice, and could not have fallen unless I would. Where I also observed that, what height soever the precipice was, provided there were some tree, or some jutting out of a rock, a little to support and divide the sight, it a little eases our fears, and gives greater assurance; as if they were things by which in falling we might have some relief; but that direct precipices we are not to look upon without being giddy; Ut despici vine vertigine timid ocvlorum animique non possit: “‘To that one cannot look without dizziness;” which is a manifest imposture of the sight. And therefore it was that that fine philosopher put out his own eyes, to free the soul from being diverted by them, and that he might philosophize at greater liberty; but, by the same rule, he should have dammed up his ears, that Theophrastus says are the most dangerous instruments about us for receiving violent impressions to alter and disturb us; and, finally, should have deprived himself of all his other senses, that is to say, of his life and being; for they have all the power to command our soul and reason: Fit etiam sope specie qudam, sope vocum gravitate et cantibus, ut pettantur animi vehementius; sope etiam cura et timor, “For it often falls out that the minds are more vehemently struck by some sight, by the quality and sound of the voice, or by singing; and ofttimes also by grief and fear.” Physicians hold that there are certain complexions that are agitated by the same sounds and instruments even to fury. I have seen some who could not hear a bone gnawed under the table without impatience; and there is scarce any man who is not disturbed at the sharp and shrill noise that the file makes in grating upon the iron; as also to hear chewing near them, or to hear any one speak who has an impediment in the throat or nose, will move some people even to anger and hatred. Of what use was that piping prompter of Gracchus, who softened, raised, and moved his master’s voice whilst he declaimed at Rome, if the movements and quality of the sound had not the power to move and alter the judgments of the auditory? In earnest, there is wonderful reason to keep such a clutter about the firmness of this fine piece, that suffers itself to be turned and twined by the motion and accidents of so light a wind.