LOVE AND ART.
Sì come nella penna.
As pen and ink alike serve him who sings
In high or low or intermediate style;
As the same stone hath shapes both rich and vile
To match the fancies that each master brings;
So, my loved lord, within thy bosom springs
Pride mixed with meekness and kind thoughts that smile:
Whence I draw nought, my sad self to beguile,
But what my face shows—dark imaginings.
He who for seed sows sorrow, tears, and sighs,
(The dews that fall from heaven, though pure and clear,
From different germs take divers qualities)
Must needs reap grief and garner weeping eyes;
And he who looks on beauty with sad cheer,
Gains doubtful hope and certain miseries.
XVII.
THE ARTIST AND HIS WORK.
Com' esser, donna, può.
How can that be, lady, which all men learn
By long experience? Shapes that seem alive,
Wrought in hard mountain marble, will survive
Their maker, whom the years to dust return!
Thus to effect cause yields. Art hath her turn,
And triumphs over Nature. I, who strive
With Sculpture, know this well; her wonders live
In spite of time and death, those tyrants stern.
So I can give long life to both of us
In either way, by colour or by stone,
Making the semblance of thy face and mine.
Centuries hence when both are buried, thus
Thy beauty and my sadness shall be shown,
And men shall say, 'For her 'twas wise to pine.'
XVIII.
BEAUTY AND THE ARTIST.
Al cor di zolfo.