The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams. D.W.

The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams. D.W.

The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams. D.W.

CONTENTS

[CHAPTER XXXII]OF THE REPLY DON QUIXOTE GAVE HIS CENSURER, WITH OTHER
INCIDENTS, GRAVE AND DROLL
[CHAPTER XXXIII]OF THE DELECTABLE DISCOURSE WHICH THE DUCHESS AND HER
DAMSELS HELD WITH SANCHO PANZA, WELL WORTH READING AND
NOTING
[CHAPTER XXXIV]WHICH RELATES HOW THEY LEARNED THE WAY IN WHICH THEY
WERE TO DISENCHANT THE PEERLESS DULCINEA DEL TOBOSO,
WHICH IS ONE OF THE RAREST ADVENTURES IN THIS BOOK
[CHAPTER XXXV]WHEREIN IS CONTINUED THE INSTRUCTION GIVEN TO DON QUIXOTE
TOUCHING THE DISENCHANTMENT OF DULCINEA, TOGETHER WITH
OTHER MARVELLOUS INCIDENTS

DON QUIXOTE

Volume II.

CHAPTER XXXII.