While Sancho was thus employed, Don Quixote stood observing the entrance of a dozen peasants at one side of the spacious arbor, each mounted on a beautiful mare, in rich and gay caparisons, hung round with little bells. They were clad in holiday apparel, and in a regular troop made sundry careers about the meadow, with a joyful Moorish cry of "Long live Camacho and Quiteria! he as rich as she is fair, and she the fairest of the world!"
Don Quixote hearing this, said to himself, "These people, it is plain, have never seen my Dulcinea del Toboso; otherwise they would have been less extravagant in the praise of their Quiteria."
Soon after there entered, on different sides of the arbor, various sets of dancers, among which was one consisting of four-and-twenty sword-dancers; handsome, sprightly swains, all arrayed in fine white linen, and handkerchiefs wrought with several colors of fine silk. One of those mounted on horseback inquired of a young man who led the sword-dance, whether any of his comrades were hurt.
"No," replied the youth; "thank Heaven, as yet we are all well;" and instantly he twined himself in among his companions with so many turns, and so dexterously, that though Don Quixote had often seen such dances before, none had ever pleased him so well. Another dance also delighted him much, performed by twelve damsels, young and beautiful, all clad in green stuff of Cuenza, having their hair partly plaited, and partly flowing, all of golden hue, rivalling the sun itself, and covered with garlands of jessamine, roses and woodbine. They were led up by a venerable old man and an ancient matron, to whom the occasion had given more agility than might have been expected from their years. A Zamora bagpipe regulated their motions, which being no less sprightly and graceful than their looks were modest and maidenly, more lovely dancers were never seen in the world.
A pantomimic dance now succeeded, by eight nymphs, divided into two ranks—"Cupid" leading the one, and "Interest," the other; the former equipped with wings, bow, quiver, and arrows; the latter gorgeously apparelled with rich and variously colored silks, embroidered with gold. The nymphs in Cupid's band displayed their names, written in large letters on their backs. "Poetry" was the first: then succeeded "Discretion," "Good Lineage," and "Valor." The followers of "Interest" were "Liberality," "Bounty," "Wealth," and "Security." This band was preceded by a wooden castle, drawn by savages, clad so naturally in ivy and green cloth, coarse and shaggy, that Sancho was startled. On the front and sides of the edifice was written, "The Castle of Reserve." Four skilful musicians played on the tabor and pipe; Cupid began the dance, and after two movements, he raised his eyes, and bending his bow, pointed an arrow towards a damsel that stood on the battlements of the castle; at the same time addressing to her the following verses:—
cupid's address.
I am the god whose power extends Through the wide ocean, earth, and sky; To my soft sway all nature bends, Compelled by beauty to comply.
Fearless I rule, in calm and storm, Indulge my pleasure to the full; Things deemed impossible perform, Bestow, resume, ordain, annul.
Cupid, having finished his address, shot an arrow over the castle, and retired to his station; upon which Interest stepped forth, and after two similar movements, the music ceasing, he said:—
My power exceeds the might of love, For Cupid bows to me alone; Of all things framed by heaven above, The most respected, sought, and known.