To assert that there never was an Amadis in the world, nor any other of the knights-adventurers of whom so many records remain, is to say that the sun does not enlighten, the frost produce cold, nor the earth yield sustenance.
The approbation of the judicious few should far outweigh** the censure of the ignorant.
An author had better be applauded by the few that are wise, than laughed at by the many that are foolish.
Our modern plays, not only those which are formed upon fiction, but likewise such as are founded on the truth of history, are all, or the greatest part, universally known to be monstrous productions, without either head or tail, and yet received with pleasure by the multitude, who approve and esteem them as excellent performances, though they are far from deserving that title; and if the authors who compose, and the actors who represent them, affirm that this and no other method is to be practised, because the multitude must be pleased; that those which bear the marks of contrivance, and produce a fable digested according to the rules of art, serve only for entertainment to four or five people of taste, who discern the beauties of the plan, which utterly escape the rest of the audience; and that it is better for them to gain a comfortable livelihood by the many, than starve upon reputation with the few; at this rate, said I, if I should finish my book, after having scorched every hair in my whiskers in poring over it, to preserve those rules and precepts already mentioned, I might fare at last like the sagacious botcher, who sewed for nothing and found his customers in thread.
It is not a sufficient excuse to say that the object in permitting theatrical exhibitions being chiefly to provide innocent recreation for the people, it is unnecessary to limit and restrain the dramatic author within strict rules of composition; for I affirm that the same object is, beyond all comparison, more effectually attained by legitimate works. The spectator of a good drama is amused, admonished, and improved by what is diverting, affecting, and moral in the representation; he is cautioned against deceit, corrected by example, incensed against vice, stimulated to the love of virtue.