It may perhaps be said that this longing of faith, that this hope, is more than anything else an esthetic feeling. Possibly the esthetic feeling enters into it, but without completely satisfying it.
We seek in art an image of eternalization. If for a brief moment our spirit finds peace and rest and assuagement in the contemplation of the beautiful, even though it finds therein no real cure for its distress, it is because the beautiful is the revelation of the eternal, of the divine in things, and beauty but the perpetuation of momentaneity. Just as truth is the goal of rational knowledge, so beauty is the goal of hope, which is perhaps in its essence irrational.
Nothing is lost, nothing wholly passes away, for in some way or another everything is perpetuated; and everything, after passing through time, returns to eternity. The temporal world has its roots in eternity, and in eternity yesterday is united with to-day and to-morrow. The scenes of life pass before us as in a cinematograph show, but on the further side of time the film is one and indivisible.
Physicists affirm that not a single particle of matter nor a single tremor of energy is lost, but that each is transformed and transmitted and persists. And can it be that any form, however fugitive it may be, is lost? We must needs believe—believe and hope!—that it is not, but that somewhere it remains archived and perpetuated, and that there is some mirror of eternity in which, without losing themselves in one another, all the images that pass through time are received. Every impression that reaches me remains stored up in my brain even though it may be so deep or so weak that it is buried in the depths of my subconsciousness; but from these depths it animates my life; and if the whole of my spirit, the total content of my soul, were to awake to full consciousness, all these dimly perceived and forgotten fugitive impressions would come to life again, including even those which I had never been aware of. I carry within me everything that has passed before me, and I perpetuate it with myself, and it may be that it all goes into my germs, and that all my ancestors live undiminished in me and will continue so to live, united with me, in my descendants. And perhaps I, the whole I, with all this universe of mine, enter into each one of my actions, or, at all events, that which is essential in me enters into them—that which makes me myself, my individual essence.
And how is this individual essence in each several thing—that which makes it itself and not another—revealed to us save as beauty? What is the beauty of anything but its eternal essence, that which unites its past with its future, that element of it that rests and abides in the womb of eternity? or, rather, what is it but the revelation of its divinity?
And this beauty, which is the root of eternity, is revealed to us by love; it is the supreme revelation of the love of God and the token of our ultimate victory over time. It is love that reveals to us the eternal in us and in our neighbours.
Is it the beautiful, the eternal, in things, that awakens and kindles our love for them, or is it our love for things that reveals to us the beautiful, the eternal, in them? Is not beauty perhaps a creation of love, in the same way and in the same sense that the sensible world is a creation of the instinct of preservation and the supersensible world of that of perpetuation? Is not beauty, and together with beauty eternity, a creation of love? "Though our outward man perish," says the Apostle, "yet the inward man is renewed day by day" (2 Cor. iv. 16). The man of passing appearances perishes and passes away with them; the man of reality remains and grows. "For our light affliction, which is but for a moment, worketh for us a far more exceeding and eternal weight of glory" (ver. 17). Our suffering causes us anguish, and this anguish, bursting because of its own fullness, seems to us consolation. "While we look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal" (ver. 18).
This suffering gives hope, which is the beautiful in life, the supreme beauty, or the supreme consolation. And since love is full of suffering, since love is compassion and pity, beauty springs from compassion and is simply the temporal consolation that compassion seeks. A tragic consolation! And the supreme beauty is that of tragedy. The consciousness that everything passes away, that we ourselves pass away, and that everything that is ours and everything that environs us passes away, fills us with anguish, and this anguish itself reveals to us the consolation of that which does not pass away, of the eternal, of the beautiful.
And this beauty thus revealed, this perpetuation of momentaneity, only realizes itself practically, only lives through the work of charity. Hope in action is charity, and beauty in action is goodness.