"About a month, uncle."
"Then tomorrow we shall go to church early and order a mass to be read for God's recently deceased servant Lubinka. So good-by for the present. Have some tea, and if you want a bit of luncheon, have the servant bring it to you. At dinner we shall meet again, have a talk, a chat. And if anything has to be done, we shall attend to it, if not—not."
Such was the first family meeting. When it was over, Anninka entered upon her new life in that disgusting Golovliovo, where she was stranded for the second time in her short life.
CHAPTER II
Anninka had gone downhill very fast. It was true that her first visit to Golovliovo had aroused the consciousness of being a "lady," of having her own nest and her own graves, of not being confined in her life to the squalor and uproar of hotels and inns, and of having a shelter where she would be safe from vile breaths infected with the odor of wine and the stable, from hoarse voices, bloodshot eyes, indecent gestures. But alas! No sooner did Golovliovo disappear from sight than this purifying consciousness vanished from her mind.
Anninka had gone from Golovliovo straight to Moscow, and solicited a position on the government stage both for herself and her sister. With this in view she turned for aid to maman, that is, the directress of the boarding-school where she had been educated, and to several of her classmates. Maman was at first quite kind to her, but as soon as she discovered that her former pupil had acted on the provincial stage, her pleasant manner changed to one of haughtiness and sternness. As for Anninka's classmates, who were mostly married women, they eyed her with an impertinent astonishment that quite frightened her. Only one of them, better-natured than the rest, asked her, evidently wishing to show sympathy:
"Tell me, darling, is it true that when you actresses dress for the stage, officers lace your corsets?"
In a word, her attempts to gain a foothold in Moscow remained unsuccessful. The truth of the matter was, she did not possess the necessary qualifications for theatrical success in the capital. She and her sister Lubinka belonged to that class of lively, but not very talented actresses who play one part all their lives. Anninka had made a hit in Pericola, Lubinka in Pansies and Old-time Colonels, and whatever new rôles they studied strangely resembled their successful parts, or, in the majority of cases, were a complete failure. Anninka often had to play Fair Helen also. She would wear a flaming red wig over her ash-colored hair, and cut her tunic down to her waist line, but she was mediocre and dull, not even cynical. From Fair Helen she passed to the Duchess of Herolstein. In this her colorless acting was coupled with a completely preposterous mise en scène, and the outcome was altogether miserable. At last she undertook to play the role of Clairette in The White Slave. But she overdid her part to such an extent that even the none too refined provincial public was shocked by her behavior on the stage, which she turned into a mire of corruption. Anninka gained the reputation of being a clever actress with a fairly good voice, and since she was pretty, she could get an audience in the provinces. But that was all. Lacking individuality, she could not attain permanent success. Even among the provincial public she was popular mainly with army officers, whose chief ambition was to obtain access behind the scenes. She could have got an engagement in the capital only if she had been forced upon some manager by a powerful patron, and even then the public would have given her the unenviable nickname of "a tavern singer."
Thus the two girls had to go back to the provinces. In Moscow Anninka received a letter from Lubinka, saying that their company had removed from Krechetov to the city of Samovarnov, which made Lubinka quite glad, because there she had become friendly with a certain zemstvo leader, who was so infatuated that he was almost, in his own words, "ready to steal the zemstvo funds, if that were necessary to gratify all her desires."