As Fillmore Flagg took the proffered seat, he thought her a most charming hostess, admirably fitted to preside over this exquisitely decorated table. He looked in vain for her father; finally concluding that Mr. Fenwick must be a confirmed invalid, confined to his room. Luncheon over, Fern Fenwick invited Fillmore Flagg to her study to consider the business of the work before them. Her study proved to be the large square room in the central tower, which was so generously lighted by its eight large windows. The furniture was of carved oak; the carpet and hangings, rich and heavy, were of a pale lilac tint, which gave an air of peaceful quiet and harmony to the room. From the front window, looking eastward, a long stretch of the beautiful Hudson could be seen at one sweeping glance. In the south east corner of the room stood Fern Fenwick's desk, a large one with a roll top. At the right of the desk, on an easel against the wall, was a very fine, life size crayon portrait of a noble looking man of sixty winters or more. The massive forehead was both broad and high and very smooth. The eyes were wide apart, large and expressive, the full beard, thick and fine; the hair, abundant and wavy. Both hair and beard were evenly tinged with gray. The body was large, erect and well proportioned—it fittingly matched the noble head. The portrait impressed one as being life-like and full of character. Close beside the easel was a large arm chair, upholstered with stuffed leather, a grayish brown. Lying across the arms of the chair was a large, peculiarly shaped trumpet of aluminum, ornamented with a heavy cord and tassel of gray silk.
"Mr. Flagg," said Fern Fenwick, "this is my private workroom; here I am undisturbed and not at home to callers. This is my desk. Here you see my father's portrait: this is his favorite chair. Will you be seated in the smaller chair near it? I will sit in the chair at my desk."
"Pardon me, Miss Fenwick," said Fillmore Flagg, "Up to this time I had thought of you as living here with your father: I now perceive, from the way you speak of his portrait and of his favorite chair, that he must be dead. Please correct me if I am wrong in my conclusions."
"I will explain the situation in a very few words," said Fern Fenwick.
"In the eyes of the world I am an orphan, my father and mother having both passed from this to the land of spirit. The world, in its blind ignorance, calls them dead. To me, thanks to my mediumship, and to the mighty truth of spirit communion, they are still conscious, living, loving parents. Every day, here in this room, they come to me and through the trumpet there, speak to me as naturally, as fluently and as lovingly as ever. I feel and realize their constant watchfulness and loving care. In times of need their advice never fails, always proving as wise as it is unerring. They never for a moment allow me to realize that I am an orphan in any sense of the word. The word Death has no terrors for me: I realize that for them it means simply a happy transition to a higher life, filled with broader and brighter possibilities; and, blessed truth! that they are permitted to come to me when I need them. I sometimes shudder when I think what might have happened to me if I had not been born and bred a spiritualist and a medium. However, we will speak of these things more at length later on. At this time, under my father's guidance and with your assistance, I am to carry out and complete his plans for the improvement of farm life on lines quite in harmony with your ideas. I know he approves of you and of your work, and has confidence in your integrity and ability. At the proper time he will speak to you personally through the trumpet. Let us now consider another matter pertinent at this time.
"In order that you may thoroughly understand the situation that surrounds and affects our work, it will be necessary for me to tell you the story of my life, and with it the story of the life of my father."