They told me at Villeroy that many of the men in the regiments engaged were from this region, and here the civilians dropped their work in the fields and snatched up guns which the dead or wounded soldiers let fall and entered the fight beside their uniformed neighbors. I give you that picturesque and likely detail for what it is worth.

At the foot of the hill between Montyon and Villeroy lies the tomb in which two hundred of the men who fell here are buried together. Among them is Charles Péguy, the poet, who wore a lieutenant's stripes, and was referred to by his companions on that day as "un glorieux fou dans sa bravoure." This long tomb, with its crosses and flags and flowers, was the scene on All Soul's Day of the commemorative ceremony in honor of the victory, and marks not only the beginning of the battle, but the beginning of its triumph.

From this point we drove back to the east, almost along the line of battle, to the hillside hamlet of Barcy, the saddest scene of desolation on this end of the great fight.

It was a humble little village, grouped around a dear old church, with a graceful square tower supporting a spire. The little church faced a small square, from which the principal street runs down the hill to the open country across which the French "push" advanced. No house on this street escaped. Some of them are absolutely destroyed. The church is a mere shell. Its tower is pierced with huge holes. Its bell lies, a wreck, on the floor beneath its tower. The roof has fallen in, a heaped-up mass of débris in the nave beneath. Its windows are gone, and there are gaping wounds in its side walls. Oddly enough, the Chemin de la Croix is intact, and some of the peasants look on that as a miracle, in spite of the fact that the High Altar is buried under a mass of tiles and plaster.

The doors being gone, one could look in, over the temporary barrier, to the wreck inside, and by putting a donation into the contribution box for the restauration fund it was possible to enter—at one's own risk—by a side door. It was hardly worth while, as one could see no more than was visible from the doorways, and it looked as if at any minute the whole edifice would crumble. However, Amélie wanted to go inside, and so we did.

We entered through the mairie, which is at one side, into a small courtyard, where the school children were playing under the propped- up walls as gaily as if there had never been a bombardment.

The mairie had fared little better than the church, and the schoolroom, which has its home in it, had a temporary roofing, the upper part being wrecked.

The best idea that I got of the destruction was, however, from a house almost opposite the church. It was only a shell, its walls alone standing. As its windows and doors had been blown out, we could look in from the street to the interior of what had evidently been a comfortable country house. It was now like an uncovered box, in the centre of which there was a conical shaped heap of ashes as high as the top of the fireplace. We could see where the stairs had been, but its entire contents had been burned down to a heap of ashes—burned as thoroughly as wood in a fireplace. I could not have believed in such absolute destruction if I had not seen it.

While we were gazing at the wreck I noticed an old woman leaning against the wall and watching us. Out of her weather-beaten, time- furrowed old face looked a pair of dark eyes, red-rimmed and blurred with much weeping. She was rubbing her distorted old hands together nervously as she watched us. It was inevitable that I should get into conversation with her, and discover that this wreck had been, for years, her home, that she had lived there all alone, and that everything she had in the world—her furniture, her clothing, and her savings—had been burned in the house.

You can hardly understand that unless you know these people. They keep their savings hidden. It is the well-known old story of the French stocking which paid the war indemnity of 1870. They have no confidence in banks. The State is the only one they will lend to, and the fact is one of the secrets of French success.