If you intend to go into the grand opera it is advisable to go abroad, as it gives you the prestige which is necessary at present, in order to secure these positions of which we have a fair illustration in the case of a beautiful mezzo soprano who had been singing with the English Grand Opera Company, and though in every way qualified to sing with the Metropolitan Grand Opera Company, was unable to secure an engagement with them. She went abroad, changed her name, and returned the following season as one of the Metropolitan Grand Opera stars, and is still one of the favorites in that company.
This seems rather inconsistent, but is nevertheless true.
If you are fortunate enough to make your debut abroad you will have practically no trouble in securing a position with any manager on this side of the ocean.
CHORUS SINGING.
IT is of great value to the singer to belong to a good chorus, provided you know enough not to attempt to be the whole chorus yourself, and are willing to give the others a chance.
To be a success in the chorus you must observe the following rules:
Be punctual.
Stand erect, and on both feet. Let your chest lead.
Make yourself a part of the chorus. This is not a solo.
Don't annoy those around you by "wiggling" or "fidgeting."