The small disk in rotation is then of the same color but not quite so intense as before, or in other words, is a very deep tint of the color. In this way the Nomenclature can be recorded as follows: Brown 95, W. 5, = R. 22, O. 16, N. 62.

This result does not often occur, but the subject is noticed here in detail that no one may be in doubt when such cases do come to light, as they will sooner or later.

The aniline colors give some purples which are much more brilliant than either the violet or red which otherwise should by combination produce them, so that with these standards they cannot be made, but must be reduced with white, or possibly with white and black.

If a color wheel is not available many of these experiments may be tried on the color top, but not as satisfactorily, because of the accuracy necessary in cutting so small a disk in a woven material. In using the top for analysis of all ordinary colors, the best plan is lay the material on a table or other level surface and spin the top on it. If quite an accurate test is desired the cardboard disk of the top may be trimmed down to the size of the largest paper disk, so that there will be no intervening ring of light color to separate the color of the rotating disks from the material on which it is spun.

Practical applications of the color top are already being made, as for example, in the selection of house furnishings. For this purpose disks of the top are combined at home to produce the desired colors to match the wood finishings and papers or draperies in a partially completed room, the top being used as a guide in preliminary selections of additional materials from the stores.

If a number of colors are required it is convenient to use several combinations of disks, each set being slightly gummed together. In this way standards for various colors with a top spindle for rotation in the salesroom may be carried in a very small space.

The Bradley Colored Papers.

As every competent artisan must understand the use for which each implement is designed, in order to secure the best results with it, possibly a brief explanation of the principles on which the colors in the Bradley Educational Colored Papers are selected and classified may be of value. In the sample books of these colored papers there are four sections. The first section of the book, following the title leaf called "Pure Spectrum Scales" consists in part of the six standard colors, red, orange, yellow, green, blue and violet, with two intermediate hues between each two standards, which eighteen colors form the central vertical column in the Chart of Pure Spectrum Scales shown on Page 41.

In addition to these eighteen normal spectrum colors, there are two tints and two shades of each, thus producing eighteen spectrum scales of five tones, in which the normal colors as indicated in the central column aim to be the purest possible pigmentary expressions of the spectrum colors represented.

In determining the number of colors to adopt in the preparation of the papers enough have been selected to furnish types of all the colors in the spectrum, and also the hues between red and violet, but at the same time the number has been so restricted as to secure a reasonably simple nomenclature of the intermediate hues. A hue of a color is defined as the result of the admixture of that color with a smaller quantity of another color; thus a hue of red approaching the orange is an orange hue of red, or an orange-red. If a small amount of red is added to orange the result is a red hue of orange, or a red-orange.