In and Around Berlin

by Minerva Brace Norton

IX.[ToC]

STREETS, PARKS, CEMETERIES, AND PUBLIC BUILDINGS.

or a hundred years the picturesque Brandenburg Gate has guarded the entrance to Unter den Linden from the Thiergarten. It is a monument of the reversion of royal taste from the devotion to French style, which characterized Frederick the Great, to the purely classical. It is nearly two hundred feet in width, its five openings being guarded by six massive Doric columns about forty-five feet in height. To foot-passengers, riders, and ordinary vehicles the two outer spaces on each side are devoted respectively, while the wide central passage is traversed only by the royal carriages. The celebrated quadriga with the figure of Victory, on the entablature, was first placed with the face toward the Park. When the First Napoleon robbed Berlin, along with other cities, for the adornment of Paris, he carried off this masterpiece in bronze and set it up in the Place du Carrousel under the shadow of the Tuileries. Upon Napoleon's downfall in 1814, this group was restored to its original place, but was set facing the Unter den Linden, making of the Brandenburger Thor a triumphal arch marking the victory of Prussia in the long contest.

The famous Unter den Linden, nearly two hundred feet wide and three fourths of a mile in length, with a double line of lime-trees enclosing an area of greensward along the centre, would be accounted anywhere a handsome street, with the palaces of the Pariser Platz at one end, the Imperial palaces, the Arsenal, the Academy, and the University at the other, and brilliant shop-windows lining both sides of the whole length, while the Brandenburg Gate and the great equestrian statue of Frederick the Great at either extremity close the fine vista. Leaving out of view, however, these two noble features which mark its termini, the street seemed not handsome enough to justify its fame. Perhaps this was because we found the famous lime-trees, for which the street is named, quite ordinary young trees, not to be compared with the magnificent elms which line the streets of New Haven and the Mall of Boston Common.

The characteristic part of Berlin is, to our view, the great space east of Unter den Linden, surrounded by the palaces, the royal Guard House, the Arsenal, the University, and the Academy of Arts and Sciences. These fine buildings and the ornamented open spaces around and between them, on a sunny afternoon in midwinter, show a brilliant and unique scene which has hardly its parallel in Europe. The Champs Élysées is finer at night; Hyde Park, St. James, the Parliament buildings, and Westminster Abbey far finer on a sunny morning; but the third city in Europe has no need to be ashamed of its royal buildings and the scene before them, in the season when the Court is in Berlin, and the slant rays of an early afternoon sun light up the gay throng of soldiers in uniform, State carriages, pedestrians, and vehicles which surge to and fro without crowding the vast spaces.

The Lustgarten is fine; but of the buildings around it, the Old Museum alone meets the eye with architectural satisfaction. In all lights that building is beautiful in design and proportions. The Old Schloss is impressive mainly by its massiveness and its august dome. A most picturesque view by moonlight is to be had from the east end of the Lange or Kürfürsten Brücke, southeast of the old palace. Here the water-front of the old castle is in full view, with the fortified part unaltered since the early occupation by the Hohenzollerns. This mediæval building, shaded by a few ancient trees, with here and there a light reflected from the upper windows at evening, and with tower and turret duplicated on the surface of the darkly flowing river at its foot, shares with one the feeling of ancient times, as no other place in Berlin can do. In the centre of this bridge is the equestrian statue of the Great Elector, superior as a work of art to any other of its date. This grand figure is fabled to descend from his horse and stalk through the streets on New Year's eve, for the chastisement of evil-doers.

The Wilhelm Strasse, running from a point near the Pariser Platz south from Unter den Linden, has many palaces and public buildings; but its chief interest centres about No. 77, the palace of Prince Bismarck. The front looks eastward, and is built around three sides of a garden filled with shrubbery and threaded by walks, and shut off from the street by great iron gates and a high open iron fence. The study, where the Chancellor spends much time when in Berlin, looks upon a garden, and is furnished with the same simplicity which characterizes the private apartments of General Von Moltke. Among the few pictures which adorn the study of Bismarck is one of General Grant. Here it was that the famous Berlin Congress met in 1878 for the settlement of the Eastern Question.

The palace of Prince Albert of Prussia, now Military Governor of Brunswick, is situated in a magnificent private park, acres in extent, in the heart of the city. It opens from the Wilhelm Strasse at the head of Koch. This palace was built in the early part of the eighteenth century by a French nobleman, with wealth gained in the great speculations of the Mississippi Scheme, upon which all France entered in hope of retrieving the bankruptcy entailed by Louis XIV. Its fine colonnade, its great park, and its position, adjoining the park of the War Department, between two great railroad stations and surrounded by tramways, render it one of the most prominent features of Central Berlin.

The small and elaborately laid-out square of the Wilhelm Strasse, known as the Wilhelms Platz, with its pretty fountains, shrubs, and flowers, has bronze statues of six generals of Frederick the Great,—heroes of the Seven Years' War. Here it is easy to sit and dream of the olden time, in reverie which not even the Kaiserhof diplomats nor the Wilhelm-Street autocrats, within a stone's-throw on either side, nor the throng and glitter of the Berlin of to-day, can disturb. Here, surrounded by the figures and the faces of the men with whom Carlyle has made us acquainted, we recall the wonderful story which he, as none other, has written. How masterly is the way in which he has portrayed for us this Prussian history whose memorials stand around us! With feeling how deep and true for the real and the eternal as against the false, the seeming, and the transient! What a picture is the history! What a poem is the picture!