Our Unitarian Gospel

by Minot J. Savage

You remember how the other aspect of this thought is illustrated by Shakspere. He says, "My nature is subdued To what it works in, like the dyer's hand." If that with which you keep company, that you admire, is below you, it degrades; if it is above you, it lifts. In any case you are transformed, shaped into the likeness of that which you admire.

There is another aspect of this close akin to that which I have just been dealing with. It is only the worshipper who has in him any promise, any possibility, of growth. Whether it is the individual or the nation, it makes no difference. If you find no capacity to admire that which is above and beyond you, then there is no hope of progress. Take the young man who thinks he has exhausted the possibilities of the world, who has reached the stage, who prides himself on not being surprised, not being over whelmed, not admiring anything. The careful outside observer knows that, instead of having exhausted the possibilities and greatness and wonders of the universe, he has simply exhausted himself.

The man who knows how full the world is of that which is beautiful and great and true and noble walks through the universe with his head bared and bowed, and feels, as did Moses when standing in the presence of the burning bush, that he ought to take off his shoes from his feet, for the place where he is standing is holy ground. Wherever you are standing in this universe, which is full of God from star to dust particle, is holy ground; and, if you do not feel it, if you are not touched, if you are not bowed, if you are not thrilled with wonder, it is defect in you, and not lack of God.

If the musician admires his great predecessors and strives to emulate them; if the painter in the presence of the Sistine Madonna feels lifted and touched, so that he never can be content with poor work again; if the sculptor is ready to bend his knees in the presence of the Venus of Melos, as he sees her standing at the end of the long gallery in the Louvre; if the lover of his kind admires John Howard, and can never be content unless he is doing something for his fellow- men again; if we can be touched by lives like Clara Barton's, like Florence Nightingale's, like Dorothea Dix's, like the great and consecrated ones of the earth; if in any department of life we can be lifted, humbled, thrilled, at the same time with the thought of the greatness and glory and beauty that are above and beyond us, then there is hope of growth, then there is life that can come to something fine and noble in the future.

I wish, in the light of these illustrations of what worship means, to note the thought that a great many men conscientious, earnest, simple who have never been accustomed to think of themselves as religious, and perhaps would deny it if a friend suggested to them that they had in them the possibilities of worship, that perhaps they are worshippers, even if they know it not. A great many persons have thrown away the common ideals of worship, and perhaps have settled down to the idea that they are not worshippers at all, while all the time the substance and the beauty and the glory of worship are in their daily lives and always in their hearts. I want to suggest two or three grades of worship, to show that this worship climbs; and I want to call attention to the fact that on the lowest grade it is worship of God just the same as on the highest, that all worship or admiration for truth, for beauty, for good, wherever, however, manifested, is really worship of God, whether we think of it or call it by that name or not, because they all are manifestations of God.

Take the man who is touched and lifted by natural beauty, the sense of natural power; the man who loves the woods, who turns and stands to see the glory of a sunset, who is lifted by tides of emotion as he hears the surf beat on the shore, who feels bowed in the presence of the wide night sky of stars, who is humbled at the same time that he is uplifted in the presence of the mountains, who is touched by all natural scenes of beauty and peace and glory. Are not these men in their degree worshippers?

Take the feeling that is expressed in those beautiful lines of Byron. We do not think of Byron as a religious nature, but certainly he had in him the heart of worship when he could write such thoughts as these:

"'Tis midnight.
On the mountains brown
The cold, round moon shines deeply down;
Blue roll the waters; blue the sky
Seems like an ocean hung on high,
Bespangled with those isles of light,
So wildly, spiritually bright.

Whoever looked upon them shining
And turned to earth without repining,
Nor wished for wings to flee away
And mix with their eternal ray?"

And Wordsworth says he feels a Presence that "Disturbs him with the joy of elevated thought, A sense sublime of something far more deeply interfused."