URSULA
John Mottrom's wife may ever remain a mystery. There seems to be no clue to her personality, no facts that would make her into a flesh and blood woman. Even her name is unknown. She was John Mottrom's wife and the mother of his three children, Anne, John and Frances. The records disclose not even a crumb more.
Between the years 1645 and 1655 Mrs. Mottrom passed away. She may have died in childbirth when Frances was born, or shortly thereafter. It was after her death that Ursula came into the life of John Mottrom.
Ursula Bish Thompson had been among the refugees who fled to Coan from the "Citie of St. Mary's." Her husband, Richard Thompson, was now dead. A young widow's position in a frontier community was dangerous and insecure and quick remarriages were a practical necessity. John Mottrom, the widower, was in urgent need of someone to look after his children and home. Ursula and John were married.
Ursula probably brought the Thompson children with her to live at Coan Hall. Colonial households more often than not included several groups of children by former marriages.
Ursula's name reveals the fact that she was British, named perhaps for the martyred princess, St. Ursula. The facts of her later career assure us that she was a healthy and attractive woman.
As the wife of a prominent man of the colony it was Ursula's duty to hold to the high standard of living that had been transferred from England to this wilderness, and to maintain this standard it was necessary for all to work from morning until night.
Ursula doubtless loved the gay rich clothes that were so fashionable at this period. Her wardrobe may have included a pair of scarlet sleeves, a petticoat of flowered tabby and several pairs of green stockings.
We can imagine Ursula hustling about at Coan Hall, her clothes a blur of brightness, as she supervised the servants, disciplined the children, twirled the roast of venison on the spit in passing, or lowered her candle or betty-lamp into the cooking pot to see if the stew was ready.
The rooms of Coan Hall were probably part "waynscot" and part "daubed and whitelimed," the latter plaster being made from the plentiful oyster shells. The woodwork may have been painted "deep blued olive green" or "dragon's blood."