"Take your places again," cries your teacher, "and keep to the wall! If you had had proper control of your horse, that would not have happened, Miss Versatilia! Now, Miss Lady, hold your whip in the hollow of your hand, and use it by a slight movement, not by raising your arm and lashing, lashing, lashing as if you were on the race course. A lady is not a jockey, and she should employ her whip almost as quietly as she moves her left foot. Forward, forward! And keep on the track, ladies! Keep your horses' heads straight by holding your reins perfectly even, then their bodies will be straight, and you will make one line instead of being on six lines as you are now. And, Miss Esmeralda, forward! Use your whip! Not so gently! It is not always enough to give your horse one little tap. Give him many, one after the other with quickened movement, so that he will understand that you are in a hurry. It is like the reveille which sounds ever louder until everybody is awake!
"Now, you must not make circles! Make squares! Go into the corners! Don't pull on your horse's head, Miss Nell! He thinks that you mean him to stop, and then you whip him and he tries to go on, and you pull again, and he knows not what to think. Always carry out whatever purpose you begin with your horse if you can. If sometimes you make a mistake, and cannot absolutely correct it because of those behind you, guide your horse to his proper place, and the next time that you come to that part of the ring, make him go right! Forward, forward! Ladies, not one of you is in the right place! Keep up! Keep up! Miss Lady, you must go forward regularly! Now prepare to trot! No, no! Walk! When I say, 'Prepare to trot,' it is not for you to begin, but to think of what you must do to begin, and you must not let your horses go until I give the second order, and then not too fast at first. Now, prepare to trot! Trot! Not quite so fast, Miss Lady; gently! Keep up, keep up, Miss Beauty! Miss Esmeralda, you are sitting too far to the left, your left shoulder is too far back! on't hold your hands so high, Miss Versatilia! Rise straight, Miss Esmeralda! Now, remember, ladies, what I say is for all. Prepare to whoa! Whoa!"
The leader, by an almost imperceptible series of movements, first sitting down in her saddle, then slightly relaxing her hold of the reins, and turning both hands very slightly inward, brings her horse to a walk and continues on her way. The others, with more or less awkwardness, come to a full stop, and your teacher laughs.
"When I say that," he explains, "I mean to cease trotting, not to stop. Go forward, and remember how you have been taught to go forward, Miss Esmeralda. It is not enough to frown at your horse. Now, prepare to trot! Trot!" And then he repeats again and again that series of injunctions which already seems so threadbare to you, Esmeralda, but which you do not follow, not because you do not try, but because you have not full control of your muscles, and then comes once more the order, "Prepare to whoa. Whoa!" and a volley of sharp reminders about the solemn duty of keeping a horse moving while turning corners, and once more the column proceeds as regularly as possible.
"I observe," says your teacher, riding close to you, "that you seem timid, Miss Esmeralda. Do you feel frightened."
"No," you assure him.
"Then it is because you are nervous that you are so rigid. Try not to be stiff. Give yourself a little more flexibility in the fingers, the wrists, the elbows, everywhere! You are not tired? No? Be easy then, be easy!" And you remember that you have been likened unto a poker, and sadly think that, perhaps the comparison was just.
"The other master shall ride with you for a few rounds," he continues; "that will give you confidence, and you will not be nervous." You indignantly disclaim the possession of nerves, he smiles indulgently, and the other teacher rides up beside you, and advises you steadily and quietly during the next succession of trotting and walking, and, conscious of not exerting yourself quite so much and of being easier, you begin to think that perhaps you have a nerve or two somewhere, and you determine to conquer them.
"You are sitting too far to the right now," says your new guide, the most quiet of North Britons. "There should be about half an inch of the saddle visible to you beyond the edge of your habit, if it fit quite smooth, but you would better not look down to se it. It would do no harm for once, perhaps, but it would look queer, and might come to be a habit. Try to judge of your position by the feeling of your shoulders and by thinking whether you are observing every rule; but, once in a great while, when you are walking, take your reins in your left hand, pass your right hand lightly along the edge of your saddle, ad satisfy yourself that you are quite correct in position. If you be quite sure that you can take a downward glance, without moving your head, try it occasionally, but very rarely. Use this, in fact, as you would use a measure to verify a drawing after employing every other test, and if any teacher notice you and reprove you for doing it, do not allow yourself to use it again for two or three lessons, for, unless you can be quiet about it, it is better not to use it at all."
"Ladies, ladies," cries a new voice, at the sound of which the leader is seen to sit even better than before, "this is not a church, that you should go to sleep while you are taught truth! Attend to your instructor! Keep up when he tells you. Make your movements with energy. You tire him; you tire me; you tire the good horses! how then, rouse yourselves! Prepare to trot! Trot!" And away go the horses, for it is not every hour that they hear the strong voice which means that instant obedience must be rendered. "Keep up! keep up!" cries your teacher. "Come in!" says your own guide, and then pauses himself, to urge one of the beginners behind you, and for a minute or two the orders follow one another thick and fast, the three men working together, each seeming to have eyes for each pupil, and to divine the intentions of his coadjutors, and then comes the order, "Prepare to whoa! Whoa! and the master sits down on the mounting-stand, and frees his mind on the subject of corners, a topic which you begin to think is inexhaustible.