On her wedding-eve Euphemia came down clothed in the lilac gown, cream-white roses on her breast, and the string of pearls around her fair throat. Her family were puzzled and indignant, for that gown somehow seemed linked with the memory of her sweetheart, who had died in disgrace. It was a strange whim to wear it the night before her marriage. But the evening passed merrily enough, and at eleven o'clock the bedroom candles were lighted, and she went up the stairs to her room with a smile on her lips, the lilac gown felling around her in soft, shimmering folds.
It was the last time family, lover or friends ever looked upon Euphemia D'Esterre. The next morning her room was empty. The pearls lay on the dressing-table with the withered roses, and the lilac gown hung over the back of a chair; but bride, bridal-gown and veil were gone. They looked into the oratory, thinking that she had gone in there to breathe her last virginal prayer before the simple altar, where she had knelt so many times; but the light shining dimly through the narrow, veiled window, revealed the sacred place silent, untenanted. They sought her everywhere; they spent money lavishly, but to no purpose. She had vanished forever.
Time and the fortunes of war had wrought many changes in the D'Esterre family. My mother, a pale, melancholy young widow, and I—another Euphemia D'Esterre—and Uncle Peter were the last of the family. And we had drifted away from Louisiana to an old mansion on the Chattahoochee, in Middle Georgia. Across the river lay the idle, sleepy old town of Magnoliaville, with its shady streets, ivy-covered churches, and inn, rarely visited by a traveler and stranger.
We had some old silver, my grandaunt's picture, the pearls, and the lilac gown. These were all the real treasures we had gathered from the wreck of family fortunes; and Uncle Peter was the last living link between us and the past. He was a very old man, his black face shriveled into a network of wrinkles, his shoulders bent, his head white, almost, as snow. He possessed great pride and dignity. His long life had been spent in the services of the D'Esterres, and he refused to leave them when freedom was proclaimed.
"Tu late fo' dat now. I praise de Lawd I gwine die a free man, but I b'long dis fambly tu long tu leave 'em now. Let all go dat feels lack dey wanter, ole Peter gwine stay tel 'e dies; yes, tel 'e dies."
And he did stay, and was the favorite playfellow and companion of my childhood.
"Yo's de las', Miss Phemy, honey, de las' o' dem all, and yo's nuff lack Miss Euphemy tu 'a' been 'er twin. Lawd, but dis is er mighty strange worl'—mighty strange," he would often say, shaking his white head. He seemed to feel a certain responsibility and care toward me as the last of the family.
He lived in the little cabin at the foot of the garden, provided for out of our slender income and exempted from all labor; but he insisted on regarding himself as our servant, weeded the garden, or sat in the wide, bare hall, ready to meet chance visitors and usher them into the barer parlor with old-time ceremony.
To me a halo of romance surrounded his venerable head. Such stories as he could tell me of the past! They were highly colored and delightfully exaggerated. My mother, absorbed in melancholy retrospection, left me much to my own devices, and many an evening I spent in Uncle Peter's cabin, listening to his rambling talk, and questioning him about my ill-fated grandaunt. Nearly all that I had ever learned of her history had been gleaned from his conversations. He would sit at the corner of the hearth, bent forward in his chair, his wrinkled old hands folded on the knob of his walking stick, the firelight playing in uncertain, flickering gleams over his black face and kinky white locks. He was a fair type of the old-fashioned plantation negro, simple, superstitious, but shrewd and faithful to his trusts. Of Euphemia D'Esterre he always spoke with reverential pride, but keeping a certain guard over himself as though he possessed some knowledge he did not want to betray.
"She wus mighty proud, oh yes, honey, dey all helt dey heads high; but she neber was hard on de black fo'ks. She al'ays had er smile, or kind word for um, tel bimeby she got in dat trubble, en had no smiles for ennybody. Ole marse had jes done gimme tu be Marse Albert's boy, en I was little; but I seed en hear more'n ennybody things I does. I seed 'er comin' down de stairs dat night in dat laylock gown, en smilin' so strange lack a chill crope down my back. De tables was done spread fo' de weddin', de cakes backed, de silber shinin', en de fo'ks all done come. Hit would 'a' been de bigges' weddin' eber on Red River ef Miss Euphemy hadn't tuk en vanished as she did. Lawd, Lawd, what did become o' 'er?"