CHAPTER XV.

Death in a Princely Harem—The Fair Georgian—Distinction of Circassian and Georgian Beauty—The Saloon—Sentiment of the Harem—Courteous Reception—Domestic Economy of the Establishment—The Young Circassian—Emin Bey—Singular Custom of the Turks—The Buyuk Hanoum—The Female Dwarf—Naïveté of the Turkish Ladies—The Forbidden Door—The Sultan’s Chamber—The Female Renegade—Penalty of Apostacy—Musical Ceremony—Frank Ladies and True Believers—A Turkish Luncheon—Devlehäi Hanoum—Old Wives versus Young Ones—The Parting Gift—The Araba—The Public Walk—Fondness of the Orientals for Fine Scenery—The Oak Wood.

The illness and subsequent death of the Buyuk Hanoum had long delayed the visit which I had been requested to make to the harem of the Reiss Effendi, or Minister for Foreign Affairs; and it may be remembered that this was the lady to whom I alluded in a former portion of my work, as having failed to find favour in the eyes of the Sultan on the occasion of the Princess Salihè’s marriage; and whom he had been graciously pleased to excuse from all further attendance at court, in favour of a fair Georgian, whom he had himself provided as her successor. The aged Minister had received with all proper gratitude the gift of his Imperial master; and had not failed to make the lovely slave his wife with all possible speed. And the anticipation of seeing this far-famed beauty added no little to the desire which I felt to avail myself of the very kind and flattering invitation of the family.

Having, therefore, suffered a sufficient time to elapse after the death of the Buyuk Hanoum to testify my sympathy for her loss, I prepared for this long-promised visit, and made it in company with some Greek ladies, friends of my own, and well known in the harem of the Minister. On passing the Salemliek I was much disappointed by the discovery that the Reiss Effendi himself was from home; but on reaching the harem we were more fortunate, and having delivered our cloaks, veils, and shoes to a group of slaves who received us in the marble entrance-hall, we followed one who led the way up a noble flight of stairs to a vast saloon; and in the next instant I found myself standing beside Devlehäi Hanoum, the beautiful Georgian.

And she was beautiful—magnificent!—Tall, and dark, and queenly in her proud loveliness; with such a form as is not looked on above half a dozen times during a long life.

The character of Georgian beauty is perfectly dissimilar from that of Circassia; it is more stately and dazzling; the whole of its attributes are different. With the Circassian, you find the clearest and fairest skin, the most delicatelyrounded limbs, the softest, sleepiest expression—the lowest voice—and the most indolently-graceful movements. There is no soul in a Circassian beauty; and as she pillows her pure, pale cheek upon her small dimpled hand, you feel no inclination to arouse her into exertion—you are contented to look upon her, and to contemplate her loveliness. But the Georgian is a creature of another stamp: with eyes like meteors, and teeth almost as dazzling as her eyes. Her mouth does not wear the sweet and unceasing smile of her less vivacious rival, but the proud expression that sits upon her finely arched lips accords so well with her stately form, and her high, calm brow, that you do not seek to change its character.

There is a revelation of intellect, an air of majesty, about the Georgian women, which seems so utterly at variance with their condition, that you involuntarily ask yourself if they can indeed ever be slaves; and you have some difficulty in admitting the fact, even to your own reason.

Nearly all the ladies of the Princess Azmè’s household are Georgians: and I have already had occasion to remark that her harem is celebrated for the beauty of its fair inhabitants.