The Court accordingly slept at St. Denis on the night of the 12th, in order to be in readiness for the ceremony of the morrow; and the morning of the eventful day which was to witness the crowning triumph of Marie de Medicis at length dawned. A brilliant spring sun robed the earth in brightness; but nowhere did it light up a scene of greater magnificence than when, filtered through the windows of stained glass, it poured itself in a living mosaic over the marble pavement of the cathedral, and flashed upon the sumptuous hangings and golden draperies which were distributed over the spacious area of the edifice. Immediately in front of the high altar a platform had been erected eleven feet in height, and upwards of twenty feet square, in the centre of which was a daïs richly carpeted, supporting the throne of the Queen, covered with crimson velvet embroidered with fleurs-de-lis in gold, and overshadowed by a canopy of the same material. On either side of this throne two other platforms were appropriated to the Princes of the Blood, the Knights of the several Orders, the Gentlemen of the Bedchamber, the great nobles, the foreign ambassadors, and the ladies of the Queen's household. Within the altar-rail on the left hand, a bench draped with cloth of gold was prepared for the cardinals; and behind this was a second bench reserved for the archbishops, bishops, and other ecclesiastics who were to assist at the ceremony; while on the same side of the shrine stood a table overlaid by a costly drapery, upon which were to be deposited the crown, the coronet, the sceptre, the hand of justice, and the ring destined to be employed during the ceremony. On the right hand of the altar was placed a prie-dieu covered with violet velvet bordered and fringed with gold, upon which were placed two cushions of the same material for the use of the Cardinal de Joyeuse, who was to officiate; and behind this was a table corresponding with that on the left, and covered by a similar drapery, supporting the bread, wine, and waxen tapers which the master of the ceremonies was instructed to deliver to the ladies who were selected to make the offering for the Queen.

The floor of the choir extending from the principal platform to the high altar was carpeted with crimson velvet edged with gold; and above this was stretched a second drapery of cloth of gold for the passage of her Majesty; myriads of lights were grouped about the lateral shrines, the carved columns of the venerable edifice were veiled by magnificent hangings, and the gorgeous vestments of the prelates cumbered the open presses of the sacristy.

An hour after dawn a compact crowd peopled the vast interior of St. Denis; persons of all ranks, from the artizan to the petty noble and his family, rushed tumultuously towards the sacred edifice, in order to secure a sight of the august solemnity; and great was the surprise of all to find themselves already preceded by the King, who came and went throughout the early part of the morning, superintending every arrangement in person, and apparently overlooking his bodily ailments in the extraordinary excitement under which he laboured.

The Dauphin, Madame the elder Princess, the ex-Queen Marguerite, the Princes of the Blood, and great dignitaries who were summoned to assist at the ceremony, accompanied by the Cardinals de Gondy and de Sourdis, proceeded at an early hour to the Louvre to conduct the Queen to the cathedral; and it was no sooner announced that her Majesty was prepared to set forth than the procession formed.

The ceremonial had not, however, been definitively arranged without considerable difficulty. Marguerite, who, whatever might be her errors, could not contemplate her presence at this solemnity as a mere spectator without considerable heart-burning, considered herself aggrieved by the fact that instead of following immediately behind the Queen, she was to be preceded by Madame Elisabeth, still a mere child; and so great was her indignation at this discovery, that she was very reluctantly induced to abandon her intention of pretexting illness, and absenting herself entirely from the pageant. The earnest remonstrances of her friends, who represented to her the certainty of the King's serious displeasure, alone determined her to sacrifice her dignity; and although she ultimately consented to submit to an arrangement which she considered as an encroachment upon her rights as the daughter of a long line of sovereigns, rather than draw down upon herself the resentment of the monarch, she wept bitterly while she prepared to swell the retinue of her successor.[3] The Comte de Soissons was less compliant; for it was no sooner announced to him that the Duchesse de Vendôme, the wife of the King's natural son, was to appear in a mantle embroidered with fleurs-de-lis similar to those worn by the Princesses of the Blood, than he loudly declared that he would not countenance so disgraceful an innovation; and having ordered his household to prepare for an instant departure from Paris, he left the capital with the Princess his wife, and retired to one of his country seats.[4]

Despite this secession, however, the suite of Marie de Medicis was one of supreme magnificence. The procession was opened by the Swiss Guards, habited in velvet vests of her own colours, tawny, blue, crimson, and white; then followed two companies, each composed of a hundred nobles, the first wearing habiliments of tawny-coloured satin braided with gold, and the second pourpoints of white satin and breeches of tawny colour; these were succeeded by the Lords of the Bedchamber, chamberlains, and other great officers of the royal household, superbly attired; who were, in their turn, followed by the Knights of the Holy Ghost wearing the collar of their Order. A body of trumpeters walked after them richly dressed in blue velvet; and then came the heralds in full armour, and the Ushers of the Chamber with their maces.

When these had passed the more important personages of the procession issued from the gates of the Louvre; and the glorious spring sun flashed upon the jewelled caps and capes of the Princes of the Blood, glistened over their vests of cloth of gold, and toyed with the gemmed hilts of their diamond-studded weapons. Preceding the Queen were the Prince de Conti and the Comte d'Anquien;[5] while immediately before her walked the Dauphin clad in a habit of cloth of silver, profusely ornamented with precious stones; and then came Marie herself, in the full glory of conscious dignity and triumph, wearing a coronet of jewels, a richly-gemmed stomacher, a surcoat of ermine, and a royal mantle seven French ells in length, composed of purple velvet embroidered with fleurs-de-lis in gold and diamonds, and bordered with ermine, which was borne on either side of her by the two Cardinals, and at its extremity by the Dowager Princess of Condé,[6] the Princesse de Conti, the Dowager Duchess of Montpensier, and the Duchesse de Mercoeur;[7] whose trains were in like manner supported by four nobles habited in cloth of gold and silver, and covered with jewels.

Then followed Madame Elisabeth de France and the ex-Queen Marguerite, wearing mantles covered with fleurs-de-lis embroidered in gold, carried by four nobles richly attired, with their capes and caps laced with jewels; and the gorgeous train was finally closed by the Princesses of the Blood and Duchesses, whose trains were in like manner borne by some of the principal noblemen of the Court. All these ladies wore their coronets enriched with pearls and diamonds, save such as were widows, to whom the use of gems was interdicted by the fashion of the age.

To these succeeded the ladies of the Queen's household, among whom the Marquise de Guercheville[8] and Madame de Concini excited the most curiosity; the latter from the high favour which she enjoyed, and the extraordinary elevation to which it had conduced; and the former from a cause infinitely more honourable to her as a woman. While the widow of her first husband, Henri de Silly, Comte de la Rochepot, her grace and beauty attracted Henri IV, who pertinaciously endeavoured to win her affections. His degrading suit was, however, so resolutely although respectfully rejected, that the King, impressed by her merit, on one occasion declared that the title which would be the most applicable to her would be that of a lady of honour, and that such she should become whenever another Queen ascended the throne of France. The Marquise curtsied her thanks, without attaching any importance to so very prospective a distinction; but six years subsequently, when the Court of Marie de Medicis was formed, the promised appointment was conferred upon her; and she fulfilled the duties of her office with a dignified and unobtrusive zeal which secured to her the esteem and respect of her royal mistress.[9]

Thus escorted, Marie de Medicis entered the cathedral; where, having been conducted to the front of the high altar, she knelt upon a cushion near which stood the Cardinal de Joyeuse in his pontifical robes, surrounded by a group of high ecclesiastical dignitaries, and supported by the Cardinal Duperron. When the Queen had concluded her prayer, and kissed the reliquary which was presented to her by Mgr. de Joyeuse, she was led to her throne in the same state as that with which she had approached the altar; and she had no sooner taken her place than the Dauphin seated himself in the chair which had been prepared for him; and Madame and the ex-Queen, followed by the Princesses of the Blood and the great ladies of the Court, after having successively made a profound curtsey to the Queen, followed his example. This done, the Cardinals de Gondy and de Sourdis descended from the platform, and took up their position on the left of the altar, while the Princes were marshalled to their places by the royal ushers; and meanwhile the musicians of her Majesty performed divers melodies suited to the place and the occasion.