WOMEN OF THE ILIAD

The reader of the Iliad and the Odyssey finds himself in an atmosphere altogether human. As he peruses these pages, so rich in pictures of the life and manners of heroic times, it matters little to him whether the men and women of epic song had merely a mythical existence, or were, in fact, historical figures. The contemporaries of Homer and later Greeks had an unshaken belief in the reality of those men and women; and the poet has breathed into them the breath of genius, which gives life and immortality.

We have in these poems the most ancient expression of the national sentiment of the Greeks, and from them we can form a correct idea of the relations of men and women in prehistoric times, and of the character and status of woman in the childhood of the Greek world.

It is a noteworthy fact that the plots of both the Iliad and the Odyssey--as well as the most interesting episodes they contain--turn upon love for women; and a clear idea of the importance of woman in the Heroic Age could not be given better than by briefly reviewing the brilliant panorama of warlike and domestic scenes in which woman figures.

We are first introduced to a Greek camp in Troy land. During ten long years the hosts of the Achæans have been gathered before the walls of Ilium. What is the cause of this long struggle? A woman! Paris, son of King Priam, had carried off to his native city Queen Helen, wife of Menelaus, King of Sparta. Aided by the wiles of Aphrodite, to whom he had awarded the golden apple as the fairest in the contest of the three goddesses, Hera, Athena, and Aphrodite, Paris succeeded in winning the heart of this fairest of Greek women and in persuading her to desert husband and daughter to follow the fortunes of a handsome stranger. On the isle of Cranaë their nuptial rites were celebrated, and after much voyaging they reached their new home in Troy, where King Priam, fascinated with the beauty and grace of this new daughter, in spite of his dread of the consequences, graciously received the errant pair. The Greek chieftains bound themselves by an inviolable oath to assist the forsaken husband to recover his spouse, and, marshalling their forces, they entered upon the long and tedious war. Thus, a woman was the cause of the first great struggle between Orient and Occident, of the assembling of the mighty hosts of the Achæans under King Agamemnon, of ten years of siege and struggle and innumerable wars, of the hurling of many valiant souls to Hades, of the fall of Troy, and of the varied wanderings and dire fortunes of the surviving heroes and heroines of the epic story.

The Iliad does not tell the whole story of the Trojan War; Homer invites the muse to sing of but one episode thereof--the dire wrath of Achilles. The cause of that violent outburst is also a woman. The Greek chieftains are gathered in the place of assembly, along the banks of the Scamander. In their midst is an aged priest of the town of Chryse, bearing in his hand the fillets of Apollo, the Far-darter, upon a golden staff. He beseeches the Greeks to restore to him his dear child, the maiden Chryseis, their captive, and to accept in return the proffered ransom, reverencing the god. There is a sympathetic murmur among the chieftains, who urge the granting of the petition; but the thing pleases not the heart of Agamemnon, king of men, who had received the beautiful captive as his own share of the booty, and for love of her will not give her up. So he roughly sends the old man away, and lays stern charge upon him not to be seen again near the ships of the Achæans. Outraged in his dignity as a priest and in his tenderness as a father, the aged sire prays to Apollo, who at once sends dire pestilence upon the Greeks; and the pyres of the dead burn continually in multitude. Nine days speed the god's shafts throughout the host, and on the tenth the valiant warrior Achilles summons the folk to assembly, and bids Calchas, "most excellent of augurs," declare the cause of the pestilence. Calchas, after much hesitation, responds that the Far-darter has brought war upon the Greeks because Agamemnon has done despite to the priest, and has not set his daughter free and accepted the ransom.

Agamemnon is violently enraged at the seer; his dark heart within him is greatly filled with anger, and his eyes are like flashing fire. He charges the seer with never saying anything that is pleasant for him to hear. And as for Chryseis, he would fain keep her himself in his household; for he prefers her even before Clytemnestra, his wedded wife, to whom she is nowise inferior, neither in favor nor stature nor wit nor skill. Yet if she be taken away from him for the good of the people, he demands another prize forthwith, that alone of the Greeks he may not be without reward. Then is the valiant Achilles enraged at the covetousness of his chief, and a violent quarrel ensues. At last, Agamemnon asserts that he will send back Chryseis, but he will come and take in return Achilles's meed of honor, Briseis of the fair cheeks, that Achilles may know how far the mightier is he and that no other may hereafter dare to rival him to his face.

Then is the son of Peleus the more enraged, and, had not the goddess Athena appeared and restrained his wrath, he would have assailed Agamemnon on the spot. However, he speaks again with bitter words and declares that hereafter longing for Achilles will come upon the Achæans one and all; for no more will he fight with the Greeks against the Trojans. So the assembly breaks up, after this battle of violent words between the twain. Achilles returns to his huts and trim ships, with Patroclus and his company; and Agamemnon sends forth Odysseus and others on a fleet ship to bear back to her father the lovely Chryseis, and to offer a hecatomb to Apollo. Thus Chryseis is restored to her father's arms, and appears no more in the story.

But Atrides ceases not from the strife with which he has threatened Achilles. He summons straightway two heralds, and bids them go to the tent of Achilles and take Briseis of the fair cheeks by the hand and lead her to him. Unwillingly they go on their mission, and find the young warrior sitting sorrowfully beside his hut and black ship. He knows wherefore they come, and bids his friend Patroclus bring forth the damsel and give them her to lead away. And Patroclus hearkens to his dear companion, and leads forth from the hut Briseis of the fair cheeks, and gives her to the heralds. And the twain take their way back along the ships of the Achæans and with them goes the maiden, all unwilling.

In this moment of grief at the loss of the woman he loves, Achilles bethinks him of his dear mother, the Nereid Thetis, and, stretching forth his hand toward the sea, he prays to her to hearken to him. His lady mother hears him as she sits in the sea depths beside her aged sire, and with speed she arises from the gray sea, and sits down beside him and strokes him with her hand and inquires the cause of his sorrow. Into her sympathetic ear he tells all the story of his wrongs, and the goddess shows herself the tenderest and most loving of mothers. He bids her seek justice for him at the throne of mighty Zeus, with whom she is potent on account of favors she has done him. She bewails with her son that she has borne him to brief life and evil destiny; but she bids him continue wroth with the Achæans, and refrain utterly from battle, while she will early fare to Zeus's palace upon Mount Olympus, and she thinks to win him. True to her promise, she betakes herself to sunny Olympus and finds the father of gods and men sitting apart from all the rest upon the topmost peak. She clasps his knees with one hand as a suppliant and with the other strokes his chin, and prays him to do honor to her son and exalt him with recompense for the gross wrong he has suffered. And Zeus, though he knows that it will lead to strife with Lady Hera, his spouse, promises to heap just vengeance upon Agamemnon.