Greek Women

by Mitchell Carroll

It is not strange that many of the hetæræ, noted for their superlative beauty and for their cultivation of art and literature and the refinements of life, should attain historical celebrity and, as heroines of the demi-monde, should influence for weal or woe the destinies of Greece. We shall briefly notice important incidents in the careers of a few of the members of this prominent class.

Gnathæna, daughter of the panderess Sinope, was one of the most keen-witted and clever of Athenian hetæræ. She was noted for her happy play on words. She also devised a set of rules for the conduct of dinners and banquets, which lovers had to observe when they visited her or her daughter, Gnathænion. In this she imitated the most cultured hosts of Athens, and exhibited a regard for social forms which throws a commendable light on the deportment of the more cultivated hetæræ. Gnathænion, the daughter, was for some time the favorite of the comic poet Diphilus, and he had many a brilliant passage of repartee with the mother on the occasion of his visits to the daughter.

Melitta was another famous hetæræ, beloved for her beautiful figure and voice as well as for her pleasing conversation and sprightliness. As each of her lovers said, "the fair Melitta was his madness," she was also called Mania. She was one of the many favorites of Demetrius the Besieger. More celebrated, however, than Melitta as a favorite of Demetrius was the beautiful Lamia, the most renowned flute player of antiquity. She was the daughter of a prominent Athenian citizen, by name Cleanor, and, choosing to follow the independent life of a hetæræ, she made her native city the first scene of her exploits. From here she journeyed to Alexandria, where by her art and her beauty she speedily won recognition at the court of Ptolemy. Accompanying Ptolemy Soter in his naval war against Antigonus and Demetrius, she fell a prisoner into the hands of the latter. Although her youth and beauty were already on the wane, she succeeded in captivating Demetrius, who was much younger than herself, so that, as Plutarch states, he appeared to be actually her lover, while with other women he was only the object of love. Lamia ruled him completely and led him into many excesses. Thus he once compelled the Athenians to collect for him at short notice two hundred and fifty talents, and when it was finally brought to him he sent it straightway to Lamia and her companions, "for pin money," Lamia herself on one occasion exacted from the citizens an enormous sum of money to prepare a magnificent banquet for Demetrius. This banquet, because of the exorbitant expenses which it occasioned, was so extraordinarily notorious that Lycurgus of Samos wrote a book about it. On this account, a comic poet characterized Lamia as the true Helepolis, or city destroyer, the name of one of the most famous engines of war of Demetrius. Demetrius remained passionately enamored of her, even after her beauty had faded. As a means of flattering Demetrius, the Athenians erected altars to her, made propitiatory offerings, and celebrated her festival. The Thebans went so far as to erect a temple in her honor, and worshipped her as Aphrodite Lamia.

Pythionice, the favorite of Harpalus, the friend and confidant of Alexander the Great, partook of honors which rivalled those of Lamia. During the most brilliant period of Harpalus's career, Pythionice was summoned to Babylon, where she shared his honors and bore the title of a queen of Babylon. A letter from the historian Theopompus to Alexander is extant, in which he speaks of the passionate devotion of Harpalus to his favorite, and thus alludes to her: "To this Pythionice, a slave of the flute player Bacchis, who in turn was a slave of the hetæra Sinope, Harpalus erected two monuments, one at Athens and one at Babylon, at a cost of more than two hundred talents, which seemed cheap to that spend-thrift; and, in addition, he had a precinct and a sanctuary dedicated to her, which he named the temple and altar of Aphrodite Pythionice. She bore him a daughter, and died before the sudden change which came in his fortunes."

Another favorite of Harpalus, and later of the celebrated deformed comic poet Menander, was Glycera, the daughter of Thalassis. She was a native of Athens, and passed most of her time in the company of littérateurs and philosophers. The Megarian philosopher Stilpo once accused her, at a banquet, of misleading the youth through her seductive art. She made the reply: "Stilpo, we are in this under like condemnation. It is said of you that you impart to your pupils profitless and eristic sophisms, of me that I teach them erotic sophisms." Some of Glycera's letters to her poet lover Menander, still extant, show how warm a sympathy existed between the two, and how delicate a sentiment could characterize such a union.

One of the names of hetæræ famous in both ancient and modern times is that of Lais, which belonged to two Greek women celebrated for their extraordinary beauty, who are differentiated by being known as Lais the Elder and Lais the Younger.

The elder and indisputably more famous of the two was the daughter of that hetæra, Timandra, who remained faithful to Alcibiades in his evil fortunes. As a seven-year-old maiden, Lais was taken captive by the Athenians during the sack of her birthplace, Hyccara in Sicily, and was brought as a slave to Corinth. Here she was early initiated into the arts of gallantry and was given a thorough training in the culture of the day.

The physical charms of Lais developed into a beauty rarely witnessed. Her bosom was of such indescribable perfection that sculptors and painters took it as a model in their creations of the ideal female form. She was regarded as surpassing not only all her contemporaries, but also all the famous beauties of earlier times; and later ages regarded her as the prototype of womanly beauty, and delighted in giving lengthy and minute descriptions of her charms, as, for example, that by the sophist Aristænetus in the first of his fifty erotic epistles.

Soon after her first appearance, Lais was talked of, was celebrated, was deified, in all Hellenic lands. It was considered good fortune, as a Greek poet expressed it, that Lais, the most beautiful of her sex, adopted the hetæra life; for were she not accessible to all, there would have been in Greece a conflict comparable only to that over Argive Helen.

The reputation of her beauty occasioned in a short time a formidable immigration to Corinth of the most wealthy and distinguished men, partly to enjoy her favor, partly to gaze in wonder at her charms, and partly to study this paragon of female beauty for imitation in works of art. From the homage that she received, and especially the wealth that was poured at her feet by her lovers, she was soon rendered so proud and selfish that she secluded herself from all except the richest. Her proud heart, however, was not entirely closed to emotions of love. She took a fancy to the Cynic philosopher Diogenes, in spite of his filth and brusqueness; and Ælian tells the story of her inclination for a young athlete, Eubatas of Cyrene, who had come to Corinth for the games, leaving behind a most beautiful and beloved wife. "When Lais became acquainted with Eubatas of Cyrene," says Ælian, "she was so enamored of him that she made a proposal of marriage. In order not to bring down on himself the vengeance of the powerful hetæra, he became betrothed to her, but yet continued to live a continent life. At the conclusion of the games, he had to fulfil his promise. But after he had been declared victor, in order to avoid the appearance of breaking faith with the courtesan, he had a picture of Lais painted, and took it with him to Cyrene, affirming that he had not broken his promise, but had brought Lais home with him. As a reward for his fidelity, his virtuous wife in Cyrene had a statue erected in his honor."