To every one else it is perfectly proper. I am supposed to be in the neighborhood of Fontainebleau, with the Duchess de Langeac, at her daughter's house; and as the poor girl is very sick and receives no company, I can disappear for a short time without my absence calling forth remark, or raising an excitement in the country.
I have told my cousin a part of the truth—she understands my scruples and doubts. She thinks it very natural that I should wish to consider the matter over before engaging myself for life; she knows that I am staying with an old friend, and as I have promised to return home in two weeks, she is not a bit uneasy about me.
"My child," she said when we parted, "if you decide to marry, I will go with you to Paris; if not, you shall go with us to enjoy the waters of Aix." I have discovered that Aix is a good place to learn news of our friends in Isère. You also reproach me for not having told Roger all my troubles; for having hidden from him what you flatteringly call "the most beautiful pages of my life."
O, Valentine! in this matter I am wiser than you, in spite of your matronly experience and acknowledged wisdom. Doubtless you understand better than I do, the serious affairs of life, but about the frivolities, I think I know best, and I tell you that courage in a woman is not an attraction in the eyes of these latter-day beaux.
Their weak minds, with an affected nicety, prefer a sighing, supplicating coquette, decked in pretty ribbons, surrounded by luxuries that are the price of her dignity; one who pours her sorrows into the lover's ear—yes! I say they prefer such a one to a noble woman who bravely faces misery with proud resignation, who refuses the favors of those she despises, and calm, strong, self-reliant, waters with her tears her hard-earned bread.
Believe me, men are more inclined to love women they can pity than women they must admire and respect; feminine courage in adversity is to them a disagreeable picture in an ugly frame; that is to say, a poorly dressed woman in a poorly furnished room. So you now see why, not wishing to disgust my future husband, I was careful that he should not see this ugly picture.
Ah! you speak to me of my dear ideal, and you say you love him? Ah! to him alone could I fearlessly read these beautiful pages of my life. But let us banish him from our minds; I would forget him!
Once I was very near betraying myself; my cousin and I called on a Russian lady residing in furnished apartments on Rivoli street.
M. de Monbert was there—as I took a seat near the fire, the Countess R. handed me a screen—I at once recognised a painting of my own. It represented Paul and Virginia gardening with Domingo.
How horrible did all three look! Time and dust had curiously altered the faces of my characters; by an inexplicable phenomenon Virginia and Domingo had changed complexions; Virginia was a negress, and Domingo was enfranchised, bleached, he had cast aside the tint of slavery and was a pure Caucasian. The absurdity of the picture made me laugh, and M. de Monbert inquired the cause of my merriment. I showed him the screen, and he said "How very horrible!" and I was about to add "I painted it," when some one interrupted us, and so prevented the betrayal of my secret.