“I decided to go and see Mackar. What I suffered, and how excited I was, passes description. Ten times I tried to go in, and always turned away again—even a large glass of absinthe did not help me. At last I went. He was expecting me. I had pictured him a little man like Wuchs. He is astonishingly like Bessel. We talked a little (someone near me was buying my works), and then I left. Naturally I felt a weight off my heart.”

To P. V. Tchaikovsky.[114]

“Paris, June 1st (13th), 1886.

“ ... Yesterday I had breakfast with old Madam Viardot. She is such a stately and interesting woman; I was quite enchanted. Although seventy, she only looks about forty. She is very lively, amiable, gay, and sociable, and knew how to make me feel at home from the very first moment.”

Later Tchaikovsky wrote the following details to Nadejda von Meck concerning his acquaintance with Madame Viardot:—

“ ... Madame Viardot often speaks about Tourgeniev, and described to me how he and she wrote ‘The Song of Love Triumphant’ together. Have I already told you that I was with her for two hours while we went through the original score of Mozart’s Don Juan, which thirty years ago her husband had picked up very cheaply and quite by accident? I cannot tell you what I felt at the sight of this musical relic. I felt as if I had shaken Mozart by the hand and spoken to him!...”

To Modeste Tchaikovsky.

June 23rd (11th), 1886.

“Yesterday, at the invitation of Ambrose Thomas, I visited the Conservatoire during the examination of the pianoforte class. He is a very nice, friendly old man. A certain Madame Bohomoletz, a rich lady (half Russian), gave a dinner in my honour, followed by a musical evening, at which my quartet was played (Marsick and Brandoukov) and my songs were sung.... Leo Délibes has visited me; this touched me very deeply. Certainly it seems I am not as unknown in Paris as I thought....”

I will add to this short and disjointed account that Tchaikovsky was received in a most friendly manner by Professor Marmontel, a warm admirer of his works, also by the composers Lalo, Lefèbre, Fauré, and others. The meeting with Colonne and Lamoureux is described by Tchaikovsky himself in a later letter:—