“May 24th (June 5th).
“I have been feverishly busy lately with the preparations for the first performance of Sniegourotchka, the pianoforte arrangement of my symphony, the examinations at the Conservatoire, the reception of the Grand Duke Constantine Nicholaevich, etc. The latter was enthusiastic over my symphony, and paid me many compliments.”
I have already said that life was precious to Tchaikovsky. This was noticeable in many ways, among others his passion for keeping a diary. Every day had its great value for him, and the thought that he must bid eternal farewell to it, and lose all trace of its experiences, depressed him exceedingly. It was a consolation to save something from the limbo of forgetfulness, so that in time to come he might recall to mind the events through which he had lived. In old age he believed it would be a great pleasure to reconstruct the joys of the past from these short sketches and fragmentary jottings which no one else would be able to understand. He preferred the system of brief and imperfect notes, because in reading through the diaries of his childhood and youth, in which he had gone more fully into his thoughts and emotions, he had felt somewhat ashamed. The sentiments and ideas which he found so interesting, and which once seemed to him so great and important, now appeared empty, unmeaning and ridiculous, and he resolved in future only to commit facts to paper, without any commentary.[32] Disillusioned by their contents, he destroyed all his early diaries. About the close of the seventies Tchaikovsky started a new diary, which he kept for about ten years. He never showed it to anyone, and I had to give him my word of honour to burn it after his death. After all, he did so himself, and only spared what might be seen by strangers.
His first attempt at a diary dates from 1873. He began it in expectation of many impressions during his tour abroad, the very day he left Nizy.
Extracts from the diary kept during the summer
of 1873.
“Kiev, June 11th (23rd), 1873.
“Yesterday, on the road from Voroshba to Kiev, music came singing and echoing through my head after a long interval of silence. A theme in embryo, in B major, took possession of my mind and almost led me on to attempt a symphony. Suddenly the thought came over me to cast aside Stassov’s not too successful Tempest and devote the summer to composing a symphony which should throw all my previous works into the shade. Here is the embryo:—