“I should very much like to know how the decision upon the merits of the (opera) scores will go. I hope you may be a member of the committee. The fear of being rejected—that is to say, not only losing the prize, but with it all possibility of seeing my Vakoula performed—worries me very much.
“Opinions here as regards Angelo[41] are most contradictory. Two years ago I heard Cui play the first act, which produced an unsympathetic impression upon me, especially in comparison with Ratcliff, of which I am extremely fond.”
Contrary to custom, Petersburg, not Moscow, enjoyed the first hearing of Tchaikovsky’s latest work. At the first Symphony Concert of the Musical Society, on December 1st, Professor Kross played the Pianoforte Concerto. Both composer and player were recalled, but at the same time the work was only a partial success with the public. The Press, with one exception, was unfavourably disposed towards it. Famitzin spoke of the Concerto as “brilliant and grateful, but difficult for virtuosi.” All the other critics, including Laroche, were dissatisfied. The latter praised the Introduction for its “clearness, triumphal solemnity, and splendour,” and thought the other movements did not display the melodic charm to be expected from the composer of The Oprichnik and Romeo and Juliet. “The Concerto,” he continued, “was ungrateful for pianists, and would have no future.”
At the first Symphony Concert in Moscow, November 7th (19th), Tchaikovsky’s Third Symphony was produced for the first time with marked success.
To N. A. Rimsky-Korsakov.
“Moscow, November 12th (24th), 1875.
“Most Honoured Nicholai Andreievich,—To-day for the first time I have a free moment in which to talk to you. Business first.
“1. It goes without saying that Rubinstein will be much obliged if you will send him Antar.[42] We shall await the score impatiently, and also the quartet, which interests me very much....
“2. Jurgenson will be glad if you will let him have the quartet. Have I explained your conditions correctly? I told him you expected a fee of fifty roubles, and the pianoforte arrangement was to be made at his expense. I know a young lady here who arranged my second quartet very well. So if your wife will not undertake to do it herself, we might apply to her....
“I went direct from the station to the rehearsal of my symphony. It seems to me the work does not contain any very happy ideas, but, as regards form, it is a step in advance. I am best pleased with the first movement, and also with the two Scherzi, the second of which is very difficult, consequently not nearly so well played as it might have been if we could have had more rehearsals. Our rehearsals never last more than two hours; we have three, it is true, but what can be done in two hours? On the whole, however, I was satisfied with the performance....