The lazy blue river and the wide, brown plains of Picardy lay basking in the still splendor of the November afternoon. The mysterious hush of the autumn lay upon the fields and the farmsteads. A flock of herons in a near-by marsh meditated gravely, standing one-legged, and watching the cows kneedeep in the muddy meadows. High in the sunny air, a vulture sailed, majestically evil, watching both the cows and the herons. The world was saying farewell softly to the sunny hours.
The only sound that broke the deep silence was the steady trot of the big Normandy horses on the flinty towpath, as they drew a covered boat along the narrow and shallow stream, and the faint echo of the voices of five persons sitting on the roof of the boat in the sunshine. The herons cocked their eyes toward the boat, and listened attentively, though they could not understand a word of these strange, noisy, laughing, weeping, fighting, dancing, talking creatures, called men and women. Sometimes, so the herons thought, these odd beings were a little kind; sometimes they were very cruel, but always they were formidable, and were masters of life and death.
The great question under discussion on the roof of the boat was, where the theatrical company of jugglers and singers should spend the winter. Grandin, the proprietor of the show, a tall, handsome, boastful man, with a big voice like a church organ and a backbone made of brown paper, always gave his opinion first, but was generally overruled by Madame Grandin, also tall, handsome, easily wheedled or bullied, but inexorably truthful. Decisions really rested with the three subordinates, Diane Dorian, the prima donna, Jean Leroux, her partner, and the individual known as François le Bourgeois, juggler.
“I have determined upon Bienville,” roared Grandin, in his big, rich voice. “We wintered there nine years ago, and my lithograph was in some of the best shops in the place.”
“Oh, what a lie!” cried Madame Grandin, amiably. “They only put your picture in three butcher shops and the bake shop across the street, and I am sure you paid enough for it. But Bienville is my choice too.”
Grandin took this with the utmost good nature. Between his propensity to tell agreeable lies, and Madame Grandin’s natural inability to let a lie go uncontradicted, the couple struck a very good average of truth.
The manager and his wife having spoken, the real discussion was now on.
“I should say Bienville,” said Jean Leroux, quietly.
He, too, was big—an ugly, resolute man with an indomitable eye, and as honest as the day was long.
He looked at Diane as he spoke. She was dark haired and dark eyed, with a skin milk white in spite of grease paint, and had a vivid, irregular, theatrical beauty, in great contrast to the big, Juno-like manager’s wife. Also, she was so slight and thin as to deserve the name of “Skinny,” which was freely applied to her by François, and she had a voice like the flute of Pan. In spite of her soft voice and gently drooping head, Diane had ten times the resolution of the resolute Jean Leroux. She was also the vainest of women, and in order to protect her matchless complexion wore, over her scarlet hood, a transparent veil of a misty grey, through which her eyes shone as the flash of stars is seen through a drifting cloud. Jean Leroux, who frankly adored her, sat at her right, and François, who always laughed at her, sat on the other side. This François had the clear cut, highbred features, the slim hands and feet, that indescribable air of the aristocrat which marks a man who can trace his descent through many lines of greatness, back to those who shone at the court of Philippe le Bel. Yet François was a frowzy person, and his small feet had burst through his shoes; but he had the same glorious and ineffable impudence of his ancestors who bullied their kings and princes.