On a still, sunny March day he limped up and down the garden path with Angela, who talked with lips and eyes to him. She examined the tracks her little feet made along the path and laughed at them.
“You see,” she said, “I am wearing a pair of new shoes made by Uncle Mat, the shoemaker who makes for the servants. I haven’t had any new shoes for more than a year, not since the war began. So I had Uncle Mat make me a pair in order to save my best shoes for the time when I shall go to Neville. Uncle Mat can’t sew shoes—he only pegs them; and see what funny marks the pegs leave in the damp ground.”
Isabey looked at the tracks of the clumsy little shoes, but not even Uncle Mat could wholly disguise the high-bred beauty of Angela’s feet.
“Last night,” she continued, “I forgot all about the shoes being pegged, and after I went upstairs sat for a long time with my feet to the fire. The heat drew every blessed peg out of the soles, and this morning Uncle Mat had to drive them back again, to stay until I put my feet to the fire again. Oh, I don’t mind this; it is just like Marie Antoinette and the Princess Elizabeth in the Temple!”
Pacing slowly up and down the broad, bright walk, she told with a grave and serious air the story of the garden.
“Now,” she said, “in the springtime the overture begins. I have never been to an opera, but I know exactly how it all goes; Mr. Lyddon and Richard and Neville have told me. First the flutes and violins begin softly, you know, and their odor is delicate. Then presently the other flowers join in this silent music; the snowballs and the syringas are added to the orchestra. I always think the big lilac bushes and the calycanthus, that delicious sweet-smelling shrub which grows all over the place, are like the bass viol and the violoncello in the orchestra, they are so strong and overpowering. And the great pink crape-myrtle is like the big drum; it blooms so loudly. The little flowers, like the lilies of the valley and the violets and the hyacinths, are like the new prima donnas, who are young and timid and afraid to sing out loud. But then come the roses. They are the great prima donnas, who are confident of themselves and know they will be applauded and come out smiling and sing as loud as ever they please. And the whole opera begins: June, July, August, September, October, and November, when the curtain comes down and the music stops until the next performance, which begins again in March.”
Isabey smiled. After all, in many ways she was only a poetic and fanciful child. Her imagination, stimulated by the reading of many books, was vigorous, but she had in her the spirit of daring and adventure, and her eyes and cheeks quickly kindled into flame at the mere mention of action. He wondered what was to be the path her delicate feet were to tread through life. If only he might walk beside her forever!
The snow was all gone from the garden and the lane, but lingered in patches in the woods, and in the old graveyard in the field there were still white drifts upon the graves.
“In a week or two,” said Angela, “I will take you into the woods and you can see the pink buds of the chestnut trees. They have the most delicious fragrance of all the trees.”
“I shan’t be here by that time,” replied Isabey quietly. “When I am able to walk as far as the woods I shall be able to return to duty.”