As they all got out, laughing, huddling, and slipping up the stone steps, Mrs. Sherrard greeted them with her characteristic cordiality, demanding that they should take off their wraps before they were half up the steps. She gave Throckmorton a comical look, and whispered to him as he shook hands with her: “Out with the Sister of Charity, hey? Or is it the child Jacky?” Throckmorton laughed rather uneasily. He had never got over that remark of Mrs. Sherrard’s about Jacqueline being a playmate for Jack.
They all went trooping into the dining-room, where a huge fire blazed. Mrs. Sherrard called up her factotum, a venerable negro woman, Delilah’s double, and in ten minutes they were sitting around the table laughing and eating and drinking. The colored factotum had brought out a large yellow bowl, a big, flat, blue dish, and a rusty bottle. Eggs and milk followed.
“Egg-nog,” whispered Jack to Jacqueline.
So it was. Freke broke up the eggs, and Mrs. Sherrard, with a great carving-knife, beat up the whites, while she talked and occasionally flourished the knife uncomfortably near Freke’s nose. Throckmorton poured in the rum and brandy with such liberality that Judith with great firmness took both bottles away from him. The egg-nog was a capital brew. Then Freke produced his violin, and saying, “Hang your Brahms and Beethovens!” dashed into waltzes of Strauss and Waldteufel that made the very air vibrate with joy and gayety and rhythm. Jack seized Jacqueline, and, opening the door, they flew out into the half-lighted hall and spun around delightedly. As Freke’s superb bow-arm flashed back and forth, and the torrent of melody poured out of the violin, his eyes flashed, too. He did not mean to play always for Jacqueline to dance.
Judith, standing at the door, watched the two young figures whirling merrily around in the half-light to the resounding waltz-music. She was altogether taken by surprise when Throckmorton came up to her, and said, half laughing and half embarrassed:
“My dancing days are over, but that waltz is charming.”
Judith did not quite take in what he meant, but without a word he clasped her waist, and she was gliding off with him. Throckmorton would have scorned the characterization of a “dancing man,” but nevertheless he danced well, and Judith moved like a breeze. She went around the big hall once—twice—before the idea that it was inconceivably wicked of her to dance with Throckmorton came to her; not, indeed, until she saw Freke’s wide mouth expanded into a smile that was infuriating. And then, what would Mrs. Temple say to her dancing at all?
“Oh, pray, stop!” she cried, blushing furiously. “I can’t dance any more; I ought never to have begun. I haven’t danced for—for years.”
Throckmorton stopped at once, with pity in his eyes. He suspected the sort of angelic dragooning to which she was subject from his dear Mrs. Temple.
“Why shouldn’t you dance?” he said. “I see you like it. Come, let’s try it again. I’m a little rusty, perhaps, but we got on famously just now.” But Judith would not try it again.