CHAPTER XVI.
“... when the steam
Floats up from those dim fields about the homes
Of happy men that have the power to die.”
Tithonius, Tennyson.
A COUNTRYMAN with stooping gait touched his cap and bid good-day to a young woman who walked rapidly along the crisp high road, smiling a response as she passed.
The road led gradually upward through a country blazing with red and orange for rolling miles, till the horizon closed in with the far-off blue of English hills.
The old man slowly turned to watch the wayfarer, whose quick step and the look in her eyes of being fixed on objects beyond their owner’s immediate ken, might have suggested to the observant, inward perturbation. The lissom, swiftly moving figure was almost out of sight before the old man slowly wheeled round and continued on his way towards the hamlet of Craddock Dene, that lay in the valley about a mile further on. Meanwhile the young woman was speeding towards the village of Craddock on the summit of the gentle slope before her. A row of broad-tiled cottages came in sight, and on the hill-side the Vicarage among trees, and a grey stone church which had seen many changes since its tower first looked out from the hill-top over the southern counties.
The little village seemed as if it had forgotten to change with the rest of the country, for at least a hundred years. The spirit of the last century lingered in its quiet cottages, in the little ale-house with half-obliterated sign, in its air of absolute repose and leisure. There was no evidence of contest anywhere—except perhaps in a few mouldy advertisements of a circus and of a remarkable kind of soap, that were half peeling off a moss-covered wall. There were not even many indications of life in the place. The sunshine seemed to have the village street to itself. A couple of women stood gossiping over the gate of one of the cottages. They paused in their talk as a quick step sounded on the road.
“There be Mrs. Temperley again!” one matron exclaimed. “Why this is the second time this week, as she’s come and sat in the churchyard along o’ the dead. Don’t seem nat’ral to my thinking.”
Mrs. Dodge and Mrs. Gullick continued to discuss this gloomy habit with exhaustive minuteness, involving themselves in side issues regarding the general conduct of life on the part of Mrs. Temperley, that promised solid material for conversation for the next week. It appeared from the observations of Mrs. Gullick, whose husband worked on Lord Engleton’s model farm, that about five years ago Mr. Temperley had rented the Red House at Craddock Dene, and had brought his new wife to live there. The Red House belonged to Professor Fortescue, who also owned the Priory, which had stood empty, said Mrs. Gullick, since that poor Mrs. Fortescue killed herself in the old drawing-room. Mr. Temperley went every day to town to attend to his legal business, and returned by the evening train to the bosom of his family. That family now consisted in his wife and two small boys; pretty little fellows, added Mrs. Dodge, the pride of their parents’ hearts; at least, so she had heard Mr. Joseph Fleming say, and he was intimate at the Red House. Mrs. Gullick did not exactly approve of Mrs. Temperley. The Red House was not, it would seem, an ever-flowing fount of sustaining port wine and spiritually nourishing literature. The moral evolution of the village had proceeded on those lines. The prevailing feeling was vaguely hostile; neither Mrs. Gullick nor Mrs. Dodge exactly knew why. Mrs. Dodge said that her husband (who was the sexton and gravedigger) had found Mrs. Temperley always ready for a chat. He spoke well of her. But Dodge was not one of many. Mrs. Temperley was perhaps too sensitively respectful of the feelings of her poorer neighbours to be very popular among them. At any rate, her habits of seclusion did not seem to village philosophy to be justifiable in the eyes of God or man. Her apparent fondness for the society of the dead also caused displeasure. Why she went to the churchyard could not be imagined: one would think she had a family buried there, she who was, “as one might say, a stranger to the place,” and could not be supposed to have any interest in the graves, which held for her nor kith nor kin!
Mrs. Temperley, however, appeared to be able to dispense with this element of attraction in the “grassy barrows.” She and a company of youthful Cochin-China fowls remained for hours among them, on this cheerful morning, and no observer could have determined whether it was the graves or the fowls that riveted her attention. She had perched herself on the stile that led from the churchyard to the fields: a slender figure in serviceable russet and irresponsible-looking hat, autumn-tinted too, in sympathy with the splendid season. In her ungloved left hand, which was at once sensitive and firm, she carried a book, keeping a forefinger between the pages to mark a passage.
Her face bore signs of suffering, and at this moment, a look of baffled and restless longing, as if life had been for her a festival whose sounds came from a hopeless distance. Yet there was something in the expression of the mouth, that suggested a consistent standing aloof from herself and her desires. The lines of the face could never have been drawn by mere diffusive, emotional habits. Thought had left as many traces as feeling in the firm drawing. The quality of the face was of that indefinable kind that gives to all characteristic things their peculiar power over the imagination. The more powerful the quality, the less can it be rendered into terms. It is the one marvellous, remaining, musical fact not to be defined that makes the Parthenon, or some other masterpiece of art, translate us to a new plane of existence, and inspire, for the time being, the pessimist with hope and the sceptic with religion.