The Daughters of Danaus

by Mona Caird

To add to the anxieties of the moment, little Martha seemed to lose in energy since coming to the new abode, and Hadria began to fear that the house was not quite healthy. It was very cheap, and the landlady was honest, but if it had this serious drawback, another move, with probably another drawback, seemed to threaten. This was particularly troublesome, for who could tell how long it would be possible to remain in Paris? Hadria thought of the doctrine of the sovereignty of the will, and of all the grand and noble things that the Preposterous Society had said about it, not to mention Emerson and others—and she smiled.

However, she worked on, putting aside her anxieties, as far as was possible. She would not fail for lack of will, at any rate. But it was a hard struggle. Martha had to be very carefully watched just now.

Happily, after a few anxious days, she began to recover her fresh colour and her high spirits. The move would not be necessary, after all. Hadria had become more and more attached to the child, whose lovable qualities developed with her growth. She was becoming singularly like her unhappy mother, in feature and in colouring. Her eyes were large and blue and sweet, with a little touch of pathos in them that Hadria could not bear to see. It seemed almost like the after-glow of the mother’s suffering.

Although adding to Hadria’s anxieties, the child gave a sense of freshness and youth to the little ménage. She made the anxieties easier to bear.

Hadria came in, one morning, from her work, tired and full of foreboding. Hat and cloak were laid aside, and she sank into an arm-chair, lying back to lazily watch the efforts of the child to overturn the obstinate blue man, who was still the favourite plaything, perhaps because he was less amenable than the rest.

Martha looked up for sympathy. She wished to be helped in her persistent efforts to get the better of this upstart blue man with the red cap, who serenely resumed his erect position just as often as he was forced to the ground. He was a stout, healthy-looking person, inclining to embonpoint; bound to succeed, if only from sheer solidity of person. Hadria was drawn into the game, and the two spent a good half hour on the rug together, playing with that and other toys which Martha toddled off to the cupboard to collect. The child was in great delight. Hadria was playing with her; she liked that better than having Jean Paul Auguste to play with. He took her toys away and always wanted to play a different game.

The clock struck two. Hadria felt that she ought to go and see Madame Vauchelet; it was more than a week since she had called, and the kind old friend was always gently pained at an absence of that length.

Then there was an article to finish, and she ought really to write to Dunaghee and Henriette and—well the rest must wait. Several other calls were also more than due, but it was useless even to consider those to-day. In spite of an oppressive sense of having much to do—perhaps because of it—Hadria felt as if it were a sheer impossibility to rise from that hearthrug. Besides, Martha would not hear of it. A desire to rest, to idle, to float down the stream, instead of trying always to swim against it, became overpowering. The minutes passed away.

“The question is, Martha,” Hadria said gravely, as she proceeded to pile up a towering edifice of bricks, at the child’s command, “the question is: Are we going to stick to our plan, or are we going to be beaten? Oh, take care, don’t pull down the fairy palace! That is a bad trick that little fingers have. No, no, I must have my fairy palace; I won’t have it pulled down. It is getting so fine, too; minarets and towers, and domes and pinnacles, all mixed beautifully. Such an architecture as you never saw! But some day perhaps you will see it. Those blue eyes look as if they were made for seeing it, in the time to come.”

“Pretty eyes!” said Martha with frank vanity, and then: “Pretty house!”