The familiar story of St. Patrick clearing the snakes out of Ireland, and the Cornish version of it, in which the exorcist is St. Petrox, presents some features which relate it to the colonist’s combat with his dragon, though it is more interesting in other aspects. The Colonial Dragon includes the diseases, the wild beasts, the savages, and all manner of obstructions which environ a new country. But when these difficulties have been surmounted, the young settlement has still its foes to contend with,—war-like invaders from without, ambitious members within. We then find the Dragon taking on the form of a public enemy, and his alleged slayer is representative of the commune,—possibly in the end to transmit its more real devourer. Most of the British Dragon-myths have expanded beyond the stage in which they represent merely the struggles of immigrants with wild nature, and include the further stage where they represent the formation of the community. The growth of patriotism at length is measured by its shadow. The Colonial is transformed to the Communal Dragon. Many Dragon-myths are adaptations of the ancient symbolism to hostes communes: such are the monsters described as desolating villages and districts, until they are encountered by antagonists animated by public spirit. Such antagonists are distinguishable from the heroes that go forth to rescue the maiden in distress: their chief representative in mythology is Herakles, most of whose labours reveal the man of self-devotion redressing public wrongs, and raising the standard of humanity as well as civilisation.

The age of chivalry has its legend in the Centaurs and Cheiron. The Hippo-centaurs are mounted savages: Cheiron is the true knight, withstanding monsters in his own shape, saving Peleus from them, and giving hospitality to the Argonauts. The mounted man was dragon to the man on foot until he became the chevalier; then the demonic character passed to the strategist who had no horse. It is curious enough to find existing among the Mormons a murderous order calling themselves Danites, or Destroying Angels, after the text of Gen. xlix. 17, ‘Dan shall be a serpent by the way, an adder in the path, that biteth the horse’s heel that his rider shall fall backward.’ The Ritter, however, so far as his Dragon was concerned, was as one winged, and every horse a Pegasus when it bore him to decide the day between the adder and its victim. It is remarkable that the Mormons should have carried from the East a cruel superstition to find even among the Red Men, who are disappearing before the western march of Saxon strength, more gentle fables.

Among the Mimacs, the aborigines of Nova Scotia, there is a legend of a young hero named Keekwajoo, who, in seeking for a wife, is befriended by a good sage named Glooscap, who warns him against a powerful magician disguised as a beaver, and two demon sisters, who will waylay him in the disguise of large weasels. The youth is admonished to beat a certain drum as his canoe passes them, and he is saved as Orpheus in passing Cerberus and Ulysses in sailing past the Syrens. The weasels, hearing the music, aspire to wed the stars, but find themselves in an indescribable nest at the top of a tall white pine.[3]

The chevalier encounters also the Brutal Dragon, whose victim is Woman. From immemorial time man’s captive, unable to hold her own against brute force, she is at the mercy of all who are insensible to the refined and passive powers. The rock-bound Andromeda, the pursued Leto, or whatever fair maid it may be that the Dragon-slayer rescues, may have begun mythologically as emblem of the Dawn, whose swallower is the Night Cloud; but in the end she symbolises a brighter dawn,—that of civility and magnanimity among men.

It is a notable fact that far away in Japan we should find a Dragon-myth which would appear to represent, with rare beauty, the social evolution we have been considering. Their great mythological Serpent, Yamati-no-orochi, that is, the serpent of eight heads and tails, stretching over eight valleys, would pretty certainly represent a river annually overflowing its banks. One is reminded by this monster of the accounts given by Mencius of the difficulties with streams which the Chinese had to surmount before they could make the Middle States habitable. But this Colonial Dragon, in the further evolution of the country, reappears as the Brutal Dragon. The admirable legend relates that, while the rest of the world were using stone implements, there came into the possession of Sosano-o-no-Mikoto (the Prince of Sosano) a piece of iron which was wrought into a sword. That maiden-sword of the world was fleshed to save a maiden from the jaws of a monster. The prince descended from heaven to a bank of the river Hino Kawa, and the country around seemed uninhabited; but presently he saw a chopped stick floating down the stream, and concluded that there must be beings dwelling farther up; so he travelled until he came to a spot where he beheld an aged man and his wife (Asinaduti and Tenaduti), with their beautiful daughter, Himé of Inada. The three were weeping bitterly, and the prince was informed that Himé was the last of their daughters, seven of whom had been devoured by a terrible serpent. This serpent had eight heads, and the condition on which it had ceased to desolate the district was that one of these eight maidens should be brought annually to this spot to satisfy his voracity. The last had now been brought to complete the dreadful compact. The Japanese are careful to distinguish this serpent from a dragon, with them an agathodemon. It had no feet, and its heads branched by as many necks from a single body, this body being so large that it stretched over eight valleys. It was covered with trees and moss, and its belly was red as blood. The prince doubted if even with his sword he could encounter such a monster, so he resorted to stratagem; he obtained eight vast bowls, filled them with eight different kinds of wine, and, having built a fence with the same number of openings, set a bowl in each. The result may be imagined: the eight heads in passing over the bowls paused, drank deep, and were soon in a state of beastly intoxication. In this condition the heads were severed from their neck, and the maiden saved to wed the first Mikado Prince.


[1] Æsch. Prom. 790, &c.

[2] Vol. i. p. 38.

[3] ‘North American Review,’ January 1871.