The divorce between Lilith and Adam being complete, the second Eve (i.e., Mother) was now formed, and this time out of Adam’s rib in order that there might be no question of her dependence, and that the embarrassing question of woman’s rights might never be raised again.
But about this time the Devils were also created. These beings were the last of the six days’ creation, but they were made so late in the day that there was no daylight by which to fashion bodies for them. The Creator was just putting them off with a promise that he would make them bodies next day, when lo! the Sabbath—which was for a long time personified—came and sat before him, to represent the many evils which might result from the precedent he would set by working even a little on the day whose sanctity had already been promulgated. Under these circumstances the Creator told the Devils that they must disperse and try to get bodies as they could find them. On this account they have been compelled ever since to seek carnal enjoyments by nestling in the hearts of human beings and availing themselves of human senses and passions.
These Devils as created were ethereal spirits; they had certain atmospheric forms, but felt that they had been badly treated in not having been provided with flesh and blood, and they were envious of the carnal pleasures which human beings could enjoy. So long as man and woman remained pure, the Devils could not take possession of their bodies and enjoy such pleasures, and it was therefore of great importance to them that the first human pair should be corrupted. At the head of these Devils stood now a fallen angel—Samaël. Of this archfiend more is said elsewhere; at this point it need only be said that he had been an ideal flaming Serpent, leader of the Seraphim. He was already burning with lust and envy, as he witnessed the pleasures of Adam and Eve in Eden, when he found beautiful Lilith lamenting her wrongs in loneliness.
She became his wife. The name of Samaël by one interpretation signifies ‘the Left’; and we may suppose that Lilith found him radical on the question of female equality which she had raised in Eden. He gave her a splendid kingdom where she was attended by 480 troops; but all this could not compensate her for the loss of Eden,—she seems never to have regretted parting with Adam,—and for the loss of her children. She remained the Lady of Sorrow. Her great enemy was Machalath who presided over 478 troops, and who was for ever dancing, as Lilith was for ever sighing and weeping. It was long believed that at certain times the voice of Lilith’s grief could be heard in the air.
Samaël found in Lilith a willing conspirator against Jehovah in his plans for man and woman. The corruption of these two meant, to the troops of Samaël, bringing their bodies down into a plane where they might be entered by themselves (the Devils), not to mention at present the manifold other motives by which they were actuated. It may be remarked also that in the rabbinical traditions, after their Aryan impregnation, there are traces of a desire of the Devils to reach the Tree of Life.
Truly a wondrous Tree! Around it, in its place at the east of Eden, sang six hundred thousand lovely angels with happy hymns, and it glorified the vast garden. It possessed five hundred thousand different flavours and odours, which were wafted to the four sides of the world by zephyrs from seven lustrous clouds that made its canopy. Beneath it sat the disciples of Wisdom on resplendent seats, screened from the blaze of sun, moon, and cloud-veiled from potency of the stars (there was no night); and within were the joys referred to in the verse (Prov. viii. 21), ‘That I may cause those that love me to inherit substance; and I will fill their treasures.’
Fig. 1.—Lilith and Eve (Mediæval missal).
Had there been an order of female rabbins the story of Lilith might have borne obvious modifications, and she might have appeared as a heroine anxious to rescue her sex from slavery to man. As it is the immemorial prerogative of man to lay all blame upon woman, that being part of the hereditary following of Adam, it is not wonderful that Lilith was in due time made responsible for the temptation of Eve. She was supposed to have beguiled the Serpent on guard at the gate of Eden to lend her his form for a time, after which theory the curse on the serpent might mean the binding of Lilith for ever in that form. This would appear to have originated the notion mentioned in Comestor (Hist. Schol., 12th cent.), that while the serpent was yet erect it had a virgin’s head. The accompanying example is from a very early missal in the possession of Sir Joseph Hooker, of which I could not discover the date or history, but the theory is traceable in the eighth century. In this picture we have an early example of those which have since become familiar in old Bibles. Pietro d’Orvieto painted this serpent-woman in his finest fresco, at Pisa. Perhaps in no other picture has the genius of Michæl Angelo been more felicitous than in that on the ceiling of the Sistine Chapel, in which Lilith is portrayed. In this picture ([Fig. 2]) the marvellous beauty of his first wife appears to have awakened the enthusiasm of Adam; and, indeed, it is quite in harmony with the earlier myth that Lilith should be of greater beauty than Eve.