Demonology and Devil-lore

by Moncure Daniel Conway

The astrological College of Egypt gave to the Jews their strange idea of the high school maintained among the devils, already referred to in connection with Asmodeus, who was one of its leading professors. The rabbinical legend was, that two eminent angels, Asa and Asael, remonstrated with the Creator on having formed man only to give trouble. The Creator said they would have done the same as man under similar circumstances; whereupon Asa and Asael proposed that the experiment should be tried. They went to earth, and the Creator’s prediction was fulfilled: they were the first ‘sons of God’ who fell in love with the daughters of men (Gen. vi. 2). They were then embodied. In heaven they had been angels of especial knowledge in divine arts, and they now used their spells to reascend. But their sin rendered the spells powerless for that, so they repaired to the Dark Mountains, and there established a great College of Sorcery. Among the many distinguished graduates of this College were Job, Jethro, and Bileam. It was believed that these three instructed the soothsayers who attempted to rival the miracles of Moses before Pharaoh. Job and Jethro were subsequently converted, but Bileam continued his hostility to Israel, and remains a teacher in the College. Through knowledge of the supreme spell—the Shem-hammphorásch, or real name of God—Solomon was able to chain Professor Asmodeus, and wrest from him the secret of the worm Schámir, by whose aid the Temple was built.

Traditions of the learning of the Egyptians, and of the marvels learned by Solomon from Asa and Asael by which he compelled demons to serve him, and the impressive story of the Witch of Endor, powerfully influenced the inquisitive minds of Europe. The fierce denunciations of all studies of these arts of sorcery by the early Church would alone reveal how prevalent they were. The wonderful story of Apollonius of Tyana,[14] as told by Philostratus, was really a kind of gospel to the more worldly-minded scholars. Some rabbins, following the outcry against Jesus, ‘He casteth out devils by Beelzebub,’ circulated at an early date the story that Jesus had derived his power to work miracles from the spell Shem-hammphorásch, which he found on one of the stones of the Temple where Solomon had left it. Though Eusebius cast doubt upon them, the christians generally do not appear to have denied the miracles of Apollonius, which precisely copy those of Jesus from the miraculous birth to the ascension, but even to have quoted them as an evidence of the possibility of miracles. Celsus having attributed the miracles of Jesus to sorcery, and said that magic influenced only the ignorant and immoral, Origen replies that, in order to convince himself of the contrary, he has only to read the memoirs of Apollonius by Mæragenes, who speaks of him as a philosopher and magician, who repeatedly exercised his powers on philosophers. Arnobius and the fathers of the fourth century generally believed in the Apollonian thaumaturgy and attributed it to magic. Aldus Manutius published the book of Philostratus in the fifteenth century, and the degree to which the fascinating and marvellous stories concerning Apollonius fired the European imagination just awaking under the breath of the Renaissance, may be estimated by the fury with which the ‘magician’ was anathematised by Pico della Mirandola, Jean Bodin, and Baronius. The book and the controversy attracted much attention, and while the priests still continued to charge Apollonius with being a ‘magician,’ they appear to have perceived that it would have been more to the point, so far as their real peril was concerned, to have proved him an impostor. Failing that, Dr. Faustus and his fellow-professors in the ‘black art’ were left masters of the situation. The people had to digest the facts admitted, that a Pagan had learned, by initiations into the astrological schools of Egypt and India, the means of healing the sick, raising the dead, flying through the air, throwing off chains, opening locks, rendering himself invisible, and discerning the future.

There was a call for some kind of Apollonius, and Faustus arose. Side by side flourished Luther and Faustus. To Roman Catholic eyes they were twin sons of the Devil;[15] that they were characteristic products of one moral age and force appears to me certain, even as to-day the negations of Science and the revival of ‘Spiritualism’ have a common root in radical disbelief of the hereditary dogmas and forms of so-called religion. It is, however, not surprising that Protestantism felt as much horror of its bastard brother as Science has of the ghostly seances. Through the early sixteenth century we can trace this strange Dr. Faustus (‘auspicious,’ he had chosen that name) going about Germany, not omitting Erfurth, and talking in taverns about his magic arts and powers. More is said of him in the following chapter; it is sufficient to observe here, and it is the conclusion of Professor Morley, who has sifted the history with his usual care, that about him, as a centre of crystallisation, tales ascribed in the first place to other conjurers arranged themselves, until he became the popular ideal of one who sought to sound the depths of this world’s knowledge and enjoyments without help from the Church or its God. The priests did not doubt that this could be done, nor did the Protestants; they generally agreed that it could be accomplished at cost of the soul. As angels of the good God must answer to the formulas of invocation to those who had made a sacramental compact with their Chief, so was it possible to share a sacrament of Satan, and by certain invocations summon his infernal angels to obtain the pleasures of this world of which he is Prince. A thousand years’ experience of the Church had left the poor ready to sign the compact if they could secure some little earthly joy. As for Heaven, if it were anything like what its ministers had provided for the poor on earth, Hell might be preferable after all.

Dr. Wuttke, while writing his recent work on German superstitions, was surprised to learn that there still exist in France and in Wurtemberg schools for teaching the Black Art. A priest in the last-named country wrote him that a boy had confessed to having passed the lower grade of such a school, but, scared by the horrid ceremonies, had pronounced some holy words which destroyed the effect of the wicked practices, and struck the assembled Devil-worshippers with consternation. The boy said he had barely escaped with his life. I have myself passed an evening at a school in London ‘for the development of Spirit-mediums,’ and possibly Dr. Wuttke’s correspondent would describe these also as Devil-worshippers. No doubt all such circles might be traced archæologically to that Sorcerers’ College said by the rabbins to have been kept by Asa and Asael. But what moral force preserved them? They do but represent a turning of methods made familiar by the Church to coax benefits from other supernatural powers in the hope that they would be less dilatory than the Trinity in bestowing their gifts. What is the difference between St. Wolfram’s God and King Radbot’s Devil? The one offers a golden mansion on earth warranted to last through eternity, the other a like mansion in the skies receivable after death. The Saint agrees that if Radbot’s Devil can build him such a house the king would be quite right to worship the architect. The question of the comparative moral merits of the two invisible Powers is not mentioned. This legend, related in a preceding chapter, is characteristic of the motives to which the priesthood appealed through the Middle Ages. It is no wonder that the people began to appeal to the gods of their traditional Radbots, nor that they should have used the ceremonial and sacramental formulas around them.

But to these were added other formulas borrowed from different sources. The ‘Compact with the Devil’ had in it various elements. It appears to have been a custom of the Odinistic religion for men to sign acts of self-dedication to trusted deities, somewhat corresponding to the votive tablets of Southern religion. It was a legend of Odin that when dying he marked his arm with the point of a spear, and this may have been imitated. In the ‘Mysteries’ of pagan and christian systems blood played an important part—the human blood of earlier times being symbolised by that of animals, and ultimately, among christians, in wine of the Eucharist. The primitive history of this blood-covenant is given in another chapter. Some astrological formulas, and many of the deities invoked, spread through Europe with the Jews. The actual, and quite as often fabulous, wealth of that antichristian race was ascribed to Antichrist, and while christian princes thought of such gold as legitimate spoil, the honest peasants sought from their astrologers the transmitted ‘key of Solomon,’ in virtue of which the demons served him. The famous ‘Compact’ therefore was largely of christian-judaic origin, and only meant conveyance of the soul in consideration of precisely the same treasures as those promised by the Church to all whose names were written in the Lamb’s Book,—the only difference being in the period when redemption of the respective issues of priest and astrologer should fall due. One was payable during this life, the other after death.

The ceremonial performances of Witchcraft have also always existed in some form. What we are familiar with of late as Spirit-seances are by no means new. More than a hundred years ago, Mr. Wesley and various clergymen were sitting at a table in Cock Lane, asking the spirit ‘Fanny’ to rap twice if she were ‘in a state of progressive happiness.’ Nay, a hundred years before that (1661), Sir Thomas Chamberlain and others, sitting in a haunted house at Tedworth, Wilts, asked ‘Satan, if the Drummer set thee to work, give three knocks, and no more, which it did very distinctly, and stopped.’[16] We also learn that, in another town and case (1654), ‘a naked arm and hand appeared and beat the floor.’ It would not be difficult to go further back and find that the dark circle of our Spiritualists with much of its apparatus has existed continuously through the Middle Ages. The dark seance which Goethe has represented in Faust, Part II., at which the spirits of Helen and Paris are evoked, is a very accurate picture of the ‘materialisations’ now exhibited by mediums, more than forty years after its publication. These outer resemblances are physiognomical. The seance of to-day has lost the darker features of its mediæval prototype, because the Present has not a real and temporal, but only a speculative and sentimental despair, and this is the kind that possesses chiefly the well-to-do and idle classes. It is not difficult to meet the eye of our everyday human nature amid those frenzied periods when whole districts seemed afflicted with epidemic madness, and look deep in that eye to the fathomless heart of humanity.

In an old parish register of Fewston, Yorkshire, are the following entries:—‘1621. Anne, daughter of Edward Fairfax, baptized the 12th June.’ ‘1621. Edward Fairfax, Esq., a child named Anne, buried the 9th October.’ Then in the History of Knaresborough we read of this child, ‘She was held to have died through witchcraft.’ In what dreams did that child, supposed to have been snatched away by diabolic malice, return as a pure spirit uplifted in light, yet shadowed by the anxiety and pain of the bereaved family! A medium is at hand, one through whose mind and heart all the stormy electricities of the time are playing. The most distinguished representative of the Fairfax family is off fighting for Parliament against the King. Edward Fairfax is a zealous Churchman. His eldest daughter, Helen, aged twenty-one, is a parishioner of the Rev. Mr. Smithson, yet she has come under the strong influence of a Nonconformist preacher, Mr. Cook. The scholarly clergyman and his worldly Church on one side, and the ignorant minister with his humble followers on the other, are unconscious personifications of Vice and Virtue, while between them poor Helen is no Heraklea.

Nineteen days after the burial of her little sister Anne, as mentioned above, Helen is found ‘in a deadly trance.’ After a little she begins to speak, her words showing that she is, by imagination, ‘in the church at Leeds, hearing a sermon by Mr. Cook.’ On November 3, as she lies on her bed, Helen exclaims, ‘A white cat hath been long upon me and drawn my breath, and hath left in my mouth and throat so filthy a smell that it doth poison me!’ Next we have the following in the father’s diary: ‘Item. Upon Wednesday, the 14th of November, she saw a black dog by her bedside, and, after a little sleep, she had an apparition of one like a young gentleman, very brave, his apparel all laid with gold lace, a hat with a golden band, and a ruff in fashion. He did salute her with the same compliment as she said Sir Fernandino Fairfax useth when he cometh to the house and saluteth her mother.... He said he was a Prince, and would make her Queen of England and of all the world if she would go with him. She refused, and said, ‘In the name of God, what art thou?’ He presently did forbid her to name God; to which she replied, ‘Thou art no man if thou canst not abide the name of God; but if thou be a man, come near, let me feel of thee;’ which he would not do, but said, ‘It is no matter for feeling.’ She proceeded, ‘If thou wert a man, thou wouldst not deny to be felt; but thou art the devil, and art but a shadow.’

It is possible that Helen Fairfax had read in Shakspere’s ‘Lear,’ printed twelve years before, that

The Prince of Darkness is a gentleman;