Chapter XXV.
Faust and Mephistopheles.
Mephisto and Mephitis—The Raven Book—Papal sorcery—Magic seals—Mephistopheles as dog—George Sabellicus alias Faustus—The Faust myth—Marlowe’s Faust—Good and evil angels—El Magico Prodigioso—Cyprian and Justina—Klinger’s Faust—Satan’s sermon—Goethe’s Mephistopheles—His German characters—Moral scepticism—Devil’s gifts—Helena—Redemption through Art—Defeat of Mephistopheles.
The name Mephistopheles has in it, I think, the priest’s shudder at the fumes of the laboratory. Duntzer[1] finds that the original form of the word was ‘Mephostophiles,’ and conjectures that it was a bungling effort to put together three Greek words, to mean ‘not loving the light.’ In this he has the support of Bayard Taylor, who also thinks that it was so understood by Goethe. The transformation of it was probably amid the dreaded gases with which the primitive chemist surrounded himself. He who began by ‘not loving the light’ became the familiar of men seeking light, and lover of their mephitic gases. The ancient Romans had a mysterious divinity called Mephitis, whose grove and temple were in the Esquiliæ, near a place it was thought fatal to enter. She is thought to have been invoked against the mephitic exhalations of the earth in the grove of Albunea. Sulphur springs also were of old regarded as ebullitions from hell, and both Schwarz and Roger Bacon particularly dealt in that kind of smell. Considering how largely Asmodeus, as ‘fine gentleman,’ entered into the composition of Mephistopheles, and how he flew from Nineveh to Egypt (Tobit) to avoid a bad smell, it seems the irony of mythology that he should turn up in Europe as a mephitic spirit.
Mephistopheles is the embodiment of all that has been said in preceding chapters of the ascetic’s horror of nature and the pride of life, and of the mediæval priest’s curse on all learning he could not monopolise. The Faust myth is merely his shadow cast on the earth, the tracery of his terrible power as the Church would have the people dread it. The early Raven Book at Dresden has the title:—‘ † † † D. J. Fausti † † † Dreifacher Höllen-Zwung und Magische (Geister-Commando) nebst den schwarzen Raaben. Romæ ad Arcanum Pontificatus unter Papst Alexander VI. gedruckt. Anno (Christi) MDI.’ In proof of which claim there is a Preface purporting to be a proclamation signed by the said Pope and Cardinal Piccolomini concerning the secrets which the celebrated Dr. Faust had scattered throughout Germany, commanding ut ad Arcanum Pontificatus mandentur et sicut pupilla oculi in archivio Nostro serventur et custodiantur, atque extra Valvas Vaticanas non imprimantur neque inde transportentur. Si vero quiscunque temere contra agere ausus fuerit, Divinam maledictionem latæ sententiæ ipso facto servatis Nobis Solis reservandis se incursurum sciat. Ita mandamus et constituemus Virtute Apostolicæ Ecclesiæ Jesu Christi sub pœna Excommunicationis ut supra. Anno secundo Vicariatus Nostri. Romæ Verbi incarnati Anno M.D.I.
This is an impudent forgery, but it is an invention which, more than anything actually issued from Rome, indicates the popular understanding that the contention of the Church was not against the validity of magic arts, but against their exercise by persons not authorised by itself. It was, indeed, a tradition not combated by the priests, that various ecclesiastics had possessed such powers, even Popes, as John XXII., Gregory VII., and Clement V. The first Sylvester was said to have a dragon at his command; John XXII. denounced his physicians and courtiers for necromancy; and the whispers connecting the Vatican with sorcery lasted long enough to attribute to the late Pius IX. a power of the evil eye. Such awful potencies the Church wished to be ascribed to itself alone. Faust is a legend invented to impress on the popular mind the fate of all who sought knowledge in unauthorised ways and for non-ecclesiastical ends.
In the Raven Book just mentioned, there are provisions for calling up spirits which, in their blending of christian with pagan formulas, oddly resemble the solemn proceedings sometimes affected by our spiritual mediums. The magician (Magister) had best be alone, but if others are present, their number must be odd; he should deliberate beforehand what business he wishes to transact with the spirits; he must observe God’s commandment; trust the Almighty’s help; continue his conjuration, though the spirits do not appear quickly, with unwavering faith; mark a circle on parchment with a dove’s blood; within this circle write in Latin the names of the four quarters of heaven; write around it the Hebrew letters of God’s name, and beneath it write Sadan; and standing in this circle he must repeat the ninety-first Psalm. In addition there are seals in red and black, various Hebrew, Greek, and Latin words, chiefly such as contain the letters Q, W, X, Y, Z,—e.g., Yschyros, Theos, Zebaoth, Adonay. The specimen ([Fig. 22]), which I copied from the book in Dresden, is there called ‘Sigillum Telschunhab.’ The ‘Black Raven’ is pictured in the book, and explained as the form in which the angel Raphael taught Tobias to summon spirits. It is said also that the Magician must in certain cases write with blood of a fish (Tobit again) or bat on ‘maiden-parchment,’—this being explained as the skin of a goat, but unpleasantly suggestive of a different origin.
Fig. 22.—Seal from Raven Book.