Thought is not in my power, but action is:

I will not move my foot to follow thee.

The Devil is compelled to say at last—

Woman, thou hast subdued me,

Only by not owning thyself subdued.

He is only able to bring a counterfeit of Justina to her lover.

Like Goethe’s Mephistopheles, Cyprian’s devil is unable to perform his exact engagements, and consequently does not win in the game. He enables Cyprian to move mountains and conquer beasts, until he boasts that he can excel his infernal teacher, but the Devil cannot bring Justina. She has told Cyprian that she will love him in death. Cyprian and she together abjure their paganism at Antioch, and meet in a cell just before their martyrdom. Over their bodies lying dead on the scaffold the Devil appears as a winged serpent, and says he is compelled to announce that they have both ascended to heaven. He descends into the earth.

What the story of Faust and Mephistopheles had become in the popular mind of Germany, when Goethe was raising it to be an immortal type of the conditions under which genius and art can alone fulfil their task, is well shown in the sensational tragedy written by his contemporary, the playwright Klinger. The following extract from Klinger’s ‘Faust’ is not without a certain impressiveness.

‘Night covered the earth with its raven wing. Faust stood before the awful spectacle of the body of his son suspended upon the gallows. Madness parched his brain, and he exclaimed in the wild tones of dispair:

‘Satan, let me but bury this unfortunate being, and then you may take this life of mine, and I will descend into your infernal abode, where I shall no more behold men in the flesh. I have learned to know them, and I am disgusted with them, with their destiny, with the world, and with life. My good action has drawn down unutterable woe upon my head; I hope that my evil ones may have been productive of good. Thus should it be in the mad confusion of earth. Take me hence; I wish to become an inhabitant of thy dreary abode; I am tired of light, compared with which the darkness in the infernal regions must be the brightness of mid-day.’