The view beyond is barred immortality:
A fool who there his blinking eyes directeth,
And o’er his clouds of peers a place expecteth!
Firm let him stand and look around him well!
This World means something to the capable;
Why needs he through Eternity to wend?
The eye for a fictitious world lost, leaves the vision for reality clearer. In every hard chaotic object Faust can now detect a slumbering beauty. The swamps and pools of the unrestrained sea, the oppressed people, the barrenness and the flood, they are all paths to Helen—a nobler Helen than Greece knew. When he has changed one scene of Chaos into Order, and sees a free people tilling the happy earth, then, indeed, he has realised the travail of his manhood, and is satisfied. To a moment which Mephistopheles never brought him, he cries ‘Stay, thou art fair!’
Mephistopheles now, as becomes a creation of the Theology of obtaining what is not earned, calls up infernal troops to seize Faust’s soul, but the angels pelt them with roses. The roses sting them worse than flames. The roses which Faust has evoked from briars are his defence: they are symbols of man completing his nature by a self-culture which finds its satisfaction in making some outward desert rejoice and blossom like the rose.
[1] Scheible’s ‘Kloster,’ 5, 116. Zauberbücher.