With spirits masculine, create at last
This novelty on earth, this fair defect
Of nature, and not fill the world at once
With men, as angels, without feminine?[5]
Many traditions preceded this ungallant creed, some of which have been referred to in our chapters on Lilith and Eve. Corresponding to these are the stories related by Herodotus of the overthrow of the kingdom of the Heraclidæ and freedom of the Greeks, through the revenge of the Queen, ‘the most beautiful of women,’ upon her husband Candaules for having contrived that Gyges should see her naked. Candaules having been slain by Gyges at the instigation of the Queen, and married her, the Fates decreed that their crime should be punished on their fifth descendant. The overthrow was by Cyrus, and it was associated with another woman, Mandane, daughter of the tyrant Astyages, mother of Cyrus, who is thus, as the Madonna, to bruise the head of the serpent who had crept into the Greek Paradise.[6] The Greeks of Pontus also ascribed the origin of the Scythian race, the scourge of all nations, to a serpent-woman, who, having stolen away the mares which Herakles had captured from Gergon, refused to restore them except on condition of having children by him. From the union of Herakles with this ‘half virgin, half viper,’ sprang three sons, of whom the youngest was Scythes.
Fig. 28.—Jealousy (Japanese).
Not only are feminine seductiveness and liability to seduction represented in the legends of female demons and devils, but quite as much the jealousy of that sex. If the former were weaknesses which might overthrow kingdoms, the latter was a species of animalism which could devastate the home and society. Although jealousy is sometimes regarded as venial, if not indeed a sign of true love, it is an outcome of the animal nature. The Japanese have shown a true observation of nature in portraying their female Oni (devil) of jealousy ([Fig. 28]) with sharp erect horns and bristling hair. The raising ‘of the ornamental plumes by many birds during their courtship,’ mentioned by Mr. Darwin, is the more pleasing aspect of that emotion which, blending with fear and rage, puffs out the lizard’s throat, ruffles the cock’s neck, and raises the hair of the insane.[7]
An ancient legend mingles jealousy with the myth of Eden at every step. Rabbi Jarchi says that the serpent was jealous of Adam’s connubial felicity, and a passage in Josephus shows that this was an ancient opinion. The jealousy of Adam’s second wife felt by his first (Lilith) was by many said to be the cause of her conspiracy with the serpent. The most beautiful mediæval picture of her that I have seen was in an illuminated Bible in Strasburg, in which, with all her wealth of golden hair and her beauty, Lilith holds her mouth, with a small rosy apple in it, towards Adam. Eve seems to snatch it. Then there is an old story that when Eve had eaten the apple she saw the angel of death, and urged Adam to eat the fruit also, in order that he might not become a widower.
It is remarkable that there should have sprung up a legend that Satan made his second attack upon the race formed by Jehovah, and his plan for perpetuating it on earth by means of a flirtation with Noah’s wife, and also by awakening her jealousy. The older legend concerning Noah’s wife is that mentioned by Tabari, which merely states that she ridiculed the predictions of a deluge by her husband. So much might have been suggested by the silence of the Bible concerning her. The Moslem tradition that the Devil managed to get into the ark is also ancient. He caught hold of the ass’s tail just as it was about to enter. The ass came on slowly, and Noah, becoming impatient, exclaimed, ‘You cursed one, come in quick!’ When Noah, seeing the Devil in the ark, asked by what right he was there, the other said, ‘By your order; you said, “Accursed one, come in;” I am the accursed one!’ This story, which seems contrived to show that one may not be such an ass as he looks, was superseded by the legend which represents Satan as having been brought into the ark concealed under Noria’s (or Noraita’s) dress.