This was the belief of the Corinthians in the Taraxippos, or shade of Glaucus, who, having been torn in pieces by the horses with which he had been racing, and which he had fed on human flesh to make more spirited, remained to haunt the Isthmus and frighten horses during the races.

There is a modern legend in the Far West (America) of a horse called ‘The White Devil,’ which, in revenge for some harm to its comrades, slew men by biting and trampling them, and was itself slain after defying many attempts at its capture; but among the many ancient legends of demon-horses there are few which suggest anything about that animal hostile to man. His occasional evil character is simply derived from his association with man, and is therefore postponed. For a similar reason the Goat also must be dealt with hereafter, and as a symbolical animal. A few myths are met with which relate to its unpleasant characteristics. In South Guinea the odour of goats is accounted for by the Saga that their ancestor having had the presumption to ask a goddess for her aromatic ointment, she angrily rubbed him with ointment of a reverse kind. It has also been said that it was regarded as a demon by the worshippers of Bacchus, because it cropped the vines; and that it thus originated the Trageluphoi, or goat-stag monsters mentioned by Plato,[6] and gave us also the word tragedy.[7] But such traits of the Goat can have very little to do with its important relations to Mythology and Demonology. To the list of animals demonised by association must also be added the Stag. No doubt the anxious mothers, wives, or sweethearts of rash young huntsmen utilised the old fables of beautiful hinds which in the deep forests changed to demons and devoured their pursuers,[8] for admonition; but the fact that such stags had to transform themselves for evil work is a sufficient certificate of character to prevent their being included among the animal demons proper, that is, such as have in whole or part supplied in their disposition to harm man the basis of a demonic representation.

It will not be deemed wonderful that Rats bear a venerable rank in Demonology. The shudder which some nervous persons feel at sight of even a harmless mouse is a survival from the time when it was believed that in this form unshriven souls or unbaptized children haunted their former homes; and probably it would be difficult to estimate the number of ghost-stories which have originated in their nocturnal scamperings. Many legends report the departure of unhallowed souls from human mouths in the shape of a Mouse. During the earlier Napoleonic wars mice were used in Southern Germany as diviners, by being set with inked feet on the map of Europe to show where the fatal Frenchmen would march. They gained this sanctity by a series of associations with force stretching back to the Hindu fable of a mouse delivering the elephant and the lion by gnawing the cords that bound them. The battle of the Frogs and Mice is ascribed to Homer. Mice are said to have foretold the first civil war in Rome by gnawing the gold in the temple. Rats appear in various legends as avengers. The uncles of King Popelus II., murdered by him and his wife and thrown into a lake, reappear as rats and gnaw the king and queen to death. The same fate overtakes Miskilaus of Poland, through the transformed widows and orphans he had wronged. Mouse Tower, standing in the middle of the Rhine, is the haunted monument of cruel Archbishop Hatto, of Mainz, who (anno 970) bade the famine-stricken people repair to his barn, wherein he shut them fast and burned them. But next morning an army of rats, having eaten all the corn in his granaries, darkened the roads to the palace. The prelate sought refuge from them in the Tower, but they swam after, gnawed through the walls and devoured him.[9]

St. Gertrude, wearing the funereal mantle of Holda, commands an army of mice. In this respect she succeeds to the Pied Piper of Hamelin, who also leads off children; and my ingenious friend Mr. John Fiske suggests that this may be the reason why Irish servant-maids often show such frantic terror at sight of a mouse.[10] The care of children is often intrusted to them, and the appearance of mice prognosticated of old the appearance of the præternatural rat-catcher and psychopomp. Pliny says that in his time it was considered fortunate to meet a white rat. The people of Bassorah always bow to these revered animals when seen, no doubt to propitiate them.

The Lion is a symbol of majesty and of the sun in his glory (reached in the zodiacal Leo), though here and there his original demonic character appears,—as in the combats of Indra, Samson, and Herakles with terrible lions. Euphemism, in one sense, fulfils the conditions of Samson’s riddle—Sweetness coming out of the Strong—and has brought honey out of the Lion. His cruel character has subtly fallen to Sirius the Dog-star, to whom are ascribed the drought and malaria of ‘dog-days’ (when the sun is in Leo); but the primitive fact is intimated in several fables like that of Aristæus, who, born after his mother had been rescued from the Lybian lion, was worshipped in Ceos as a saviour from both droughts and lions. The Lion couching at the feet of beautiful Doorga in India, reappears drawing the chariot of Aphrodite, and typifies the potency of beauty rather than, as Emerson interprets, that beauty depends on strength. The chariot of the Norse Venus, Freyja, was drawn by Cats, diminished forms of her Southern sister’s steeds. It was partly by these routes the Cat came to play the sometimes beneficent rôle in Russian, and to some extent in German, French, and English folklore,—e.g., Puss in Boots, Whittington and his Cat, and Madame D’Aulnoy’s La Chatte Blanche. The demonic characteristics of the destructive cats have been inherited by the black,—or, as in Macbeth, the brindled,—cat. In Germany the approach of a cat to a sick-bed announces death; to dream of one is an evil omen. In Hungary it is said every black cat becomes a witch at the age of seven. It is the witch’s favourite riding-horse, but may sometimes be saved from such servitude by incision of the sign of the cross. A scratch from a black cat is thought to be the beginning of a fatal spell.

De Gubernatis[11] has a very curious speculation concerning the origin of our familiar fable the Kilkenny Cats, which he traces to the German superstition which dreads the combat between cats as presaging death to one who witnesses it; and this belief he finds reflected in the Tuscan child’s ‘game of souls,’ in which the devil and angel are supposed to contend for the soul. The author thinks this may be one outcome of the contest between Night and Twilight in Mythology; but, if the connection can be traced, it would probably prove to be derived from the struggle between the two angels of Death, one variation of which is associated with the legend of the strife for the body of Moses. The Book of Enoch says that Gabriel was sent, before the Flood, to excite the man-devouring giants to destroy one another. In an ancient Persian picture in my possession, animal monsters are shown devouring each other, while their proffered victim, like Daniel, is unharmed. The idea is a natural one, and hardly requires comparative tracing.

Dr. Dennys tells us that in China there exists precisely the same superstition as in Scotland as to the evil omen of a cat (or dog) passing over a corpse. Brand and Pennant both mention this, the latter stating that the cat or dog that has so done is killed without mercy. This fact would seem to show that the fear is for the living, lest the soul of the deceased should enter the animal and become one of the innumerable werewolf or vampyre class of demons. But the origin of the superstition is no doubt told in the Slavonic belief that if a cat leap over a corpse the deceased person will become a vampyre.

In Russia the cat enjoys a somewhat better reputation than it does in most other countries. Several peasants in the neighbourhood of Moscow assured me that while they would never be willing to remain in a church where a dog had entered, they would esteem it a good sign if a cat came to church. One aged woman near Moscow told me that when the Devil once tried to creep into Paradise he took the form of a mouse: the Dog and Cat were on guard at the gates, and the Dog allowed the evil one to pass, but the Cat pounced on him, and so defeated another treacherous attempt against human felicity.

The Cat superstition has always been strong in Great Britain. It is, indeed, in one sense true, as old Howell wrote (1647)—‘We need not cross the sea for examples of this kind, we have too many (God wot) at home: King James a great while was loath to believe there were witches; but that which happened to my Lord Francis of Rutland’s children convinced him, who were bewitched by an old woman that was a servant of Belvoir Castle, but, being displeased, she contracted with the Devil, who conversed with her in the form of a Cat, whom she called Rutterkin, to make away those children out of mere malignity and thirst of revenge.’ It is to be feared that many a poor woman has been burned as a witch against whom her cherished cat was the chief witness. It would be a curious psychological study to trace how far the superstition owns a survival in even scientific minds,—as in Buffon’s vituperation of the cat, and in the astonishing story, told by Mr. Wood, of a cat which saw a ghost (anno 1877)!

The Dog, so long the faithful friend of man, and even, possibly, because of the degree to which he has caught his master’s manners, has a large demonic history. In the Semitic stories there are many that indicate the path by which ‘dog’ became the Mussulman synonym of infidel; and the one dog Katmir who in Arabic legend was admitted to Paradise for his faithful watching three hundred and nine years before the cave of the Seven Sleepers,[12] must have drifted among the Moslems from India as the Ephesian Sleepers did from the christian world. In the beautiful episode of the ‘Mahábhárata,’ Yudhisthira having journeyed to the door of heaven, refuses to enter into that happy abode unless his faithful dog is admitted also. He is told by Indra, ‘My heaven hath no place for dogs; they steal away our offerings on earth;’ and again, ‘If a dog but behold a sacrifice, men esteem it unholy and void.’ This difficulty was solved by the Dog—Yama in disguise—revealing himself and praising his friend’s fidelity. It is tolerably clear that it is to his connection with Yama, god of Death, and under the evolution of that dualism which divided the universe into upper and nether, that the Dog was degraded among our Aryan ancestors; at the same time his sometimes wolfish disposition and some other natural characters supplied the basis of his demonic character. He was at once a dangerous and a corruptible guard.