Fig. 32 — False body of wood, with neck and tail wires attached.
We now have a cage, as it were, of wood and wire, terminating in two long wires, in which state we leave it for the present. The next process is to drill the leg bones (I and J, and N and P) with an American twist-drill and brace, in order to push up a wire rod of sufficient stoutness to carry the weight of the body; leave plenty of length of wire above and below. [Footnote: In cases where drilling is impracticable, it will be sufficient to firmly lash the bones to the rod in the position which they should occupy during the subsequent modelling.]
Next drill the bottom board to receive the wires under the feet, where shown at L and Q; when firmly bolted underneath bend the rod with attached bones into the positions shown on Plate III. Bend the upper portion of the rods now at right angles, in order to go through the scapulars and pelvis. Next take the cage (Fig. 32) representing the body, with pelvic girdle and scapular arch attached, and ready drilled, lift between the limbs, pushing the top wires — now at right angles — through the holes drilled to receive them, bending these down on each side. We have now a rough but fairly correct image of the skeleton without a head.
Taking now the natural skull (A B), we open the jaws as much as desired, and filling in the cavities with paper and tow, perfect the shape by modelling with clay to replace the flesh. Fixing this on the wire, C, we make up the neck with tow and clay, binding the former on very tightly, and adding clay to give character, especially where it approaches the chest. The cage must now be tightly packed with old newspapers, brown paper, or clean straw, but with neither hay nor "flocks." [Footnote: "Flocks" and sacking are the harbouring places of Tinea Tapetzella, L., a destructive little moth, the ravages of whose larvae once cost me all the "soft" parts of a sofa, besides filling the house before discovery with the perfect insect — eager to perpetuate its race at my expense.]
Before this is done, however, it will be as well to interlace the wires with tow, laid on as a thin sheet, and glued; be sure of the shape now — if ever; let the cage be widest in the middle, tapering off above and below and toward each end, being careful to make it a little smaller, if anything, than the actual body; make up with straw and tow at E, keeping this part narrow underneath; bind the tail, G, thinly with tow, gradually thickening it as it approaches F; cover all these parts with clay where required.
The fore and hind limbs, especially the latter, require very careful modelling. To do this properly measurements and tracings of the shapes should have been taken. Bind tow around all, to roughly represent the form, and then artistically adjust clay to represent the muscles and flesh. The appearance presented now should be as a clay model — without hair--of the specimen taken in hand.
Nothing now remains but to take the skin, properly thinned down and prepared, and try it over the model, altering the latter where it is too large or too small. Perhaps it may be necessary to pull it over — commencing at the head — several times before getting it quite right. When fairly satisfied with your progress, commence stitching the skin up from the neck, adding clay where wanted, noticing that, in the position you are now working to, the neck will hang low, and rather fine in front, between the fore limbs, and that the flanks will be tucked up.
Go on sewing up until you are at the point behind the shoulders, including the fore limbs in this; pad the skin at the toes with clay, to replace the flesh previously cut away. Leave this now, and go to the tail end; bend the wire down, and insert it in the hollow of the skin of the tail, and work on the hind limbs, finishing as you go on, and sewing up to the point between F and E. This leaves you the remainder of the body to finish, and also gives you a chance to dispose of any loose skin about that part. The clay and wire, being both amenable to any alteration, can be beaten into shape where required. Finally, sew up, and if your modelling is correct all the remainder must of necessity be correct also.
To keep the skin in position on the model, tack it down with galvanised wire points, or by stitching it through in places, such as occur in the neck and various parts of the limbs. These wires can, of course, be removed, and all stitches cut and drawn away when the specimen is dry, at which time the eyes can be inserted, if not previously done. In all cases, however, the specimen must be thoroughly dried before it can be finished off by modelling the inside of the lips and palate with wax or cement (described in Chapter XII), or before the model tongue is inserted.