Practical taxidermy

by Montagu Browne

It is exceedingly difficult to instruct in these niceties of detail; close observation — note a canary or any song bird at rest — added to experience, will alone teach the amateur these points. To excel in mounting animals the arts of drawing and modelling from living examples must be cultivated; the amateur taxidermist thus gains the requisite knowledge to help him in his art. [Footnote: It may perhaps, be necessary to warn the non-scientific that whenever I speak of animals I include fishes, reptiles, and birds with the mammals.]

Having shaped the neck to your own satisfaction, proceed thence to form the body, by continuously wrapping the tow round and round the wire, keeping the shape, however, somewhat flat on the sides, full on the breast and back, and narrowest at the lower extremity of the body, where it comes in between the legs to the tail. About an inch of the wire should now be left unbound, which turn up on the back of the false body to prevent the tow slipping off; next take some cotton, which wind all over the false body to keep the tow in its place, adding, as you go on, small pieces of tow, and binding them on where depressions or faults appear.

This being finished secundum artem, insert the pointed end of the wire or false neck up the neck of the specimen, pushing the point of the wire right through the skull until it comes out at the crown of the head. Now gradually, by persuasive means, pull the skin over the false body; and lift the starling up and observe what faults are apparent — possibly a little difficulty exists at the shoulders, if so, press them in with the thumbs, and then note if there are any apparently hollow places; if so, fill them out with a little more tow. See that the back is nicely sloped, that the breast is full enough, and especially if it be even and narrow between the legs. Having observed all these points with great exactness, proceed to nicely sew up the skin with the stitch previously mentioned.

Then select two other pieces of wire of the right size, and point them each at one end. (Note. — The wires are generally a size or so stronger for the legs than for the body.) Taking a wire in the right hand, open the claws of the bird with the other, so as to expose the sole of the foot, into which push the point of the wire, forcing it up the leg on its under side between the skin and the bone — be careful how you pass under the so-called "knee" joint. Pulling the leg now downward and upward, that is to say, toward the breast, push the wire right through the false body to the other side, until it comes out under the wing on the side farthest from the leg. With a small pair of pliers turn the point downward, pull the wire at the foot, and it is thus clenched and firmly fixed; do the same with the other leg.

Remember that if the leg wires are not firmly clenched in the made body, and are not perfectly stiff and tight, all your labour goes for nothing. Now bring together the skin at the lower part with your fingers, and push a small wire through the root of the tail up into the made body.

Picking the bird up with one hand, bend the legs into their proper position, bend the neck a little downward and backward on the front, then forward and downward from the back of the head. Place the leg wires through two holes bored in the crosspiece of the stand, or through the natural twig, or wind them round on the false twig and make them secure. Run a fine pin (entomological pin, No. 2) through the shafts of the feathers of the tail to cause them to dry in proper shape, then neatly insert the eyes (putting a small piece of putty in the orbit previously), bringing the eyelids over with a fine needle, being exceedingly careful not to rip them, and not to have them too staring, a very common fault with the amateur. See that the wings are fixed in their right places with one or more pins or wires.

Place one pin in the centre of the breast and in the middle of the back (all of these pins must be left half-way out), proceed to nicely arrange the feathers in their proper places by the aid of the crooked awl and feather pliers (see Fig. 19). Having done this till it appears as nearly like the living bird as possible (which constant practice and close attention alone will enable you to do), take the "wrapping cotton," and, having made a loop on one end, fix it to the pin on the back. Bring it across to the pin on one of the wings, and across in a zig-zag manner to the other pins in the wings, binding down the back first. Then attend to the breast and under tail coverts, taking care to bind down more securely than the others those feathers which will start up (usually the upper wing coverts). A careful binder working properly will shape his bird by binding. Tie the mandibles if they are wanted closed, and cut the wire off the head, as it permanently raffles the feathers if left until the specimen is dry.

This is binding for a closed-winged bird; but for one whose wings are to be thrown up, say a hawk on flight, the modus operandi is slightly different; wire stays and card braces now supplement "wrapping" cotton. The bird being opened on its worst side is stuffed in the usual manner as far as getting the neck up into the skull, the attached body is now bolted through near the top of the cut by the wing, by a long wire sufficiently strong to keep the bird suspended; this wire, being firmly clenched on the opposite side of the body to the cut, has its free end, of course, depending from the incision under the wing.

The next thing to do is to support the wings in the position necessary to represent flight. For this purpose, point four wires sufficiently long to extend the wings, and to come through the body to be clenched. Two of these wires should be of a size thinner than the other two. Select the wing on the side of the body farthest from the cut, and enter the point of one of the thickest wires in the wing at the end of the part called the "metacarpus" (i, Plate II); push it gently along between the bone and the skin — meanwhile holding the wing with the left-hand fingers — along the side of or between the "radius and ulna," finally pushing it into the body at the shoulder, and clenching it when it comes through, which it should do under the opposite wing at the cut. It is often very difficult or impossible to get the wire to go through the "carpus;" it will suffice, therefore, if, after coming along the metacarpus, it just misses the carpus and enters the skin again at the junction of the radius and ulna. If properly managed, the wire will be snugly hidden in the skin of the wing by the feathers of the parts along which it has travelled.

Do likewise with the other wing, but this wire often cannot be carried right through to the opposite side, and must therefore be firmly secured in the body on its own side; next fix the legs in the manner before detailed, or, as the bird is to be represented on flight, the wires need only be entered at the tibia-tarsal joint (q, Plate II). Push a wire in the tail, and sew up the incision under the wing.