It will no doubt have been observed that I have used several tools not previously mentioned as necessaries; my reason is that I assume no one who aspires to become an amateur workman fails to provide himself with such everyday implements as saw, chisel, chopper, hammer, pincers, rule, etc.., the only tool not in ordinary use being the "callipers," which are made of various patterns, and are used to take measurements of breadths and depths in situations where the foot rule is useless, such as spherical and cylindrical bodies. The price of a pair of callipers need not exceed 1s.
When the skin is sufficiently penetrated with the preservative, lay it on its back ready for stuffing. First take hold of the bone of the nose and push the skull into the skin, so that it comes through the orifice of the skin of the body. The back of the skull being now toward you, proceed to push tow into the cavity whence the brains were removed, also in the cavity of each orbit, between the articulations of the jaws at the sides of the face, and the lower jaw — in fact, everywhere where the flesh has been removed, forming it as well as you possibly can to the shape which existed previously.
When you have modelled this as well as the nature of the tow will allow, return the head through the skin to its first position. Next cut four strong wires of suitable size, one a little stronger than the others and somewhat longer than the whole of your skin, including brush. Point this wire at one end and make two loops in it (each similar to that in Fig. 1); one loop to occur about 4 in. from the tail, and the other up in the chest, near the junction of the fore limbs. Spread a sufficient quantity of tow inside the skin to run all the way along the back and up the neck to join the head. Enter the point of the wire through the orifice of the skin, push it up the lower jaw into the hollow part of the skull, and holding the head in the left hand, calculate so that the wire may come through the skin at about the centre of the head, about 1.5 in. from, and above each eye.
Bear in mind that the skull being somewhat thick, it is the more necessary for your wire to have cutting edges, as before explained. Having pushed the wire through three or four inches, cut off the point with your large pliers (Fig. 16) to prevent injuring yourself, turning down the remainder to prevent the wire pulling through again. Push the other end of the wire right up the brush, to do which you must bend it back on itself about halfway up, straightening up as you proceed.
Next take four wires, somewhat longer than the legs, and pointed at each end. Push one of these right up the foot in at the pad, along the back of the leg, and up into the body, pushing it through its proper loop on the body wire, and twisting it round and round the same with your pliers until it is firmly attached. Fill the cut pad with chopped tow, and nicely sew it up to its normal shape. Do the same with the three remaining limbs. You should be able now to lift the fox by any one of the leg wires, and find it support the remainder.
Having by this time determined the shape which the fox shall assume — that is to say, if standing, running, or springing on its prey — commence by gradually filling up the neck with suitable pieces of tow, bending the head and neck as you wish; in point of fact, shaping as you go on. Next work down the chest, and then fill up the skin of the limbs with smaller pieces of tow, endeavouring to keep to the characteristic shapes of the thin and thick parts (various stuffing irons of different degrees of thickness will have to be used during the process). Having filled up the fore limbs, bend them to their required position and go to the hind, disregarding the body for the present.
The hind limbs have more character in them than the fore, and are, in consequence, harder to model; be the more careful, therefore, to pay particular attention to the proper development of these limbs, bending them into shape during work, and keeping the thighs nice and thin, and distinct from the body. All the limbs being shaped, model up the various parts of the body, not getting it like a sack, as is too frequently the case, but producing those fine flowing lines which are so necessary to ensure the perfect model of a zoological specimen. Lift your work up from time to time, noting where inequalities appear.
The fox being now fairly well shaped, sew it up with a three-cornered skin (or glover's) needle and string. A board is now to be procured, of the necessary length and thickness, in which holes are to be bored to receive the leg wires, which are then clenched underneath. This operation, no doubt, will knock the specimen somewhat out of shape, which, of course, is easily remedied, and having brought up the limbs to their proper position, you will now address yourself to the formation of the head and face.
This latter will possess but little expression, owing to the nose, etc.., being cut out. To remedy this procure a cork, which push into the cavity whence the cartilage of the nose has been removed, roughly shaping it, and covering it over with a pad of putty, pushing some also into the skin of the nostrils at the same time. The inner skin of the lips is still hanging down as a bag. Fill this up with sufficient putty to allow for shrinking, sewing it to the outer skin.
The lips may now be adjusted in position by sewing the upper to the under, if the fox is to be shown with a closed mouth, or by driving in "needle points" in various positions, if the mouth is to be open, until these parts set. Fill in the orbits with putty, attending to the eyebrows, reproducing the various muscles underneath, and insert the artificial eyes. All that now remains to be done is to push two pointed wires down the back of the ears, and run them along each edge, finally pushing them in the skin of the head, where required; the two loose ends being twisted together at the top keep the ears in position.