Gradually, however, our attention is attracted towards a deep, rocky gorge, surrounded by greyish-blue mountains, which seem likely at any moment to topple over. In the midst of this gorge an enormous and completely isolated rocky pillar stands upright, looking for all the world as if it had just fallen from the skies. A careless glance might easily pass over this rocky mass without seeing anything remarkable about it; but a more attentive observer would discover a narrow wooden bridge planted on fir-wood piles, and apparently connecting the rocky block with the surrounding mountain summits. And gradually we perceive that it was not Nature's hand which made this rocky scaffolding so high. Those monochromatic rocks, piled one atop the other, forming a wall all round, and seeming to prolong the mountain range, are the work of human hands. It is a massive rocky bastion, almost as high as the hill which forms its base, and as the walls are everywhere carried right out to the verge of the steep, naked mountain side, they look as if they have grown out of it, and as if the creeping plants which cling to the rocky walls are only there to bind them more closely together.
In the year 1664, the eye which looked down from this point upon the bare bastions could have perceived within them a dwelling fresh from fairy-land. Corsar Beg, the terror of the district, dwelt in this stronghold, and at his command, hedges of roses bloomed on the bastions, groves of orange and pomegranate trees sprang up around the courtyard, and everywhere could be seen those gorgeous structures which oriental magnificence builds for transient pleasure. Spacious rotundas with sky-blue, enamelled cupolas, sparkling in the sun; variegated turrets rising from the bastions; balconies adorned with arabesques and covered with porcelain vases; slim, snow-white minarets encircled by fragrant creepers; trellised kiosks with their gilded columns; everything constructed of the most delicate materials, as if it were meant to be a toy castle; nothing but gilded wood and painted glass, enamelled tiles and variegated tapestry. Bright banners and pennants flutter down from the copper roofs, and golden half-moons sparkle on every gable-ridge. All the kiosks, rotundas, and minarets are bright with banners and half-moons. 'Tis a fairy palace ready to take flight.
But the bastions which encircle this frail fairy palace are impregnable. On every side nothing but inaccessible rocks, where, if once he reach them, the pursued can defend himself against odds a hundredfold. The Comparadschis stand, day and night, with burning matches behind the cannons which Corsar Beg has had cast for himself within the fortress, for there is no road for ordnance in the whole region. Two of the cannons are pointed at the bridge, to blow it into the air in case of an assault.
From this stronghold Corsar Beg sallies forth, pillaging the land and massacring the defenceless people; and if he lights upon any pursuing host, he instantly turns tail with his Spahis and Bedouins; and whilst he flies to his stronghold along mountain paths, on mules laden with booty, his Timariots, who cover his retreat, throw barricades up on the narrow roads, and stone to death all who venture to follow them into the dark gorges. Sometimes, however, he permits the pursuers to come right up to the fortress walls, and while they are popping away at the rocky bastions with the little half-pound mortars which they have dragged up thither after incalculable exertions, and think that now they will starve him out at last, he plays a practical joke upon them by somehow or other (perhaps through subterranean ways), making a sortie from his stronghold, and robbing and burning behind the backs of the besiegers. Every attempt to capture, surprise, or blockade him has been in vain. The inhabitants of the surrounding villages have begun to migrate into more distant regions for fear of their terrible neighbour.
After the battle of St. Gothard, in which the Turkish general lost the fight and twelve thousand men against the Imperial and Hungarian forces, a twenty years' armistice was concluded between the Porte, the Emperor, and the Prince of Transylvania, which left the Turks in possession of all the fortresses which they had built or captured in Hungary. The lords of these fortresses now continued the war on their own account, and pillaged and destroyed whenever and wherever they had a chance. The Sultan was too far off to interfere in each individual case. All he could do was to authorize the complainants to capture the peace-breakers if they could, and deal with them as they chose.
In the twilight hour of a sultry summer evening, when the heat, compressed among the rocks during the day, made the atmosphere so heavy and stifling that sound only travelled with difficulty, we see two shapes hastening towards the same point from different directions. One is a man in Hungarian costume, with a low forehead and sharp, squinting eyes, whose oblique gaze seems expressly made to disconcert whomsoever he looks upon. The other is an old Turkish woman, with a warty chin covered with sprouting bristles. The sleeves of her long striped kaftan hang slovenly down, and her dirty turban gives you the impression that she has slept in it for weeks together.
The trysting-place which the two shapes are cautiously making for is a cavern covered with bushes. Both shapes glide, at the same time, into the cavern, from the dark depths of which they can see the fortress without being seen themselves. The old woman, with a hideous smile, whispers something in the man's ear.
"Are you quite sure?" inquired the squinter, with a searching look.
"So certain that I make bold to claim one-half of the promised reward in advance."