Azrael bestows not a glance on the luscious fruits. When, from time to time, she raises her languid eyes, half hidden by their long silken lashes, one is almost thunderstruck: such burning glances are only to be found beneath southern skies, whose summer is as glowing, as languishing, as parching as the eyes of this girl. An eternal desire burns in those eyes, unspeakable, unappeasable, which enjoyment feeds without satisfying. If you gave her a world she would instantly demand another. Even when every sense is sated with bliss and rapture, her heart remains empty, and yearns after the unattainable. Those who love her, she hates; those who hate her, she loves. Die for her, and she will mock you; kill her, and she will adore you.
Her oval face is as pale as though the burning rays of her eyes had burnt up all its roses; but when she closes her eyes, and her bosom heaves convulsively beneath the fire of her secret thoughts, the bright crimson blood suffuses her cheeks once more.
And how her lips tremble! She is in a brown study. She speaks to no one. Dancing and singing, the girls of the harem circle round her. A little negro boy kneels before her with a silver mirror. Half-naked female slaves shower down rose-leaves upon her, and fan her with peacock's feathers. Azrael sees them and hears them not. She looks into the mirror, and speaks to herself, as if she would read her own thoughts from her own features; her lips tremble, smile, and pout defiance; her eye entices, languishes, weeps, or flashes rejection; at one moment she transports you into the seventh heaven of delight, at the next she dashes you to the earth. And now some cruel thought, some demoniacal idea has got hold of her. She retracts her upper lip, exposing her tightly-clenched teeth; her contracted eyebrows draw a trembling furrow across her snow-white forehead; the pupils of her eye disappear, leaving only the upturned whites visible; the beauty lines round the corners of her mouth grow crooked, and give the expression of a Fury to the beautiful countenance; her curling tresses, like writhing snakes, twist down on both sides of her. Her tremulous fingers, involuntarily and spasmodically, clutch at the smooth neck of the panther, and the tortured beast roars aloud for pain.
The favourite shrinks back from her own countenance. She thrusts aside the little negro, mirror and all; wraps her starry veil around her; turns upon her side with her tiny scarlet-slippered feet beneath her; presses her supple body against the panther's neck, and leaning upon her elbows, glances around with such a savage, menacing look, that every one on whom it falls, not even excepting the wild beast, shrinks back with fear.
But she cannot keep still a moment. A tormenting weariness compels her every moment to shift her position. Now she reclines on her divan, and raising her arms aloft, throws back her head and neck; all her limbs writhe like the folds of a serpent; in her eyes sparkle the tears of smothered desires.
None dare ask her, "What ailest thee?" Azrael is so capricious. Perhaps the questioner might please her, and she would command her to straightway leap down before her eyes from the highest pinnacle of the Corsar's castle into the abyss below. It is therefore neither wise nor safe to try to please Azrael.
But lo! a gold-trellised door opens, and Azrael's tearful eyes sparkle with joy when she perceives who it is that enters. It is the old woman with the warty chin, whom we have already met at the cavern's mouth. A ghastly, hideous duenna! Turkish women age prematurely. Ten years ago Babaye was Corsar Beg's favourite mistress, now she is Azrael's favourite slave.
The hag sits down at Azrael's feet. She alone has the privilege of sitting down before Azrael.
"Are we weary then?" said the beldame to the beautiful odalisk, with a confidential leer, displaying a row of jagged fangs black from sugar-sucking and betel-chewing. "We find no joy in anything, eh? What! have not the Bayaderes[22] danced amidst a circle of burning tapers? Or has that also lost its charm? Are the Persian silks already shabby and threadbare? Is there no longer any flavour in the honeycomb or any perfume in the pine-apple? Have the pearls of Ceylon lost their lustre? Do the songs of the Italian eunuchs vex and weary? And has the mirror nothing beautiful to show? Wherefore is the Sun of suns so moody and so impatient? Why should a cloud obscure the heaven of Damanhour? Shall I delight her of the alabaster forehead with a tale? Shall I tell the story of the captive lion which Medzsnun, the immortal poet, has written?"
[22] Bayaderes. Indian singing and dancing girls. A Portuguese word.