PART III
THE MISTRESS OF THE CATS
CHAPTER I
When they heard the call, "Puss, puss!" they scampered down the roof, leaped from the eaves, and vanished, one after the other, between the curtains of the open window. It was quite an ethnographic, so to speak, collection of cats; a panther-like French pussy from Dund, a Caucasian with long pointed ears, one from China with wavy silken fur and drooping ears. Then the window was closed, for the company were all assembled—four cats, two pug-dogs, and a sparrow, and the hostess, a young girl.
The girl, to judge from her figure, was perhaps fifteen years old; but her manner and speech were those of a much younger child. With her arched brow and rainbow-formed eyebrows, she might have served as a model for a saint, had not the roguish smile about the corners of her red lips betrayed an earthly origin. The sparkling dark eyes, delicately chiseled nostrils, and rounded chin gave to her face certain family characteristics which many persons would have recognized at a first glance.
Her clothing was richly adorned with lace and embroidery, which was not the fashion for girls of her age; at the same time, there was about her attire a peculiar negligence, as if she had no one to advise her what was proper to wear, or how to wear it.
Her room was furnished with luxurious elegance. Satin hangings covered the walls; the furniture was upholstered with rare gobelin tapestry. Gilded cabinets veneered with tortoise-shell held, behind glass doors, all sorts of costly toys, and dolls in full costume. On a Venetian table with mosaic top lay a pack of cards and three heaps of money—one of gold, one of silver, the third of copper. On a low, three-legged table was a something shaped like an organ, with a long row of metal and wooden pipes. Near the window stood a drawing-table, on which were sheets of drawing-board, and glasses containing pulverized colors. There was also a bookcase; on the shelves were volumes of Vertuch's "Orbis pictus," the "Portefeuille des enfants," the "History of Robinson Crusoe," and several numbers of a fashion magazine, the "Album des salons," the illustrations of which lay scattered about on tables and chairs.
The guests were all assembled; not one was missing. The little hostess inquired after the health of each one in turn, and how they had enjoyed their outing. They all had names. The cats were Hitz, Mitz, Pani, and Miura. They were introduced to the two pugs, Phryxus and Helle. Then the little maid fetched a porcelain basin, and with a sponge washed each nose and paw. Only after this operation had been thoroughly performed were the guests allowed to take their places at the breakfast-table—the four cats opposite the two pugs.
Then a clean napkin was tied about the neck of each guest,—that their jabots might not get soiled with milk,—and a cup of bread and milk placed in front of each one.