"Now, Maud Milner was the wife of an old friend of mine; and, too, she was my wife's old school chum. She had never been in New York, and she did not know that my 'office' was a bachelor's apartment. But her visit had been prearranged, and I had written the invitation on my studio stationery, so that her response was quite innocent; yet, I had peculiar reasons—aside from the presence there of my penniless and interesting protégée—for not wishing her to visit my place in town.

"I had paid her fully as much attention before her marriage as I had my wife; in fact, I courted them both at once, in order to arouse their sense of pique. Not a strictly honorable thing to do, had either of them cared for me, initially; but neither did care, and I might not have won my wife by any other plan. The two were bad friends for a while, and, to this day, my wife cannot rid herself of a very slight jealousy. So, you see the reason for my anxiety to avoid any possibility of complications.

"I had just enough time in which to get to the ferry, and, after emphasizing to the widow the necessity of her getting Bunker's key before he left, and of leaving my studio empty against the possible arrival of Mrs. Milner without me, I rushed away.

"I reached the ferry on time; but Mrs. Milner was not there, nor did she come, though I waited until seven o'clock. Then I inquired, and an official informed that the five-thirty—the train boat—had met with an accident, and had landed her passengers at the nearest dock, which was a little further up. I hurried there, but Mrs. Milner was not visible. At last, fearing lest she had gone to the studio, and had met the widow with that picturesque black eye, I hastened uptown again.

"At the street-door I met Bunker—drunk as a lord.

"'Is she up there yet?' I asked, anxiously.

"'Who?' he answered, in a tone that told me he had forgotten.

"'Did you give her your key? Give me that key—the key of your studio. Hurry up!'

"A dim light of intelligence flashed over his cheerful face, and he grinned.

"'Oh, yesh—yesh; thash so!' He pulled out a bunch of keys. 'Here's keys, ol' man—street-door key and studio key.'