[69] Assyrian version, Tablet II, 3b 34, in an address of Shamash to Enkidu.
[70] So Assyrian version, Tablet VIII, 3, 11. Also supplied VIII, 5, 20 and 21; and X, 1, 46–47 and 5, 6–7.
[71] Tablet XII, 3, 25.
[72] Ward, Seal Cylinders of Western Asia, Chap. X, and the same author’s Cylinders and other Ancient Oriental Seals—Morgan collection Nos. 19–50.
[73] E.g., Ward No. 192, Enkidu has human legs like Gilgamesh; also No. 189, where it is difficult to say which is Gilgamesh, and which is Enkidu. The clothed one is probably Gilgamesh, though not infrequently Gilgamesh is also represented as nude, or merely with a girdle around his waist.
[74] E.g., Ward, Nos. 173, 174, 190, 191, 195 as well as 189 and 192.
[75] On the other hand, in Ward Nos. 459 and 461, the conflict between the two heroes is depicted with the heroes distinguished in more conventional fashion, Enkidu having the hoofs of an animal, and also with a varying arrangement of beard and hair.
[76] See Jastrow, Religion of Babylonia and Assyria (Boston, 1898), p. 468 seq.
[77] Ungnad-Gressmann, Das Gilgamesch-Epos, p. 90 seq.
[78] Pennsylvania tablet, l. 198 = Assyrian version, Tablet IV, 2, 37.