An enumeration of the gods occurring in the inscriptions of the rulers of Assyria from the earliest days to the close of the empire, so far as published, will show better than any argument the points of similarity between the Babylonian and the Assyrian pantheon. These gods are in alphabetical order:[222] Anu, Ashur, Bel, Belit, Gaga, Gibil, Gamlat, Gula, Dibbarra, Dagan, Damkina, Ea, Ishtar, Kadi, Khani, Marduk, Nabu, Nanâ, Nin-gal, Nergal, Ninib, Nusku, Ramman, Sin, Shala, Shalman, Shamash, Shanitka(?), Tashmitum. Of these quite a number are only mentioned incidentally, and in a manner that indicates that they do not belong to the pantheon in the strict sense. Others, like Khani[223] and Gamlat,—i.e., 'the merciful one,'[224]—may turn out to be mere epithets of deities otherwise known; and it would hardly be legitimate to extend the list by including deities that have not yet been identified,[225] and which may similarly be only variant forms, descriptive of such as are already included. But however much this list may be extended and modified by further publications and researches, the historical material at hand for the Assyrian period of the religion is sufficient to warrant us in setting up two classes of the pantheon,—one class constituting the active pantheon, the other, deities introduced by the kings merely for purposes of self-glorification, or to give greater solemnity to the invocations and warnings that formed a feature of all commemorative and dedicatory inscriptions, as well as of the annals proper. The future additions to the list, it is safe to assert, will increase the second class and only slightly modify, if at all, the first class. Bearing in mind this distinction we may put down as active forces in Assyria the following: Anu, Ashur, Bel, Belit, Gula, Dagan, Ea, Khani, Ishtar, Marduk, Nabu, Nergal, Ninib, Nusku, Ramman, Sin, Shala, Shamash, Tashmitum.
Comparing both the fuller and the restricted list with the Babylonian pantheon during the two periods treated of in the preceding chapters, we are struck by three facts: (1) the smaller compass of the Assyrian pantheon; (2) the more restricted introduction of what, for want of a better term, we may call minor deities; and (3) the small number of new deities met with. To take up the latter point, the only gods in the above list that are not found in Babylonian inscriptions are Ashur, Gibil, Gamlat, Dibbarra, Kadi, Nusku, Shala, Shanitka. Of these it is purely accidental that Gibil, Dibbarra, Nusku, and Shala are not mentioned, for, except those that are foreign importations, they belong to Babylonia as much as to Assyria and fall within the periods of the Babylonian religion that have been treated of. Kadi is a foreign deity.[226] Shanitka(?) may only be a title of some goddess, and Shalman (or Shalmannu) occurs only in proper names, and may likewise be only a title of some god.[227] There remains, as the only god peculiar to Assyria, the god Ashur. But for this god, the Babylonian and the Assyrian pantheon are identical. When we come, however, to the position held by the gods in the pantheon, their relationship to one another, and the traits which secured for them popular and royal favor, the differences between the Babylonian and the Assyrian phases of the religion will be found to be more accentuated.
As for the smaller compass of the Assyrian pantheon, we may recognize in this a further advance of the tendency already noted in the second period of the Babylonian religion. There, too, we found the minor local cults yielding to the growing influence and favor of certain gods associated with the great centers of Babylonian life, or possessing attributes that accorded more with the new political order and the general advance of culture. One of the chief factors in this tendency towards centralization was, as we saw, the supremacy accorded to Marduk in the new empire as the patron god of the capital, and that not only led to his absorbing the rôle of other deities,[228] but resulted also in strengthening the belief that there were only a limited number of deities upon whose power and willingness to aid dependence could be placed. This tendency was in a measure offset by the pride that the rulers of the second Babylonian period still took in parading at times, as large a number as possible of deities under whose protection they claimed to stand. As we pass from one age to the other, the number of minor deities thus invoked also tends to diminish, and the occasions likewise when they are invoked become limited to the more solemn invocations at the beginning and the close of inscriptions. Now, in Assyria we have much the same political conditions as in Babylonia, only intensified. Here, too, we have one god towering above the others, only to a still greater degree even than Marduk in Babylonia. Marduk, while absorbing the rôle of the old Bel, is still bound to acknowledge the fathership of Ea. For a time he has to fear the rivalry of Nabu, and we have seen that during the Cassitic rule, the glory of Marduk is somewhat dimmed. The god who comes to stand at the head of the Assyrian pantheon—Ashur—suffers from none of these restrictions. He is independent of other gods and is under no obligations to any of his fellows, and his rule once acknowledged remains supreme, with, perhaps, one short period excepted,[229] throughout all the vicissitudes that the empire undergoes. As a consequence of this unique position, Ashur is so completely identified with Assyria, that with the fall of the empire he, too, disappears,—whereas the Marduk cult survives the loss of Babylonian independence, and is undisturbed even by the final absorption of Babylonia into the empire of Cyrus. The tendency towards centralization of the cult is even more pronounced, therefore, in Assyria than in Babylonia. Marduk is a leader who has many gods as followers, but all of whom have their distinct functions. Ashur is a host in himself. He needs no attendants. His aid suffices for all things, and such is the attachment of his subjects to him that it would almost appear like an insult to his dignity to attach a long array of minor gods to him. For the Assyrian kings the same motives did not exist as for the Babylonians to emphasize their control over all parts of their empire by adding the chief gods of these districts to the pantheon. Assyria was never split up into independent states like Babylonia before the days of Hammurabi. The capital, it is true, changed with considerable frequency, but there was always only one great center of political power. So far as Assyrian control over Babylonia was concerned, it was sufficient for the purposes of the Assyrian rulers to claim Marduk as their patron and protector, and, as we shall see, they always made a point of emphasizing this claim. Hence we have only 'great gods,'[230] and no minor deities, in the train of Ashur. These 'great gods' could not be expunged from the pantheon without a complete severance of the ties that bound the Assyrians to their past. Kings of great empires seldom favor religious revolutions. But by the side of Ashur these great gods pale, and in the course of time the tendency becomes more marked to regard them merely as formal members of a little court with few functions of their own, beyond that of adding by their presence to the majesty and glory of Ashur. One receives the impression that in Assyria only a few of the gods invoked by the kings at the side of Ashur exert any real influence on the lives of the people; and such as do, gain favor through possessing in some measure the chief attribute that distinguished Ashur,—prowess in war. They are little Ashurs, as it were, by the side of the great one. The position of Ashur in the Assyrian pantheon accounts for the general tendencies manifested by the religion of the northern empire, and upon a clear conception of the character of Ashur depends our understanding of the special points that distinguish the other gods from what we have learned of their character and traits in the southern states. The beginning, therefore, of an account of the Assyrian pantheon is properly to be made with Ashur.
Ashur.
The starting-point of the career of Ashur is the city of Ashur, situated on the west bank of the Tigris, not far from the point where the lower Zab flows into the Tigris. Ashur is therefore distinctly a local deity, and so far as the testimony of the texts goes, he was never regarded in early days in any other light than as the local patron of the city to which he has given his name. He was never worshipped, so far as can be ascertained, as a manifestation of any of the great powers of nature,—the sun or the moon; though, if anything, he was originally a solar deity[231]. Nor was he a symbol of any of the elements,—fire or water. In this respect he differs from Sin, Shamash, Nusku,[232] and Ea, whose worship was localized, without affecting the quasi-universal character that these deities possessed. As a local deity his worship must have been limited to the city over which he spread his protecting arm; and if we find the god afterwards holding jurisdiction over a much larger territory than the city of Ashur, it is because in the north, as in the south, a distinct state or empire was simply regarded as the extension of a city. Ashur became the god of Assyria as the rulers of the city of Ashur grew in power,—in the same way that Marduk, upon the union of the Babylonian states under the supremacy of the city of Babylon, became the god of all Babylonia. But a difference between the north and the south is to be noted. Whereas Marduk, although the god of Babylonia, was worshipped only in the city of Babylon where he was supposed to have his seat, temples to Ashur existed in various parts of the Assyrian empire. The god accompanied the kings in their wars, and wherever the rulers settled, there the god was worshipped. So in the various changes of official residences that took place in the course of Assyrian history from Ashur to Calah, and from Calah to Nineveh, and from Nineveh to Khorsabad, the god took part, and his central seat of worship depended upon the place that the kings chose for their official residence. At the same time, while the cult in the various temples that in the course of time were erected in his honor probably continued without interruption, there was always one place—the official residence—which formed the central spot of worship. There the god was supposed to dwell for the time being. One factor, perhaps, that ought to be taken into consideration in accounting for this movable disposition of the god was that he was not symbolized exclusively by a statue, as Marduk and the other great gods were. His chief symbol was a standard that could be carried from place to place, and indeed was so made that it could be carried into the thick of the fray, in order to assure the army of the god's presence. The standard consisted of a pole surrounded by a disc enclosed within two wings, while above the disc stood the figure of a warrior in the act of shooting an arrow.[233] The statues of the gods were deposited in shrines, and after being carried about, as was done on festive days or other occasions, they would be replaced in their shrines. The military standard, however, followed the camp everywhere, and when the kings chose to fix upon a new place for their military encampment—and such the official residences of the Assyrian warrior-kings in large measure were—the standard would repose in the place selected. How this standard came to be chosen, and when, is another question, and one more difficult to answer. It may be that the representation of the god by a standard was a consequence of the fondness that the rulers of Ashur manifested for perpetual warfare; or, in other words, that the god Ashur was represented by a standard so that he might be carried into the battle and be moved from place to place. At all events, the two things—the standard and the warlike character of the subjects of Ashur—stood in close relationship to one another, and the further conclusion is justified that when a military standard came to be chosen as the symbol of Ashur, the god was recognized distinctly as a god of war. The symbols accompanying the standard are of importance as enabling us to determine something more regarding the character of Ashur. In the first place, the fact that it contained a figure may be taken as an indication that the god was at one time represented by a statue,—as indeed we know from other evidence,[234]—and that the change of his symbol from a statue to a standard is a result of the military activity of the Assyrians. The winged disc is so general a symbol of the sun in the religious system of various ancient nations[235] that one cannot escape the conclusion that the symbol must be similarly interpreted in the case before us. Is it possible, therefore, that in a period lying beyond that revealed by the oldest inscriptions at our disposal, Ashur was worshipped as a solar deity? One is bound to confess that the evidence does not warrant us in regarding Ashur as anything but the patron of the city of Ashur. Nowhere do we find any allusion from which we are justified in concluding that he originally represented some elemental power or phenomenon. Tiele[236] is of the decided opinion that Ashur was at his origin a nature god of some kind, and he goes so far as to suggest, though with due reserve, the possible identification of Ashur with Sin. No doubt Tiele is prompted to this view by the example of the great god of the south, Marduk, who is originally a solar deity, and by all the other great gods who represent, or represented, some power of nature. Analogy, however, is not a sufficiently reliable guide to settle a question for the solution of which historical material is lacking. So much, however, may be said, that if we are to assume that Ashur personified originally some natural power, the symbol of the winged disc lends a strong presumption in favor of supposing him to have been some phase of the sun. So much, then, for the general character of Ashur. Before passing on to a specification of his rôle and his traits, as revealed by the historical texts, a word remains to be said as to the etymology and form of the name. Ashur is the only instance that we have of a god expressly giving his name to a city, for the name of the city can only be derived from that of the god, and not vice versa. The identification of the god with his favorite town must have been so complete that the town, which probably had some specific name of its own, became known simply as the 'city of the god Ashur.' From such a designation it is but a small step to call the city simply, Ashur. The difference between the god and the city would be indicated by the determinative for deity, which was only attached to the former, while the latter was written with the determinative attached to towns. When this city of Ashur extended its bounds until it became coequal with the domain of Assyria, the name of the god was transferred to the entire northern district of Mesopotamia, which, as the country of the god Ashur, was written with the determinative for country.[237] The ideographs which the Assyrian scribes employed in writing the name of the god reveal the meaning they attached to it. He is described ideographically as the 'good god.' This interpretation accords admirably with the general force of the verbal stem underlying the name. In both Hebrew and Assyrian a-sh-r signifies 'to be gracious, to grant blessing, to cause to prosper.' Ashur, therefore, is the god that blesses his subjects, and to the latter he would accordingly appear as the 'good god' par excellence. If the tempting etymology of our own word 'god,' which connects it with 'good,' be correct, 'god' would be almost the perfect equivalent of Ashur. It is not necessary to conclude, as Tiele does,[238] that Ashur, as the 'good one,' is an ethical abstraction, but certainly a designation of a god as 'a good one' sounds more like a descriptive epithet than like a name. The supposition that Ashur was not, therefore, the original name of the god receives a certain measure of force from this consideration. Moreover, there are indications that there actually existed another form of his name, namely, Anshar.[239] This form Anshar would, according to the phonetic laws prevailing in Assyria, tend to become Ash-shar.[240] Ashur—the 'good one'—would thus turn out to be an epithet of the god, chosen as a 'play' suggested by Ash-shar, just as we found Gula called the lady of Ekalli, and again Kallat (bride).[241] The etymology of Anshar is as obscure as that of most of the ancient gods of Babylonia,—as of Sin, Marduk, Ishtar, and many more. But before leaving the subject, it will be proper to call attention to the rôle that a god Anshar plays in the Babylonian-Assyrian cosmological system. Anshar and Kishar are the second pair of deities to be created, the first pair being Lakhmu and Lakhamu. In the great fight of the gods against the monster Tiâmat, it would appear that, according to one version at least, Anshar sends Anu, Ea, and finally Bel-Marduk, in turn to destroy the monster. He appears, therefore, to have exercised a kind of supremacy over the gods. Assuming the correctness of the deductions, according to which Ashur is an epithet arising by a play upon Ash-shar (from an original Anshar), it is hardly open to doubt that this Anshar is the same as the one who appears in the cosmology. On the other hand, it is difficult to suppose that Anshar should have played so significant a part in Babylonian traditions and yet find no mention in the text of the rulers of Babylonia. Bearing in mind what has been said as to the manner in which ancient traditions and myths were remodeled by the schoolmen to conform to later ideas,—we have seen how in this process the popularity of Marduk led to his assuming the rôle originally played by Bel,—may not the recognition given to Anshar be a concession, made at the time that Assyria had begun her glorious career (c. 1400 B.C.), to the chief god of the northern empire?
That such tendencies to glorify Ashur may justly be sought for in part of the religious literature is proved by a version of one of the series of tablets giving an account of the creation, and which assigns to Anshar the work of building Esharra,—i.e., the earth,—that, according to another version, belongs to Marduk.[242] Evidently, then, just as the Babylonian theologians sought to glorify Marduk at the expense of Bel, so Assyrian theologians, or such as stood under Assyrian influences, did not hesitate to replace Marduk by their own favorite, Anshar. In the chapter on the 'Cosmology' we will have occasion to come back to this point. For present purposes it is sufficient to have shown that the position of Anshar in the remodeled traditions is an argument in favor of regarding Anshar as the real name of the god who stands at the head of the Assyrian pantheon.
In the oldest Assyrian inscription known to us, the god Ashur is mentioned. Samsi-Ramman, who does not yet assume the title of king, but only patesi,—i.e., 'religious chief,'[243]—prides himself upon being 'the builder of the temple of Ashur.' The phrase does not mean that he founded the temple, but only that he undertook building operations in connection with it. The date of this ruler may be fixed roughly at 1850 B.C., and since the two inscribed bricks that we have of Samsi-Ramman were found in the ruins of Kalah-Shergat,—the site of the ancient city of Ashur,—there can, of course, be no doubt that the temple at that place is referred to.
The rulers of Assyria, even after they assumed the title of 'king' (c. 1500 B.C.), were still fond of calling themselves the 'priest' of the god Ashur, and frequently gave this title the preference over others. In the fourteenth century the temple of Ashur seems to have suffered at the hands of the Cassites, who attempted to extend their power to the north. This plan was, however, frustrated by Ramman-nirari I., who forces the Cassites to retreat, successfully opposes other enemies of Assyria, and restores the injured parts of Ashur's temple. From this time on, and for a period of several centuries, Assyria assumes an aggressive attitude, and as a consequence the dependency upon the god is more keenly felt than before. The enemies against whom the kings proceed are called 'the enemies of Ashur,' the troops of the king are the troops of Ashur, and the weapons with which they fight are the weapons of Ashur. It is he who causes the arms of Tiglathpileser I. to strike down his foes. The nations cannot endure the awful sight of the god. His brilliancy—the reference being no doubt to the shining standard as it was carried into the fray—inspires on every side a terror that casts all enemies to the ground. All warfare is carried on in the name of Ashur. The statement may be taken literally, for an oracle was sought at critical moments to determine the course that was to be pursued. The fight itself takes place with the help of the god,—again to be taken literally, for the god, represented by his symbol, is present on the battlefield. The victory, accordingly, belongs to the god in the first instance, and only in a secondary degree to the king. The nations are vanquished by Ashur, the conquered cities become subject to Ashur, and when the tribute is brought by the conquered foe, it is to Ashur that it is offered by the kings. Proud and haughty as the latter were, and filled with greed for glory and power, they never hesitated to humble themselves before their god. They freely acknowledged that everything they possessed was due to Ashur's favor. It was he who called them to the throne, who gave them the sceptre and crown, and who firmly established their sovereignty. Through Ashur, who gives the king his invincible weapon,—the mighty bow,—the kingdom is enlarged, until the kings feel justified in saying of themselves that, by the nomination of Ashur, they govern the four quarters of the world. Nay, the rulers go further and declare themselves to be the offspring of Ashur. It is not likely that they ever desired such an assertion also to be interpreted literally. The phrase is rather to be taken as the strongest possible indication of the attachment they felt for their chief god. Everything that they possessed coming directly from their god, how could this be better expressed than by making the god the source of their being? The phrase, at all events, is interesting as showing that the element of love was not absent in the emotions that the thought of Ashur aroused in the breasts of his subjects. The kings cannot find sufficient terms of glorification to bestow upon Ashur. Tiglathpileser I. calls him 'the great lord ruling the assembly of gods,' and in similar style, Ashurnasirbal invokes him as 'the great god of all the gods.' For Ramman-nirari III., he is the king of the Igigi—the heavenly host of spirits. Sargon lovingly addresses him as the father of the gods. Sennacherib calls him the great mountain or rock,—a phrase that recalls a Biblical metaphor applied to the deity,—and Esarhaddon speaks of him as the 'king of gods.' Frequently Ashur is invoked together with other gods. He is 'the guide of the gods.' There is only one instance in which he does not occupy the first place. Ramman-nirari I., to whom reference has above been made, gives Anu the preference over Ashur in a list of gods,[244] to whom conjointly he ascribes his victories. We have already had occasion (see pp. [153]-155) to note the antiquity of Anu worship in Assyria, the foundation of whose temple takes us beyond the period of Samsi-Ramman. Ashur's importance begins only with the moment that the rulers of his city enter upon their career of conquest. Before that, his power and fame were limited to the city over which he presided. Those gods who in the south occupied a superior rank were also acknowledged in the north. The religion of the Assyrians does not acquire traits that distinguish it from that of Babylonia till the rise of a distinct Assyrian empire. Here, as in Babylonia, the religious conceptions, and in a measure the art, are shaped by the course of political events. Anu, accordingly, takes precedence to Ashur previous to the supremacy of the city of Ashur. This superior rank belongs to him as the supreme god of heaven. Ramman-nirari's reign marks a turning-point in the history of Assyria. The enemies of Ashur, who had succeeded for a time in obscuring the god's glory through the humiliation which his land endured, were driven back, but neither the people nor the rulers had as yet become conscious of the fact that it was solely to Ashur that the victory was due. Hence, other gods are associated with Ashur by Ramman-nirari, and the old god Anu is accorded his proper rank. After the days of Ramman-nirari, however, Ashur's precedence over all other gods is established. Whether associated with Bel or with Ramman, or with Shamash and Ramman, or with a larger representation of the pantheon, Ashur is invariably mentioned first.
From what has been said of the chief trait of Assyrian history, it follows, as a matter of course, that the popularity of Ashur is due to the military successes of the Assyrian armies; and it follows, with equal necessity, that Ashur, whatever he may originally have been, becomes purely a god of war, from the moment that Assyria enters upon what appeared to be her special mission. All the titles given to Ashur by the kings may be said to follow from his rôle as the god who presides over the fortunes of the wars. If he is the 'ruler of all the gods,' and their father, he is so simply by virtue of that same superior strength which makes him the 'law-giver' for mankind, and not because of any ancient traditions, nor as an expression of some nature-myth. He lords it over gods and spirits, but he lords it solely because of his warlike qualities. Ashur is the giver of crown and sceptre, and the kings of Assyria are the patesis of the god, his lieutenants. He is the god that embodies the spirit of Assyrian history, and as such he is the most characteristic personage of the Assyrian pantheon—in a certain sense the only characteristic personage. So profound is his influence that almost all the other gods of the pantheon take on some of his character. Whenever and wherever possible, those phases of the god's nature are emphasized which point to the possession of power over enemies. The gods of the Assyrian pantheon impress one as diminutive Ashurs by the side of the big one, and in proportion as they approach nearer to the character of Ashur himself, is their hold upon the royal favor strengthened.