"Wher' now is our Hebrew childern?
Wher' now is our Hebrew childern?
Wher' now is our Hebrew childern?
Safe in de promis' lan'.
Dey went up frum de fiery furnace,
Dey went up frum de fiery furnace,
Dey went up frum de fiery furnace,
Safe to de promis' lan'.
By an' by we'll go an' see dem,
By an' by we'll go an' see dem,
By an' by we'll go an' see dem,
Safe in de promis' lan'."
Thus questioning, answering, promising, the song, or perhaps hymn it might be called, went on through several stanzas, telling in dolorous cadences how our good "ol' Danel went up frum de den uf lions;" how "our good ol' 'Ligy went up on wheels uf fire;" how "our good ol' Samson went up wid de gates uf Gaza;" how "our good ol' Noah went up frum de mount uf Areat;" how "our good ol' Mary went up in robes uf whiteness," etc., all "safe to de promis' lan'," the comforting assurance over and over repeated that "by an' by we'll go an' see dem, safe in de promis' lan'." Long as it was, the song was much too short for Big Black Burl, as indeed was every song that he sung. But being a "dab" at improvising words, as well as music, he could easily spin out his melodies to any length he pleased. So, on getting to the end of his hymn, ignoring the fact, he went right on ad libitum until he had sent up, in some manner, scriptural or not, or from some locality, scriptural or not, every good old Hebrew he could think of, safe to the promised land, winding up thus with our good old Jonah:
"Wher' now is our good ol' Jonah?
Wher' now is our good ol' Jonah?
Wher' now is our good ol' Jonah?
Safe in de promis' lan'.
He went up frum—I don't know wher' frum;
He went up frum—I don't know wher' frum;
He went up frum—I don't know wher' frum,
Safe to de promis' lan'.
By an' by we'll go an' see him;
By an' by we'll go an' see him;
By an' by we'll go an' see him,
Safe in de promis' lan'."
Having got to the end of his Hebrew rope, the singer, pausing but long enough for a "Gee up, Corny," to his slow-paced plow-horse, passed recklessly from sacred to profane, and fell to roaring "Ol' Zip Coon," from which to pass in turn, by a cut as short, to "Hark! from the tombs a doleful sound."
When the dinner-horn blew, he unhitched old Cornwallis from the plow and, mounting him, rode leisurely home. Having tied his horse to a long trough set on two wide red-oak stumps just outside the gate of the fort, and throwing in a dozen ears of corn, he went on into Miss Jemima's kitchen to get his own dinner. Drawing a puncheon-stool up to the puncheon-table, he sat down to his noonday meal with an appetite which had been sharp enough from his morning labors, but to which his singing had lent an edge keen as a tomahawk. He had cut him a long, thick slice of bacon and was in the act of conveying the first solid inch of the savory fat to his lips when the fork thus loaded was stayed midway between plate and open mouth by the voice of his mistress, who came to the kitchen-door to inquire if Bushie had not come in with him. Burl looked quickly round, saying with a tone of surprise: "Why, Miss Jemimy, hasn't Bushie come home?"
"No; nor has he been seen in or about the fort for more than three hours," replied the mother.
Bolting the solid inch of bacon which the while he had held poised on his fork, he rose quickly from the table and was hurrying out of the house when his mistress, with more alarm at heart than look or tone betrayed, inquired of him whither he was going.
"Jus' back to de fiel' ag'in to git Bushie. Come out to de fiel' whar I was plowin', he did; staid a good smart bit, settin' on de fence, waitin' fur de dinner-horn to blow, when he was to ride ol' Corny home. He's shorely laid down on de grass in de fence-corner an' went to sleep. But I'll go an' bring him home right away."
And with this explanation Burl was off to the field again, though with but the slightest hope of finding his little master out there asleep on the grass in the fence-corner, as he had suggested. On reaching the spot where he had last seen the boy he made a careful examination of the ground, and it was not long before his keen and practiced eye discovered in the crushed leaves and bruised weeds the traces of three Indians. The savages had evidently crept upon the child and made him their captive before he could cry for help, while he who would have rescued him or perished was blithely singing at his work on the other side of the field. For several moments Big Black Burl stood as if dumbfounded, gazing fixedly down at the hated foot-prints in the leaves. But when he raised his eyes and beheld the cabin where, deserted and lonely, it stood in the midst of the waving green, another look came into his face—one of vengeful and desperate determination right terrible to see.
Speeding back to the fort, he found his mistress standing in her cabin door-way waiting and watching his return. No need to be told the afflicting tidings, she read them in his hurried gait and dismayed countenance. She uttered not a cry, shed not a tear, but, with lips and cheeks blanched as with the hue of death, she sunk down upon a wooden settee that stood close behind her. And there, at the door of her desolate house, the widowed mother sat—continued to sit through the long, sad, weary hours of absence and suspense, waiting and watching, her eyes turned ever toward the perilous north. Fortunately about a dozen of the hunters belonging to the station had just come in from the forest, who, upon learning what had happened, promptly volunteered to set out at once in pursuit of the savages and rescue, if possible, the unlucky Bushie, the boy being a great favorite with everybody at the fort.