"I yi, my larky!" cried the Fighting Nigger, with an emphatic snap of finger and thumb, then added: "But Bushie, why didn't you holler fur me when de dead varmint ober yander gobbled you up?"
"Because he slipped up behind me while I was watching the squirrels and crows, and before I knew it clapped his hand over my mouth."
"Ah, Bushrod, Bushrod!" with a sad shake of the head; "didn't I tole you dar's Injuns in de woods wid stickin' knives an' splittin' tomahawks fur bad little boys as don't mind der mudders an' runs away frum home an' hain't got nothin' to say fur 'emselves but beca'se? Heh, didn't I?"
"Yes, you did!" acknowledging the fact with sheepish frankness.
"Well, ef I let dis young Injun up, will you eber do de like ag'in—run away wid de red varmints an' make yo'r pore mudder mizzible?"
"No, indeed; that I won't! 'Indeed, and double 'deed,' I won't!" his eyes now filling with tears. Remorseful little runaway.
"Lef' her settin' dar, I did, at de doo'," continued Burl, now modulating his voice into a sort of dolorous tune: "pore mudder all by herself at de doo'. Couldn't speak a word, couldn't walk a step, so mizzible—so onsituwated, fur dar she's a-settin' yit, I know, a-lookin' an' a-lookin', a-prayin' an' a-prayin', to see her pore ol' nigger comin' home a totein' her pore little boy on his back. How could you, Bushie, how could you leave yo' pore mudder so onsituwated? I wouldn't be 'stonished——"
"O don't, Burl! Please don't; it hurts me so—it nearly kills me!" And with the loved pictures of home—the motherly face, with its white cap; the mother's bed, with his own little trundle-bed underneath; the table, with its white cloth folded and laid upon it; the hickory-bound cedar water-bucket, with its crooked handled gourd; the red corner-cupboard, with its store of Johnny-cakes and cold potatoes for quiet enjoyment between meals; old Cornwallis; the red rooster; the speckled hen; the yellow tomcat—with all these loved images passing with sudden vividness before his remembrance at the sound of the old home voice in that lonely place, the delinquent Bushie, now thoroughly penitent, lifted up his voice and wept aloud. "The little sinner had come to his milk." Yes, though a runaway, he had in him the good, sound stuff for making the good, sound man. Burl remained silent for some moments, that wholesome repentance might have its way and start the penitent toward the better life; then, making a big pretense of yielding the point, and wishing to hide, under a show of obedience to his baby superior, what he deemed an unwarrior-like weakness of feeling, he wound up the matter thus: "Well, Bushie, dar's reason in all things. You's my little marster, I's yo' ol' nigger. Bein' yo' ol' nigger, I mus' do what my little marster tells me to do, an' let de young Injun up. But mind you now, I'm doin' it beca'se he was good to my little marster. But who'd a thought it was in de red rubbish to do de like?" And with this closing observation, spoken in an under-tone, and meant only for the private ear of Burlman Rennuls, the Fighting Nigger stepped from over the prostrate foe, giving, as he did so, a wide, upward wave of the hand, with a huge, upward nod of the head, which said as plainly as ever had chivalry said it: "Vanquished warrior, rise and live!"
The young Indian rose to his feet, and going directly up to his little preserver, shook him with gentle earnestness by the hand, evincing in the simple act and the look attending it the utmost thankfulness of heart, mixed with respect and admiration. Then he went to the log, against which still leaned a loaded rifle, and was picking it up when Burl, suspecting treachery, sprung forward to frustrate the hostile design. But too quick for him, the young savage gathering up the weapon and wielding it in his right-hand, discharged it into the air. Then, with grave composure, as though he had not noticed the movement of alarm, he surrendered the empty rifle to his victor, in token of his entire submission; though, as he did so, he pointed to Bushie, his captive but the hour before, thus signifying that he wished to be regarded as the prisoner of his little preserver.
Without seeming to know what he was doing, Burl took the rifle and, resting it on the ground, stood motionless for many moments, staring fixedly at the young Indian with a look of unqualified astonishment and unmitigated bewilderment, as if his senses had told him something that had given the lie to his leading and abiding conviction—that eternal truth embodied in the words, "Dar's reason in all things." Burlman Rennuls was in a fog; the Fighting Nigger was in a fog; in a fog was the entire man of Big Black Burl.